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Description
This piece was created in 1985 at the Center for Computer Research in Music and Acoustics at Stanford University on the Samxon Box Digital Concepts Synthesizer. It was inspired by an early morning walk in Vondelpark in Amsterdam and was made in conjunction with a film, also by the composer. The pigeon of the title "Pigeon Fantasies" is in some sense the protagonist of the film. Water is an important image in the piece. Great pains were taken to resynthesize the sound of water, using a program devised by Julius Smith. The program is a phase vocoder-based analysis/synthesis system able …
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This piece was created in 1985 at the Center for Computer Research in Music and Acoustics at Stanford University on the Samxon Box Digital Concepts Synthesizer. It was inspired by an early morning walk in Vondelpark in Amsterdam and was made in conjunction with a film, also by the composer. The pigeon of the title "Pigeon Fantasies" is in some sense the protagonist of the film. Water is an important image in the piece. Great pains were taken to resynthesize the sound of water, using a program devised by Julius Smith. The program is a phase vocoder-based analysis/synthesis system able to track inharmonic partials. It was designed to model piano tones. Sound generating techniques included additive synthesis as well as digitally recorded and processed natural water sounds and frequency modulation synthesis. Both the music and the film were created with the intention that they could function separately as well as together.
This recording is part of the following collection of related materials.
Mnemothèque Internationale des Arts Electroacoustiques
Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.