Doctoral Lecture: 2021-03-31 – Jeongmi Yoon, piano

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Lecture presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 video recording (53 min., 32 sec.) : sd., col. ; digital

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Yoon, Jeongmi March 31, 2021.

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  • Main Title: Doctoral Lecture: 2021-03-31 – Jeongmi Yoon, piano
  • Series Title: Lecture Recitals
  • Series Title: Doctoral Recitals
  • Added Title: Beethoven's Orchestra at the Romantic Piano: Understanding the Piano Transcriptions of The Ruins of Athens - 'Marcia alla Turca' by Liszt and Rubinstein

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Description

Lecture presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 video recording (53 min., 32 sec.) : sd., col. ; digital

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music Program Book 2020-2021: Student Performances, Volume 2 (Book)

College of Music Program Book 2020-2021: Student Performances, Volume 2

Student performances program book from the 2020-2021 school year at the University of North Texas College of Music.

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Program: https…

Beethoven's Orchestra at the Romantic Piano: Understanding the Piano Transcriptions of "Marcia alla turca" from Beethoven's The Ruins of Athens by Franz Liszt and Anton Rubinstein (Thesis or Dissertation)

Beethoven's Orchestra at the Romantic Piano: Understanding the Piano Transcriptions of "Marcia alla turca" from Beethoven's The Ruins of Athens by Franz Liszt and Anton Rubinstein

The transcriptions of Franz Liszt (1811-1886) and Anton Rubinstein (1829-1894) on Beethoven's "Marcia alla turca" serve as unique examples within the area of transcription since each of these important virtuosos transcribed the movement with drastically different results. Liszt's Capriccio alla turca (1846) is built on Beethoven's thematic materials although it is presented with a greatly embellished accompaniment providing countermelodies, expanded passages, and vigorous rhythmic features. In contrast, Rubinstein's Turkish March (1848) attempts to capture Beethoven's original (1811) as closely as possible adhering to the form and harmonies. Each composer's approach served to showcase new pianistic innovations capturing orchestral sonorities at the piano previously unimagined. This dissertation offers musical insight for two less well-known works from significant pianist-composers which should receive further attention. Additionally, this research provides greater documentation for the compositions of Rubinstein, supplementing the historical accounts of his abilities as a performer. Examination and comparative analysis of each transcription not only illuminates the creative approaches each composer employed in creating his transcription, but also serves pianists wishing to perform these neglected works.

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Dissertation: https…

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  • March 31, 2021

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  • July 8, 2021, 2:11 p.m.

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  • Feb. 22, 2024, 10:39 a.m.

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Yoon, Jeongmi. Doctoral Lecture: 2021-03-31 – Jeongmi Yoon, piano, video, March 31, 2021; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1820942/: accessed June 15, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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