The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1

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The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents used in the study, and transcriptions of representative musical compositions.

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xx, 427 leaves : ill.

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Murray, Russell Eugene December 1989.

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This dissertation is part of the collection entitled: UNT Theses and Dissertations and was provided by the UNT Libraries to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 1806 times, with 11 in the last month. More information about this dissertation can be viewed below.

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  • Murray, Russell Eugene

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  • Main Title: The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1
  • Added Title: v.1

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Description

The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents
used in the study, and transcriptions of representative musical compositions.

Physical Description

xx, 427 leaves : ill.

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This is part of the dissertation entitled: "The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio." See Relation field for a reference to related resource.

"Volume I."

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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 2 (Thesis or Dissertation)

The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 2

The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents used in the study, and transcriptions of representative musical compositions.

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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 2, ark:/67531/metadc332450

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  • December 1989

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  • 1500~ - 1599~

Added to The UNT Digital Library

  • Aug. 22, 2014, 6 p.m.

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  • March 18, 2019, 4:55 p.m.

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Thumbnail image of item number 1 in: 'The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1'.
Thumbnail image of item number 2 in: 'The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1'.
Thumbnail image of item number 3 in: 'The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1'.
Thumbnail image of item number 4 in: 'The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1'.

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Murray, Russell Eugene. The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1, dissertation, December 1989; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc331433/: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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