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The French Cantata: A Survey and Thematic Catalog

Description: The musical compositions known collectively as the French cantata have remained relatively unknown since their popularity waned in the middle of the 18th century. In order to establish a foundation for their systematic study and to bring them to the attention of a wider audience, this survey and catalog have been prepared. The cultural mileu in which the cantatas were written, their formal structure, and principles related to their performance have been presented along with pertinent biographic… more
Date: 1970
Creator: Vollen, Gene E.
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French Theories of Beauty and the Aesthetics of Music 1700 to 1750

Description: Studies of eighteenth-century French musical aesthetics have traditionally focused on questions of taste treated in the critical literature of the day. During the first half of the century, however, certain French writers were dealing with aesthetics in the stricter sense of the word, proposing theories of beauty that suited existing philosophical values. The treatises in which these ideas were set forth--Jean-Pierre de Crousaz' Traité du beau, Jean-Baptiste DuBos' Réflexions critiques sur la p… more
Date: August 1982
Creator: Dill, Charles William
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Functional Theory for Applied Music Students

Description: The purpose of this study was to prepare music theory textbook-workbooks for students of elementary school grades four through eight who are taking private music lessons in voice, piano, or other instruments. The study was prompted by the action taken first by Texas Music Teachers Association and later by Music Teachers National Association which made the passing of comprehensive music theory examinations a prerequisite for entering all student performance and contest events sponsored by these … more
Date: December 1970
Creator: Flinn, Lois Clark
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Garden of Eden

Description: The Garden Of Eden is a ballet for four instrumental quintets: brass, woodwind, string, and percussion. Each ensemble is associated with one of four dancers: God, Adam, Eve, -and the Serpent, respectively. The duration of this ballet is approximately sixteen minutes and is divided into three parts depicting (1) the creation of the world and Adam; (2) the creation of Eve-and the warning about the tree of knowledge; and (3) the Serpent's temptation of the main characters, as well as their subsequ… more
Date: December 1985
Creator: Sutch, Mark
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The General Music Course in the Secondary School: A Content Analysis of Selected Curricular Sources

Description: The study described through content analysis the general music course in the secondary school as perceived in selected curricular sources from the 1960's and 1970's. As various writers of curricular sources developed their own content and methodologies, a vast amount of data became available which seemed unmanageable because of the particular philosophical goals chosen for the course. The study organized in a systematic manner the content and methodologies of the.course by means of eighteen cat… more
Date: December 1984
Creator: Lawrence, David Lee
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The Genio-Hyoid Vocal Interference

Description: Both science and empirical knowledge seem to indicate that anatomical considerations relating to potential muscular interference be established at the incipiency of the serious study of voice. Experience shows that if this aspect of vocal development is not pursued with utmost diligence, an early deterioration of the vocal instrument is possible many years before a normal expectancy. It has been discovered, also, that the study of articulation, pronunciation, modulation, emphasis, gestures and … more
Date: June 1960
Creator: Hargrave, William Kossuth
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Goethe's Kennst du das Land: Eight Musical Settings, 1795-1888

Description: This thesis studies the problem of combining a poem with music in nineteenth-century Lieder so that the music enhances the poetry rather than detracting from it. Eight settings of Goethe's poem "Kennst du das Land," from his novel Wilhelm Meisters Lehrjahr, are compared. Settings by Johann Friedrich Reichardt, Beethoven, Schubert, Schumann, Liszt, Tchaikowsky, and Wolf are analyzed, after initial treatment of the literary aspects of the poem. The degree of musico-poetic synthesis varies in the… more
Date: August 1977
Creator: McCrory, Jennifer A.
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Gregorian Chant in the Organ Symphonies of Widor and Dupré, a Lecture Recital, Together With Three Recitals of Selected Works of J. S. Bach, S. Barber, A. Bruckner, F. Couperin, M. Dupré, M. Duruflé, C. Franck, W. A. Mozart, O. Messiaen, J. Pachelbel, M. Reger, and Others

Description: The lecture recital was given on November 20, 1979. The final movement of Widor's Symphonie Gothique, opus 70, the first movement of Widor's Symphonie Romane, opus 73, and the first movement of Dupré's Symphonie-Passion, opus 23 were performed following a lecture on Gregorian Chant in the organ symphonies of Widor and Dupré. The lecture included a brief historical discussion of the decline of organ literature following the French Classical School, the development of the Modern French Organ Scho… more
Date: May 1979
Creator: Thomas, Paul Lindsley
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A Guide for the Performance of Trumpet Mariachi Music in Schools

Description: The purpose of this study is to provide a guide for the instruction of a trumpet mariachi performance ensemble in a music curriculum. The fulfillment of this purpose is dependent upon the data supplied in answer to the sub problems: (1) What socio-cultural information provides authentic trumpet mariachi music; (2) What trumpet mariachi literature illustrates the repertoire and style; (3) What instructional source materials may be developed such that Mexican American and non-Mexican American ins… more
Date: August 1979
Creator: Bennett, James G., fl. 1979-
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Gustav Holst as a Choral Composer: His Life, Factors Influencing His Compositions, His Place in English Music, and a Consideration of the Principal Stylistic Elements of His Choral Music

Description: "An amiable personality, not himself an unusually passionate man, HoIst has excited more violent passions than any other contemporary English composer. How difficult he is to assess as a creative artist is perhaps indicated by the extraordinary fluctuations in his reputation." For a number of years he was completely unknown and ignored, living a quiet and unhurried life as an obscure teacher. Then with a momentary flash, after outstanding works such as "The Planets," and the "Ode to Death," he … more
Date: June 1959
Creator: Daugherty, Leonard Valson
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Handel and Three Prima Donnas: Reciprocal Influences, a Lecture Recital, Together with Two Recitals of Selected Works of W. A. Mozart, F. Schubert, H. Wolf, R. Strauss, G. Fauré, C. Debussy, D. Moore, and Others, and Opera Roles by Pleyel and Rossini

