Hanging on to Home: Representations of Handala and the Home

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Description

Paper examines the subjective relationships between the Palestinians, the Israeli West Bank Barrier ( or the “Apartheid Wall”), Handala (a cartoon character created by Naji al-Ali), and the concept of home.

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15 p.: ill.

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Hyche, Breana 2012.

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This article is part of the collection entitled: The Eagle Feather and was provided by the UNT Libraries to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 313 times, with 17 in the last month. More information about this article can be viewed below.

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Paper examines the subjective relationships between the Palestinians, the Israeli West Bank Barrier ( or the “Apartheid Wall”), Handala (a cartoon character created by Naji al-Ali), and the concept of home.

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15 p.: ill.

Notes

Abstract: Palestinians call the Israeli West Bank Barrier the “Apartheid Wall” to evoke the disenfranchisement they experience in their loss of belonging and sense of home that has resulted from their denial of home and country; however, what the Palestinians have lost goes beyond the land and homes that the international community sees. While the “security fence” protects the Israeli settlers in their claimed lands, for Palestinians, graffiti on the Apartheid Wall in the West Bank questions notions of heritage and belonging imposed by the wall. My purpose here is to argue that an image of Naji al-Ali’s cartoon character, Handala, reproduced in a Palestinian refugee camp on the Apartheid Wall, represents the struggle of the Palestinians to hold on to their sense of home, heritage, and belonging in the Holy Land. I will be examining cartoons of the 10-year-old refugee boy, Handala, from al-Ali’s published drawings between 1973-1987, including especially his characteristics and meaning. I will also compare literature reporting on the history and purpose of the wall with information from interviews with Palestinians about their experiences with the wall. This paper seeks to examine the subjective relationships between the Palestinians, the wall, Handala, and the concept of home.

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  • Eagle Feather, Issue 9, University of North Texas Honors College: Denton, Texas. 2012

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  • Publication Title: Eagle Feather
  • Volume: 9
  • Issue: 2012
  • Peer Reviewed: Yes

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The Eagle Feather

Launched in 2004 by UNT's Honors College, The Eagle Feather was an interdisciplinary undergraduate research journal that promoted the work of students and their faculty mentors. The Eagle Feather was published annually until 2017 when it transitioned into the North Texas Journal of Undergraduate Research.

UNT Undergraduate Student Works

This collection presents scholarly and artistic content created by undergraduate students. All materials have been previously accepted by a professional organization or approved by a faculty mentor. Most classroom assignments are not eligible for inclusion. The collection includes, but is not limited to Honors College theses, thesis supplemental files, professional presentations, articles, and posters. Some items in this collection are restricted to use by the UNT community.

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  • 2012

Added to The UNT Digital Library

  • April 22, 2020, 5:45 p.m.

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  • May 6, 2020, 1:20 p.m.

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Hyche, Breana. Hanging on to Home: Representations of Handala and the Home, article, 2012; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1635180/: accessed April 27, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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