The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1 Page: Title Page
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THE VOICE OF THE COMPOSER: THEORY AND PRACTICE
IN THE WORKS OF PIETRO PONTIO
VOLUME I
DISSERTATION
Presented to the Graduate Council of the
University of North Texas in Partial
Fulfillment of the Requirements
For the Degree of
DOCTOR OF PHILOSOPHY
By
219
MO. 3/^1
Russell Eugene Murray, Jr., B.A., B.M.E., M.M.E,
Denton, Texas
December, 1989
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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 2 (Thesis or Dissertation)
The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents used in the study, and transcriptions of representative musical compositions.
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Murray, Russell Eugene. The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1, dissertation, December 1989; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc331433/m1/1/?rotate=90: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .