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open access

Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale

Description: Throughout centuries of great classical music, many viola compositions have been crafted from a wealth of literature for instruments of similar range. Clarinet, violin, and cello concerti and ensemble literature often adapt into challenging literature for the viola. In November 2009, Oxford Music Publishing gave me permission to transcribe and perform the Prelude, Allegro, and Pastorale by Rebecca Clarke in New York's famed Carnegie Hall - Weill Recital Hall. This dissertation explains the p… more
Date: August 2010
Creator: Stevens, Daniel Brent
Partner: UNT Libraries

Faculty and Student Recital: 2014-03-18 – Improbable Encounters

Description: A faculty and student recital performed at the UNT College of Music Voertman Hall.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: March 18, 2014
Duration: 1 hour 14 minutes 08 seconds
Creator: Klein, Joseph, 1962-; Dubois, Susan; Harlos, Steven, 1953-; McNutt, Elizabeth; Stec, Kyle; Morscheck, Stephen et al.
Partner: UNT Music Library
open access

Performer’s Guide to the Execution and Application of Karen Tuttle’s Coordination, As Applied to Ernest Bloch’s Suite Hébraïque

Description: Legendary violist and pedagogue Karen Tuttle developed a new approach to playing the viola known as Coordination. Coordination consists of a deep emotional connection to music, as well as highly specific motions of the body. This document details the execution of the physical motions of Coordination, through written descriptions and multimedia examples. A detailed discussion of the application of the motions is presented, using notated examples from Ernest Bloch’s Suite Hébraïque.
Date: December 2013
Creator: Sander, Amber
Partner: UNT Libraries
open access

A Similar Approach with Different Results: the Use of Baroque Elements in Stravinsky’s Suite Italienne (1933), Shostakovich’s Violin Sonata in G Major, Op 134 (1968) and Schnittke’s Suite in the Old Style (1972)

Description: Igor Stravinsky (1882-1971), Dmitri Shostakovich (1906-1975) and Alfred Schnittke (1934-1998) were three of the most important avant-garde Russian composers of the twentieth century. Even though their music shares a number of important traits, their work also reflects very individualized and distinct compositional styles. This study illustrates the similarities in their approach and the contrasting elements present in three selected pieces: Stravinsky´s Suite Italienne for Violin and Piano (193… more
Date: August 2013
Creator: Oh, Hyun Sun
Partner: UNT Libraries
open access

The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques

Description: Contemporary professional violinists face constant exposure to multicultural compositions. For best results, they should be able to understand, capture, and express the subtleties of different styles. The violin and its repertoire spread to China through European missionaries during the late seventeenth century and continued to be developed by Chinese scientists and musicians who studied abroad. During the twentieth and twenty-first centuries, Chinese composers wrote many violin pieces inspired… more
Date: August 2017
Creator: Gao, Jie (Violinist)
Partner: UNT Libraries
open access

Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature

Description: Arnold Schoenberg's String Quartet No. 1, Op. 7 stands out as being the first chamber music piece to use a vast number and variety of extended string techniques within one composition. This paper examines a brief history of extended string techniques in chamber music, analyses the unique ways in which Schoenberg applied extended string techniques to manipulate motives in his Op. 7 quartet, and ultimately shows that Schoenberg's use of extended string techniques influenced future composers to em… more
Date: August 2017
Creator: Greenfield, Leah
Partner: UNT Libraries
open access

Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance

Description: Benjamin Britten is a renowned and prolific English composer, well known for his operas and vocal works. He did, however, also compose five works especially for the cello as a solo instrument of which the Sonata in C for Cello and Piano Op. 65 was the first. He was inspired by one of his musical contemporaries, the remarkable Soviet cellist, Mstislav Rostropovich. Rostropovich was famous for his amazing artistry which propelled him to become one of the most prominent cellists in the world dur… more
Date: May 2009
Creator: Lee, Jeong-A
Partner: UNT Libraries
open access

Physical Problems in Vibrato Amongst First-year College Violinists: a Descriptive Study

Description: The purpose of this descriptive study was to first identify to what extent first-year college violinists physically struggle with the vibrato motion, and further, to identify physical problems within the motion that are contributing to their challenges during the learning process. The 16 participants in this study were chosen randomly from the College Music Society Directory of Music Faculties in Colleges and Universities (2013-2014 edition). Participants completed a questionnaire of 32 quantit… more
Date: August 2015
Creator: Manfredi, Zo Hurd
Partner: UNT Libraries
open access

A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards

Description: Bright Sheng (b. 1955) has won international acclaim for successfully fusing disparate musical elements in his works. Listeners can trace Chinese pentatonic scales and instrumental effects mixed with Western classical structures. Postcards (1997) is a well-received orchestral work that successfully merges diverse musical styles and compositional techniques. Sheng based Postcards on material from his Four Movements for Piano Trio (1990). He applies masterful and distinctive orchestration to tran… more
Date: August 2015
Creator: Lee, Hsuan-Yu
Partner: UNT Libraries
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