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Michael Daugherty's Red Cape Tango: A Comparative Study of the Original Version for Symphony Orchestra and its Transcription for Wind Orchestra, with Four Recitals of Selected Works by Beethoven, Dvorák, Verdi, Bartók and Daugherty

Description: Michael Daugherty has created his niche in the music world by composing works inspired by icons of American popular culture. Red Cape Tango is the final movement of his Metropolis Symphony, a work inspired by the life and times of the comic book character Superman. This movement in particular deals with the death of the superhero through the use of musical elements, most notably the Latin Sequence of the Mass for the Dead, Dies irae. Daugherty's ingenuity in blending profoundly dark subject… more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: May 2002
Creator: Ortega, Arturo
Partner: UNT Libraries
captions transcript

[The Inauguration of Norval F. Pohl, Ph.D.]

Description: Video recording of the inauguration ceremony for Norval F. Pohl, the 13th President of UNT (2000 - 2006), held in the UNT Coliseum on Friday, May 4, 2001 at 3:00 PM. The video opens with a silent flag processional, which leads into the procession of honor society delegates, faculty and staff to live musical accompaniment. The music heard during the procession was composed by Dr. Dennis Fisher, a College of Music professor. Music professor Lynn Eustace performs the national anthem, Eagle Ambassa… more
Date: May 4, 2001
Duration: 2 hours 03 seconds
Creator: Center for Media Production
Partner: UNT Libraries Special Collections
open access

Two European Traditions of Tuba Playing as Evidenced in the Solo Tuba Compositions of Ralph Vaughan Williams and Paul Hindemith, a Lecture Recital, Together with Three Recitals of Selected Works of W. Ross, R. Beasley, A. Russell, V. Persichetti, W.S. Hartley, N.K. Brown, J.S. Bach, and Others

Description: The lecture recital was given on June 16, 1980. The Ralph Vaughan Williams Concerto for Bass Tuba and the Paul Hindemith Sonate for Tuba and Piano were performed following a lecture on the historical evolution of the tuba in Europe. The lecture included a history of the predecessors of the tuba and their influence on the development of tuba playing traditions. Tuba performance practices in Europe developed around two playing traditions, one in France and England, and a second in Germany. The op… more
Date: August 1980
Creator: Schulz, Charles A.
Partner: UNT Libraries

Shoot the Conductor: Too Close to Monteux, Szell, and Ormandy

Description: Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen, he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make… more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: July 2015
Creator: Brusilow, Anshel & Underdahl, Robin
Partner: UNT Press
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["Phantasmagoria" A Documentary of the First Performance]

Description: A video of a performance by the North Texas State University band, directed by Larry Austin. The piece had two music parts played at the same time - the lower part represents the earth and the upper part represents the sky and the heavens.
Date: February 1, 1983
Duration: 32 minutes 16 seconds
Creator: University of North Texas. Center for Media Production.
Partner: UNT Libraries Special Collections
open access

Orchestral Accompaniment in the Vocal Works of Hector Berlioz

Description: Recent Berlioz studies tend to stress the significance of the French tradition for a balanced understanding of Berlioz's music. Such is necessary because the customary emphasis on purely musical structure inclines to stress the influence of German masters to the neglect of vocal and therefore rhetorical character of this tradition. The present study, through a fresh examination of Berlioz's vocal-orchestral scores, sets forth the various orchestrational patterns and the rationales that lay behi… more
Date: May 1994
Creator: Lee, Namjai
Partner: UNT Libraries
open access

The Offstage Effect: An Historical and Stylistic Perspective with Performance Considerations for Trumpet

Description: The present study does not attempt to present a complete or exhaustive survey of the myriad spatial orchestrational devices occurring in the symphonic and operatic repertoire. Rather, the study is limited to an examination of the specified use of the trumpet as an offstage instrument in selected representative works. The study's purpose is to identify trends in the use of this orchestrational device, to serve as an aid to the trumpeter in matters of interpretation, and to provide a practical r… more
Date: December 1991
Creator: Trout, Marion T. (Marion Thomas)
Partner: UNT Libraries
open access

The Nightingale's Flight from Opera to Symphonic Poem: A Comparative Study of The Nightingale and The Song of the Nightingale by Igor Stravinsky

Description: An analysis of the transformation from Stravinsky's opera The Nightingale to The Song of the Nightingale, a symphonic poem by the same composer. The text includes a brief history of Stravinsky's life and the genesis of The Nightingale and The Song of the Nightingale. The bulk of the dissertation discusses actual changes employed by Stravinsky (with score examples). Patterns of modifications are identified and discussed as they relate to the composer's change of attitude in orchestration. Th… more
Date: December 2000
Creator: Couturiaux, Clay
Partner: UNT Libraries
open access

A Comparative Analysis of the 1915 and 1919 Versions of Symphony No. 5 in E-flat Major, op. 82 by Jean Sibelius

Description: The initial composition of the Fifth Symphony in E-flat Major, Op. 82 was undertaken as a commission to celebrate the composer's fiftieth birthday. Unhappy with the initial efforts, two revisions were then performed; the first was in 1916 and the final revision in 1919. Despite the larger form of the work seeming to have been changed between the 1915 and 1919 versions, the smaller gestures of thematic expression in both versions remained similar. On the surface, it had appeared that the compose… more
Date: May 2010
Creator: Norine, John Richard, Jr.
Partner: UNT Libraries

A Critical Study of Arnold Schoenberg's Chamber Transcription of Gustav Mahler's Das Lied von der Erde

Description: Toward the end of his life, from 1908 to 1909, Gustav Mahler (1860-1911) composed Das Lied von der Erde (The song of the earth). This piece is a cycle of six song movements based on seven poems selected from Die chinesische Flötem - Nachdichtungen chinesischer Lyrik (The Chinese flute - free adaptation of Chinese lyric poetry) by Hans Bethge. The Chinese verse was written by Li-Po (numbers 1, 3, 4 and 5), Tchang-Tsi (number 2), and Mong-Kao-Jen and Wang-Wei (combined in number 6). Subsequent… more
Access: Restricted to the UNT Community Members at a UNT Libraries Location.
Date: August 2006
Creator: Sun, Ai-Kuang
Partner: UNT Libraries
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