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Mastery in Colonial and Post-Colonial Brazil: José Maurício Nunes Garcia's (1767-1830) Use of Trombone in His "Missa De Santa Cecília" (1826)

Description: Padre José Maurício Nunes Garcia (1767-1830) was perhaps the most prolific, revered, and successful composer in 18th and 19th century colonial and postcolonial Brazil. Padre José Maurício's favor with King Dom João VI, the Portuguese Royal Court, and a catalogue of hundreds of compositions, is validation of his success, yet there is comparatively little academic research and recognition in comparison to his European contemporaries. Padre José Maurício's employment of the trombone within his amb… more
Date: August 2022
Creator: Davis, Zachariah Tyler
Partner: UNT Libraries
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Using Paired Excerpts from Robert Schumann's "Album for the Young," Op. 68 and Lowell Liebermann's "Album for the Young," Op. 43 as a Teaching Resource to Make a Smoother Transition from Romantic to Modern Piano Music for Young Students

Description: The first chapter introduces the purpose and significance of this study for the piano teacher who wants to teach twentieth-century piano music effectively at the elementary or intermediate level, combining it and comparing it with nineteenth-century piano music. The second chapter presents an overview of both Schumann and Liebermann's Album for the Young. In the third chapter, the two collections are analyzed pedagogically and compared in detail. The study should provide piano teachers with an … more
Date: August 2022
Creator: Cho, Kyungrae
Partner: UNT Libraries
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A Guide to the Performance and Study of "Dialogue de l'ombre double" (1985) by Pierre Boulez (1925-1916)

Description: Pierre Boulez (1925-2016) composed Dialogue de l'ombre double for clarinet and live electronics in 1985. This same year, Alain Damiens of Ensemble InterContemporain premiered and recorded the work with the help of Andrew Gerzso of Institut de Recherche et de Coordination Acoustique/Musique (IRCAM). The piece alternates between pre-recorded and live sections that are performed with varied levels of amplification and reverberation creating a dialogue between the parts. Boulez also includes detail… more
Date: August 2022
Creator: Miller, Brooke Laurie
Partner: UNT Libraries

A Performance Guide to Tles Kazhgaliev's Piano Concerto No. 2, Exploring Its Synthesis of Kazakh Folklore and Western Music

Description: The purpose of this research is to explore the synthesis of folk and Western traditions in Kazhgaliev's Piano Concerto No. 2 and also to examine the uncommon performance practices associated with the genre. The dissertation gives a brief historical background of Kazakhstan, its folk music, and the significance of the country's piano performance practice. It mainly discusses Kazhgaliev's concerto, which is influenced by folk music. I hope that the dissertation will assist in the promotion and co… more
Date: August 2022
Creator: Karsakpayeva, Altynay
Partner: UNT Libraries

Il bel canto russo: Incorporating Principles from the Old Italian School of Singing to Russian Lyric Diction Utilizing the Songs of Mikhail Glinka (1804 -1857)

Description: Mikhail Glinka (1804-1857) is widely recognized as a founding father of Russian classical music, but in fact, his music represents a bridge: it establishes a distinctive Slavic sound built on the Italian roots of Glinka's musical inspiration. As a young man, Glinka traveled abroad, which included three years spent in Italy, where he gained extensive exposure to and familiarity with what modern scholarship refers to as the Old Italian School of Singing. This influence makes his songs an ideal in… more
This item is restricted from view until September 1, 2024.
Date: August 2022
Creator: McGee, Michael Anthony
Partner: UNT Libraries
open access

A Performer's Analysis of Georg Schumann's Sonata for Cello and Piano, Op. 19

Description: In the late 19th century, Georg Schumann (1866-1952) composed an attractive sonata for the cello that remains largely unknown today. By presenting a performer's analysis, this dissertation aims to position Georg Schumann's Sonata for Cello and Piano in E minor, Op. 19 (1898) amongst other more commonly performed sonatas of the era. This paper provides a detailed analysis of each movement of the sonata, an overview of the history and development of the cello sonata and an overview of Georg Schum… more
Date: August 2022
Creator: Chilton, Kaye Yu-Ho Chang
Partner: UNT Libraries
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Developing a Pedagogical Model for Twentieth Century Flute Repertoire

Description: Modern flute pedagogy tends to focus on repertoire which utilizes or builds upon tonal and Romantic stylistic conventions, largely ignoring works that disregard or reject these conventions until later in student's education. This lack of stylistic diversity in commonly studied works from the first half of the twentieth century can be problematic when students are approaching avant-garde or modernist repertoire for the first time, as they are unfamiliar with the style and technical needs of the … more
Date: August 2022
Creator: Maker, Anne Marie Dearth
Partner: UNT Libraries
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The Influence of Thomas Mann's "Doctor Faustus: The Life of the German Composer Adrian Leverkühn as Told by a Friend" upon Alfred Schnittke's Compositional Style as seen through His "Fuga for Solo Violin" (1953)

Description: Alfred Schnittke was a prolific and nuanced musical figure of the twentieth-century, contributing significantly to the fields of musical philosophy and composition. One of his most researched contributions, that bridges both disciplines, is his definition and implementation of the compositional technique, polystylism. His 1971 essay, "Polystylistic Tendencies in Modern Music," served as the first serious discussion of the term, providing a narrower definition, differentiating it from other te… more
Date: August 2022
Creator: McKamie, Mark Alexander
Partner: UNT Libraries

"Allegro de Concert," op. 46, by Frédéric Chopin: A Performance Guide

Description: Frédéric Chopin produced a remarkable body of piano works. Even though most of his works are essential repertoire in piano literature, some of them remain less familiar. One such significant work is the Allegro de Concert in A major, op. 46, which was apparently intended to be the first movement of a third piano concerto. Despite the praise the work has received, it is rarely heard, and references to performance are lacking in the scholarly literature. Some reasons include the substantial techn… more
Date: August 2022
Creator: Jeong, Jiyoon
Partner: UNT Libraries
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Tibetan and Western Musical Elements in the Piano Suite "Tibetan Sketches" by Bingyuan Cui

Description: As one of the few piano works with Tibetan folk characteristics, the piano suite Tibetan Sketches composed by Bingyuan Cui presents a vivid depiction of the Tibetan people with colorful sound and considerable imagination. As a Tibetan, I have been greatly honored to research and perform this work and incorporate my understanding into this dissertation. The composer took into account Western composition techniques as well as Eastern music, combining religious and folk musical elements of Chinese… more
Date: August 2022
Creator: Jiang, Tingyue
Partner: UNT Libraries
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Politics and the Piano during the Great Proletarian Cultural Revolution in China: An Analysis of Three Piano Works, "Music at Sunset" (1975), "Hundreds of Birds Paying Homage to the Phoenix" (1973), and "Liuyang River" (1972)

Description: As a political disturbance and social movement, the Cultural Revolution hugely impacted the development of Chinese piano art. The piano went through many stages throughout this ten-year period. This dissertation examines the suppression and later expansion of piano music in China during the Cultural Revolution, along with the historical motivations and forces that shaped each stage of its development. The study is supported by historical documents and relevant literature. This dissertation incl… more
Date: July 2023
Creator: Liu, Yuanshi
Partner: UNT Libraries
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Prokofiev's Piano Sonata No. 4 in C Minor, Op. 29 (1917): A Performance Guide based on Interpretations by György Sándor and Boris Berman

Description: One of the famous Russian composers and a pianist himself, Sergei Prokofiev (1891–1953) composed a vast quantity of piano music. His nine piano sonatas represent well how he projected his musical individuality and the principles that he addressed in his autobiography: classical line, modern trend, toccata line, lyrical line, and grotesque line. However, even though Prokofiev's piano sonatas are considered one of the important collections in the piano repertoire, not all of them have gained popu… more
Date: July 2023
Creator: Cho, Soyoung
Partner: UNT Libraries

Expansion of Pianism through a Reinterpretation of Bartók's Dance Suite for Solo Piano (1925)

Description: This project offers a comprehensive performance guide to Bartók's Dance Suite for solo piano based on a renewed interpretation of the piece. The Dance Suite (Táncszvit/Tanz Suite) is a unique work in Bartók's oeuvre, presented by the composer in two versions: one for orchestra (1923) and one for solo piano (1925). There has been little research done on this piece to enhance its popularity even though it may be a piece that illuminates one of Bartók's compositional philosophies: the unity of all… more
This item is restricted from view until June 1, 2028.
Date: May 2023
Creator: Lee, Jenny JungYeon
Partner: UNT Libraries
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"Seven Songs to Poems of James Joyce," op. 54 (1926) by Karol Szymaowski: A Historical Musicology Analysis and Performance Guide

