Orchestral Accompaniment in the Vocal Works of Hector Berlioz

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Description

Recent Berlioz studies tend to stress the significance of the French tradition for a balanced understanding of Berlioz's music. Such is necessary because the customary emphasis on purely musical structure inclines to stress the influence of German masters to the neglect of vocal and therefore rhetorical character of this tradition. The present study, through a fresh examination of Berlioz's vocal-orchestral scores, sets forth the various orchestrational patterns and the rationales that lay behind them.

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xi, 368 leaves : ill.

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Lee, Namjai May 1994.

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  • Lee, Namjai

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Recent Berlioz studies tend to stress the significance of the French tradition for a balanced understanding of Berlioz's music. Such is necessary because the customary emphasis on purely musical structure inclines to stress the influence of German masters to the neglect of vocal and therefore rhetorical character of this tradition. The present study, through a fresh examination of Berlioz's vocal-orchestral scores, sets forth the various orchestrational patterns and the rationales that lay behind them.

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xi, 368 leaves : ill.

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  • May 1994

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  • March 24, 2014, 8:07 p.m.

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  • Jan. 9, 2015, 2:15 p.m.

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Lee, Namjai. Orchestral Accompaniment in the Vocal Works of Hector Berlioz, dissertation, May 1994; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc277761/: accessed November 16, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .