Antón Arrufat’s Los Siete Contra Tebas: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict

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This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.

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iii, 83 pages

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Gosch, Elizabeth Anna August 2014.

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This thesis is part of the collection entitled: UNT Theses and Dissertations and was provided by the UNT Libraries to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 928 times. More information about this thesis can be viewed below.

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  • Gosch, Elizabeth Anna

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This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.

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iii, 83 pages

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  • August 2014

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  • Aug. 21, 2015, 5:42 a.m.

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  • Oct. 22, 2019, 12:53 p.m.

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Gosch, Elizabeth Anna. Antón Arrufat’s Los Siete Contra Tebas: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict, thesis, August 2014; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc699886/: accessed April 25, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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