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in subjects: "Improvisation Music"  
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The Effects of Free Play As an Instructional Tool on the Quality of Improvisation of First, Second, and Third Grade Children

Description: To look at the effect of free play on the musical improvisations of first, second and third grade children, 108 children were randomly assigned to either a control or treatment group. Subjects were tested using a researcher-designed instrument to elicit an improvisatory response. The control group then received regular music instruction (120 minutes every 2 weeks) and the treatment group received regular music instruction in conjunction with musical free play (100 minutes of instruction and 20 … more
Date: December 2000
Creator: Burger, Tammie L.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Theoretical Constructs of Jazz Improvisation Performance

Description: The purpose of this study was to develop and test systematically a theoretical model that delineated the constructs and subsumed variables of jazz improvisation performance. The specific research questions were; what specific performance variables are related to single line jazz solo improvisation performance? and; what is the most cogent groupings of variables into underlying constructs which characterize single line jazz solo improvisation performances for all performers, student performers, … more
Date: December 1991
Creator: Tumlinson, Charles D. (Charles David)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improvisers

Description: This study compared the effects from the use of aural and notated exercises as pedagogical procedures for teaching harmonic accuracy to beginning jazz improvisation students. The methods of pedagogy were identified from published pedagogic and historical sources, the results of oral and written traditions of jazz pedagogy. The performance objective was produced from a review of the related literature as a recognized and measurable characteristic of jazz improvisation. The purpose of this study… more
Date: August 2001
Creator: Laughlin, James Edwin
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Improvisation in the Beginning Piano Class

Description: The problem was to survey and collect ideas on the use of improvisation as a teaching and learning tool in elementary piano instruction and to prescribe activities and exercises for second through fourth grade piano classes. These areas were examined: philosophies and theories influencing traditional instruction, effects of creative keyboard activities on children's musical development, specific teaching strategies using improvisation, evaluative procedures, and suitability of materials for you… more
Date: December 1977
Creator: Jones, Nancy Ragsdale
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Live Sampling in Improvised Musical Performance: Three Approaches and a Discussion of Aesthetics

Description: Three original software programs utilizing improvisation and live sampling are presented here, along with a discussion of aesthetic issues raised by each. They are entitled Zur Elektrodynamik bewegter Musiker, Motet, and Gamepad Sampler. These programs vary in the degree of required interaction and in the kind of user control. They are each studies in imitative counterpoint through live sampling, with an approach seeking elegance before solutions. Because of the improvisational nature of these … more
Date: August 2007
Creator: Morris, Jeffrey Martin
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Development and Evaluation of a Comprehensive First Semester College Jazz Improvisation Curriculum

Description: The purpose of the study was to develop and evaluate a comprehensive first semester college jazz improvisation curriculum. Specific problems concerning the evaluation of the curriculum were, (a) to assess achievement in music theory fundamentals, (b) to assess achievement in jazz listening, (c) to assess improvement in jazz improvisation performance, (d) to assess student attitudes toward jazz improvisation and the curriculum. Based on the findings, the conclusions were as follows students bene… more
Date: December 1979
Creator: Segress, Terry
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The improvisational language of Niels-Henning Ørsted Pedersen: A performance study.

Description: Thirteen original transcriptions and subsequent analysis of improvised solos performed by Niels-Henning Ørsted Pedersen. The transcriptions are analyzed in three categories: harmonic vocabulary, technical devices, and motivic use. Pervasive harmonic and melodic themes are presented and compared with phrases from improvisers such as Sonny Rollins and Charlie Parker, as well as compositions by J.S. Bach and Johannes Brahms. Observations from the transcriptions regarding performance practice and t… more
Date: December 2008
Creator: Butterfield, Craig
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Woody Shaw: Development of Style in Three Versions of "The Moontrane”

Description: Woody Shaw is one of the most influential jazz trumpet players of the past fifty years. Despite his importance, very few models exist that contextualize Shaw's improvisatory approach inside modern jazz pedagogy. Writers such as Rex Richardson, Eric O'Donnell, and Gavin Franklin have identified key elements of Shaw's style, and have begun a critical examination of Shaw's music. While extensive, these approaches do not take into consideration the impact free jazz had on Shaw's technique, nor do t… more
Date: May 2016
Creator: Karns, Keith
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Motivic and Voice-Leading Coherence in the Improvisations of Saxophonist Chris Cheek

