Social Circumstance and Aesthetic Achievement: Contextual Studies in Richard Wright’s Native Son Page: 77
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Perceptual Misadventure
provides a more likely paradigm of this psycholog-
ical phenomenon.
3. Yellin (687) argues that Babo's viewpoint is never
seen or heard.
4. SeeYellin (683)
5. See Tuhkanen (20) for structural blindness.
WORKS CITED
Abernathy, Jeff. To Hell and Back: Race and Betrayal in the
Southern Novel.Athens: University of Georgia, 2003.
Bluefarb, Sam. "Bigger Thomas: Escape into the
Labyrinth." The Escape Motif in the Modern American
Novel: Mark Twain to Carson McCullers. Albuquerque:
U of New Mexico P, 1966.
French, Warren. The Social Novel at the End of an Era.
Edwardsville: Southern Illinois UP, 1966.
Melville, Herman. "Benito Cereno." The Writings of
Herman Melville: The Piazza Tales and Other Prose
Pieces, 1839-1860. Ed. Harrison Hayford, Hershel
Parker, and G. Thomas Tanselle. Evanston and
Chicago: Northwestern-Newberry Library, 1987.
Schultz, Elizabeth. "The Power of Blackness: Richard
Wright Re-Writes Moby-Dick." African American
Review 30.4 (1999).
Tuhkanen, Mikko. "A Bigger's Place." The American
Optic Psychoanalysis, Critical Race Theory, and Richard
Wright. Ed. Henry Sussman.Albany: State University
of New York P, 2009.77
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Duban, James. Social Circumstance and Aesthetic Achievement: Contextual Studies in Richard Wright’s Native Son, book, June 2016; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc854116/m1/89/: accessed May 11, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .