Doctoral Recital: 1987-04-06 – Phil Thompson, clarinet, flute, saxophone
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- Ganne: Andante and Scherzo for Flute and Piano 0:06:57
- Kramar-Krommer: Concerto in E flat Major for Clarinet and Orchestra, Op. 36, Allegro 0:09:29
- Kramar-Krommer: Concerto in E flat Major for Clarinet and Orchestra, Op. 36, Adagio 0:04:49
- Kramar-Krommer: Concerto in E flat Major for Clarinet and Orchestra, Op. 36, Rondo 0:05:34
- Tate: Sonata for Clarinet and Cello, Poco lento cantabile 0:05:16
- Tate: Sonata for Clarinet and Cello, Vivo 0:03:54
- Tate: Sonata for Clarinet and Cello, Adagio non troppo alla Sarabanda 0:04:34
- Tate: Sonata for Clarinet and Cello, Finale (Quasi Variazioni) 0:06:45
- Boutry: Divertimento for Alto Saxophone and Piano, Allegro ma non troppo 0:03:00
- Boutry: Divertimento for Alto Saxophone and Piano, Andante 0:03:06
- Boutry: Divertimento for Alto Saxophone and Piano, Presto 0:01:44
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School of Music Program Book 1986-1987, Volume 1: Fall/Spring Performances (Book)
Fall/spring performances program book from the 1986-1987 school year at the North Texas State University School of Music.
Program: https…
A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others (Thesis or Dissertation)
Four works are selected to demonstrate the stature and demands of this craft and to represent a pinnacle in the art of contemporary woodwind doubling. Concerto for Doubles, by Thomas Filas, Concerto Tri-Chroma. by Michael Kibbe, Rhapsody Nova, by Clare Fischer and Suite for Solo Flute. Clarinet and Alto Saxophone by Claude Smith all represent rare, major solo works written specifically for three individual woodwind doublers. The paper will begin with a history of the practice of woodwind doubling from the fifteenth century to the present. The four works will then be examined by considering form, style and related performance practices.
A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others - ark:/67531/metadc278544
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Doctoral Recital: 1987-04-06 – Phil Thompson, clarinet, flute, saxophone, audio recording, April 6, 1987; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc984022/: accessed June 1, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.