Description: Saxophonist Chris Cheek has been a reference for his work as a sideman with some of the most established jazz artists in the international jazz scene of the last twenty-five years. Despite his importance, there is lack of detail in the available publications about Cheek. The short length and journalistic character of the publications only produce surface descriptions of Cheek's style. There is a need to further describe the melodic elements present in Chris Cheek's style in order to have a bett… more
Date: December 2017
Creator: Fraile, Alex
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Evolution of the Improvisational Vocabulary of Marc Johnson

Description: This study examines the evolution of the improvisational vocabulary utilized by bassist Marc Johnson over the course of his career. Through interviews and musical analysis the study contextualizes Johnson’s musical influences, considers how they shaped his development, and examines his role in the legacy of the stylistic lineage established by Scott LaFaro with the Bill Evans Trio. A survey of literature concerning Johnson, Scott LaFaro and Eddie Gomez is included, as well as a discussion of th… more
Date: May 2016
Creator: Helsley, Jack
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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An Analysis of Joe Lovano's Tenor Saxophone Improvisation on "Misterioso" by Thelonius Monk: An Exercise in Multi-Dimensional Thematicism

Description: The dissertation focuses on Joe Lovano's utilization of thematic material in relation to "Misterioso" by Thelonius Monk. Thematicism is defined more broadly in this study to include reference to the form, phrase structure, and harmony of "Misterioso". Methodological models provided by Gary Potter, Henry Martin, and Paul Hindemith serve as points of departure for this study which focuses on four areas: 1) phrasing, 2) step progression, 3) motives and formulas, and 4) harmonic implications. Thema… more
Date: August 2003
Creator: Dahlke, Andrew Richard
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations

Description: This study documents and analyzes cyclic patterns used as melodic vocabulary in John Coltrane's improvisations from compositions of 1965 to 1967. The analysis is categorized in two distinct sections. The first section analyzes melodic vocabulary that is derived from the cycle of descending major thirds progressions found in the compositions of 1959 to 1960. The second section analyzes melodic vocabulary that is derived from Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns using the… more
Date: August 2003
Creator: Bair, Jeff
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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A multi-dimensional entropy model of jazz improvisation for music information retrieval.

Description: Jazz improvisation provides a case context for examining information in music; entropy provides a means for representing music for retrieval. Entropy measures are shown to distinguish between different improvisations on the same theme, thus demonstrating their potential for representing jazz information for analysis and retrieval. The calculated entropy measures are calibrated against human representation by means of a case study of an advanced jazz improvisation course, in which synonyms for "… more
Date: December 2005
Creator: Simon, Scott J.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Rise and Fall of Piano Improvisation in Western Classical Music Performance: Why Today's Piano Students Should be Learning to Improvise

Description: Improvisation is an art form which has arguably been present since the existence of music itself. Inventing music on the spot, like spontaneous speech, is a common expression of artistry throughout history and across musical boundaries. While improvisation has maintained its importance in jazz, classical organ music and the music of many eastern cultures, this dissertation will focus on the presence of improvisation as acceptable performance practice within the tradition of western classical mu… more
Date: May 2020
Creator: Vigran, Joshua
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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An Analysis of Dave Holland's Free Improvisation in "Waterfall" and Its Pedagogical Applications for Bassists in Avant-Garde Performance

Description: This research investigates a microcosm of the free jazz/free improvisation environment of the 1970s in "Waterfall," from the album Dave Holland/Sam Rivers Vol. 1. This recording features Dave Holland and Sam Rivers exhibiting highly developed improvisational language and effortless interaction. The purpose of this investigation is to create pedagogical material for bassists who are unfamiliar and/or uncomfortable with performing in an improvisational style that exists separately from the rigid,… more
Date: December 2019
Creator: Heffner, Steven (Bassist)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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John Playford's The Division Violin: Improvisation and Variation Practice in English Violin Music of the Seventeenth Century

Description: English publisher John Playford (1623-1686/1687) first published his "The Division Violin: Containing a Collection of Divisions Upon Several Grounds for the Treble-Violin" in 1684. The first edition of this violin collection contains 26 written-out examples of improvisation, serving as a living snapshot of the performance practice of the time. This research is based on the second edition, which Playford had expanded into 30 pieces for the violin, published in 1685. The purpose of this study is … more
Date: August 2017
Creator: Chan, Tzu-Ying
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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