Doctoral Recital: 2006-03-20 – Julie M. Licata, percussion

One of 2,450 items in the series: Doctoral Recitals available on this site.

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree

Physical Description

1 recording (43 min., 51 sec.)

Creation Information

Licata, Julie M. March 20, 2006.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 121 times. More information about this recording can be viewed below.

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UNT Music Library

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  • Main Title: Doctoral Recital: 2006-03-20 – Julie M. Licata, percussion
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree

Physical Description

1 recording (43 min., 51 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music program book 2005-2006 Student Performances Vol. 1 (Book)

College of Music program book 2005-2006 Student Performances Vol. 1

Student performances program book from the 2005-2006 school year at the University of North Texas College of Music.

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Program: https…

Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds (Thesis or Dissertation)

Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds

Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization was composed in 1995 by Pulitzer prize-winning composer Roger Reynolds. This work is a 25-minute choreographed music drama for one multiple-percussionist, in which Reynolds incorporates the musical transformation of percussion instrument families, the physical gestures of the performer, and the spatialization of processed sounds around the audience. This dissertation addresses several aspects of Watershed, which include: the expressive intent and extra-musical concepts; the formal organization, and several non-musical tools that Reynolds utilized in designing the piece (e.g. logarithmically derived sequences); the primary musical motives; the instrument setup and how the resulting physical gestures contribute to the musical intent; and the real-time computer spatialization. Throughout the document, specific musical passages are demonstrated with notated musical examples and embedded video/audio clips. In addition, transcripts of my interviews with composer Roger Reynolds, percussionist Steven Schick (premiere performer of Watershed) and engineer/technician Greg Dixon (engineer for my performances of Watershed IV) are also included.

Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds - ark:/67531/metadc12153

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Creation Date

  • March 20, 2006

Coverage Date

Added to The UNT Digital Library

  • Feb. 13, 2007, 9:13 p.m.

Description Last Updated

  • March 13, 2024, 12:49 p.m.

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Total Uses: 121

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  • 33.210701, -97.150088

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Licata, Julie M. Doctoral Recital: 2006-03-20 – Julie M. Licata, percussion, audio recording, March 20, 2006; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1477/: accessed July 18, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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