Paper examines the subjective relationships between the Palestinians, the Israeli West Bank Barrier ( or the “Apartheid Wall”), Handala (a cartoon character created by Naji al-Ali), and the concept of home.
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Paper examines the subjective relationships between the Palestinians, the Israeli West Bank Barrier ( or the “Apartheid Wall”), Handala (a cartoon character created by Naji al-Ali), and the concept of home.
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15 p.: ill.
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Abstract: Palestinians call the Israeli West Bank Barrier the “Apartheid Wall” to evoke the disenfranchisement they experience in their loss of belonging and sense of home that has resulted from their denial of home and country; however, what the Palestinians have lost goes beyond the land and homes that the international community sees. While the “security fence” protects the Israeli settlers in their claimed lands, for Palestinians, graffiti on the Apartheid Wall in the West Bank questions notions of heritage and belonging imposed by the wall. My purpose here is to argue that an image of Naji al-Ali’s cartoon character, Handala, reproduced in a Palestinian refugee camp on the Apartheid Wall, represents the struggle of the Palestinians to hold on to their sense of home, heritage, and belonging in the Holy Land. I will be examining cartoons of the 10-year-old refugee boy, Handala, from al-Ali’s published drawings between 1973-1987, including especially his characteristics and meaning. I will also compare literature reporting on the history and purpose of the wall with information from interviews with Palestinians about their experiences with the wall. This paper seeks to examine the subjective relationships between the Palestinians, the wall, Handala, and the concept of home.
This article is part of the following collections of related materials.
The Eagle Feather
Launched in 2004 by UNT's Honors College, The Eagle Feather was an interdisciplinary undergraduate research journal that promoted the work of students and their faculty mentors. The Eagle Feather was published annually until 2017 when it transitioned into the North Texas Journal of Undergraduate Research.
This collection presents scholarly and artistic content created by undergraduate students. All materials have been previously accepted by a professional organization or approved by a faculty mentor. Most classroom assignments are not eligible for inclusion. The collection includes, but is not limited to Honors College theses, thesis supplemental files, professional presentations, articles, and posters. Some items in this collection are restricted to use by the UNT community.