Description: The lecture recital was given April 1, 1974. Eighteenth-century accounts of the voices and performing styles of Francesca Cuzzoni, Faustina Bordoni, and Anna Strada del Pò were related to six opera arias written for them by George Frideric Handel. The arias, accompanied by harpsichord, violin, and violoncello, were performed with added original ornamentation. In addition to the lecture recital two other public recitals and two opera roles were performed. The first solo recital was on February 1… more
Date: May 1974
Creator: Armes, Mary Beth
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The Harmonic Interval of the Seventh in the Works of Representative Composers of Italian Madrigals, 1542-1614

Description: This study is an attempt to shed some light on the treatment of one dissonance—the seventh—in the works of the following composers: Cipriano de Rore (1516-1565); Philippe de Monte (1521-1603); Giaches de Wert (1535-1596); Luca Marenzio (1553-1599); Carlo Gesualdo (ca. 1560-1613); and Claudio Monteverdi (1567-1643). The purpose of this thesis is to discover (1) the frequency of occurrence of primary (relatively accented) sevenths and their inversions (^ chords, etc.) in a selection of each compo… more
Date: December 1976
Creator: Dowden, Ralph D.
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Harmonic Practice in the Guitar Music of Manuel M. Ponce

Description: This investigation examines the evolution of harmonic practice in the guitar misic of the Mexican composer, Manuel M. Ponce (1882-1948). Ponces harmonic practice evolved from a simple romantic style influenced by Mexican folksong to a more complex idiom influenced by Impressionistic harmony. This study explores the change in Ponce t s harmonic practice in two ways. First, general features of Ponce's harmonic vocabulary are surveyed in excerpts from various guitar works written over a twenty yea… more
Date: December 1985
Creator: Nystel, David J.
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Harmony in the Songs of Hugo Wolf

Description: The songs of Hugo Wolf represent the culmination of the Romantic German Lied tradition. Wolf developed a personal chromatic harmonic style that allowed him to respond to every nuance of a poetic text, thereby stretching tonality to its limits. He was convinced, however, that despite its novel nature his music could be explained through the traditional theory of harmony. This study determines the degree to which Wolf's belief is true, and begins with an evaluation of the current state of researc… more
Date: August 1989
Creator: McKinney, Timothy R. (Timothy Richmond)
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Harmony in the Symphonies of Ralph Vaughan Williams

Description: The harmony of Vaughan Williams defies classification in terms of traditional harmony alone, making use as it does at times, of structures of superposed fourths, so-called "added-note" chords, and random sonorities, as will appear. Therefore, the chords will be placed into two principal categories of usage, traditional and non-traditional.
Date: January 1958
Creator: Edmonds, Billy Joe
open access

Harry Partch: And on the Seventh Day Petals Fell on Petaluma

Description: Harry Partch's tuning system is an important contribution to tuning theory, and his music is original and significant. Part One of this study presents a brief biography of Partch, a discussion of his musical aesthetics (Monophony and Corporeality), and a technical summary of his tuning system. These elements are placed in historical perspective. Part Two presents a comprehensive analysis of "And on the Seventh Day Petals Fell on Petaluma," discussing the organization of formal, textural, rhythm… more
Date: August 1982
Creator: Nicholl, Matthew James
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Hebrew Origins and Vocal Practice of Music in the Early Christian Church to 500 A.D.

Description: This study aims to show all known knowledge of singing in the earliest days of the biblical New Testament. The practices of the early Christian church in respect to singing are traced during the period directly following that covered by the New Testament and carried forward to around the year 500 A.D. The study aims to learn, insofar as available sources permit, all that we may know today of singing in the earliest days of the New Testament Church. Both Old and New Testaments will be searched f… more
Date: August 1954
Creator: Palm, Richard C.
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The Hermit Songs of Samuel Barber

Description: Samuel Barber was born in West Chester, Pennsylvania, a town on the outskirts of Philadelphia, on March 9, 1910. He was the son of Samuel Le Roy Barber and Marguerite Beatty Barber. His father came from a long line of tradesmen and professional people and was a doctor and prominent citizen in the Pennsylvanian town in which his son was born. Although no musical tendencies existed on the father's side, there were numerous accounts of musical abilities in his mother's family. Marguerite Beatty Ba… more
Date: May 1964
Creator: Lansford, Julia Ann
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Heroes Are Born Then Made

Description: Heroes Are Born Then Made is a theatre piece involving live actors on stage, and live music originating from an orchestra pit. The script and music is original. The music is meant to literally depict actions and emotions on stage whether the actors are present or not. The duration of the entire production is about two and one-half hours long. Six main actors are used with additional walk-ons. Sixteen musicians are required to make up the orchestra which is organized into a woodwind quartet, a b… more
Date: May 1987
Creator: Miesak, Edward
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A Historical and Stylistic Analysis of the Sonata, Op. 31, No. 2 in D Minor of Beethoven

Description: The purpose of this paper is to give a historical and stylistic analysis of the Sonata, Op.31, No.2 in D minor of Beethoven. The historical background of Beethoven, the time period the sonata was written, and the influence that the piano of the time had on the sonata is first discussed. The author then discusses the general aspects of Beethoven's style followed by a detailed analysis of the sonata.
Date: August 1948
Creator: Craw, H. Allen
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