Doctoral Recital: 2015-04-20 - Andrew Daniel, guitar
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- Sor: Introduction and Variations on a theme by Mozart, Op. 9 0:07:21
- Leisner: Dances in the Madhouse: 1. Tango Solitaire 0:04:14
- Leisner: Dances in the Madhouse: 2. Waltz for the Old Folks 0:02:15
- Leisner: Dances in the Madhouse: 3. Ballad for the Lonely 0:03:51
- Leisner: Dances in the Madhouse: 4. Samba! 0:02:13
- Piazzolla: Histoire du Tango: 1. Bordello 1900 0:04:07
- Piazzolla: Histoire du Tango: 2. Cafe 1930 0:07:15
- Piazzolla: Histoire du Tango: 3. Night Club 1960 0:05:49
- Piazzolla: Histoire du Tango: 4. Concert d'aujourd'hui 0:03:14
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College of Music Program Book 2014-2015: Student Performances, Volume 2 (Book)
Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.
Program: https…
Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar (Thesis or Dissertation)
There is a puacity of original works from the Baroque Era for the guitar. Transcriptions, especially music originally for harpsichord, complement the guitarist's repertoire. Dominating the priviledged space in the guitar canon, represented by Baroque transcriptions, are the composers Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. Underrepresented in the Baroque guitar canon is the music of Spanish composers, most noteworthy, the harpsichordist Padre Antonio Soler, who composed more than 120 sonatas for his instrument. Music is culturally defined and it is clear, through an analysis of the keyboard works of Soler, that his music was imbued with the salient features of his place and time. There is an implicit connection between the guitar and the non-guitar music produced in Spain as guitar gestures are part of the national emblem; this study makes an explicit connection between the harpsichord music of Soler and the modern guitar. The Spanish Baroque style, epitomized by the works of Soler, provide a clear objective for transcription. The current study produces a transcription of Padre Antonio Soler's Sonata No. R.27 and Sonata No. R.100, as well as an analysis of the sonatas to facilitate interpretation for performance and an explanation of the transcription process. The lacunae of Spanish Baroque guitar transcriptions that exists in the repertoire will be partially filled by adding Soler to the distinguished list of composers that currently inhabit the guitarists's library.
Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar - ark:/67531/metadc862826
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Doctoral Recital: 2015-04-20 - Andrew Daniel, guitar, audio recording, April 20, 2015; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1075196/: accessed July 18, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.