Description: This research contributes valuable contextual information to the study of Karol Szymanowski's little-known song cycle Seven Songs to Poems of James Joyce, op. 54 (1926), providing a reliable, comprehensive reference for singers and scholars. In this research, I establish separate historical contexts for James Joyce's Chamber Music and Szymanowski's settings of the poems in op. 54. Using these established historical contexts, I then analyze Joyce's poems and Szymanowski's text settings, focusing… more
Date: May 2023
Creator: Wan, Fujia
Partner: UNT Libraries
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Musique Concrète Instrumentale in Helmut Lachenmann's "Child's Play" (1980): A Pedagogical Study for Late Intermediate Students

Description: Helmut Friedrich Lachenmann is a German composer of contemporary music. In his 1980 work for piano, Child's Play, Lachenmann develops one of his own signature concepts, musique concrète instrumentale, in which he uses the "standard" (not prepared) piano in non-conventional and innovative ways to explore new sounds and techniques. This dissertation is a pedagogical study that provides a teaching guide for educators who would like to use Child's Play as an introduction to some of the sounds and t… more
Date: May 2023
Creator: Kong, Byung Sook
Partner: UNT Libraries
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12 Études Caractéristiques, Opus 2, by Adolf von Henselt: A Pedagogical Guide with Practical Exercises on Selected Etudes

Description: Adolf von Henselt (1814–1889) was one of the most renowned German pianists and composers of his day. The majority of his compositions are for the piano, one of his most successful being the set of Piano Études, Op. 2. It consists of twelve etudes, each of which is designed for developing a particular technique. Henselt's etudes are as demanding as Chopin's and Liszt's, so this pedagogical guide is designed for advanced-level students. Henselt uses many finger extensions and stretches larger tha… more
Date: May 2023
Creator: Kim, Hyunsuk
Partner: UNT Libraries
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Two Flute Works by Chen Yi and Their Musical Integration of Western and Chinese Cultures and Styles

Description: The purpose of this study is to analyze two of Chen Yi's works that include flute. She was raised in China and later studied in the United States, leading to a compositional output notable for its combination of Eastern and Western musical elements. Her unusual early experiences, such as experiencing the Chinese Cultural Revolution, working in rural areas, studying the violin, playing the piano in the orchestra, and being influenced by Western modernists, became her musical inspirations in her … more
Date: May 2023
Creator: Guan, Peiyi
Partner: UNT Libraries
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An Analysis of Federico Alvarez del Toro's Marimba Concerto "El Espiritu de la Tierra"

Description: In this paper, I analyze the musical content in Federico Alvarez del Toro's marimba concerto El Espiritu de la Tierra. This dissertation represents my analysis of features I hear in the composition, and does not reflect the composer's original compositional process. Commissioned by the governor of Chiapas, the piece was composed in collaboration with internationally renowned marimba virtuoso Zeferino Nandayapa and premiered in 1984 with the Philharmonic Orchestra of Mexico City at Festival Cerv… more
Date: May 2023
Creator: Hastings, Tyree
Partner: UNT Libraries
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Interpretation of "No-Re I" (2018) for Flute Solo by Gyu-Bong Yi: An Analytical Study of Korean and Western Fusion with Performance Suggestions about Extended Techniques

Description: This dissertation serves as an analysis and performance guide for No-Re I for Flute Solo (2018) by Gyu-Bong Yi (이규봉), a work that combines Korean elements and Western compositional techniques. The modern flute, developed in the mid-nineteenth century with the Boehm's Schema, has pushed the boundaries of the instrument through experimentation with new techniques, leading to numerous contemporary works presenting unique challenges for flutists. No-Re I includes passages with various extended tech… more
Date: May 2023
Creator: Yoon, Hyunsu
Partner: UNT Libraries

A Performance Guide for Five Mezzo-Soprano Arias from Chinese Operas

Description: In the West, operas in Czech, English, French, German, Italian, Spanish, and Russian are the best known in collegiate and professional classical music settings. Given the changes in social climate in recent decades, however, attention is being given to the study and performance of under-represented minorities. There have been operas composed in the West on Asian topics, but one does not yet hear operas in Asian languages programmed as part of a regular season in major opera houses in the United… more
This item is restricted from view until June 1, 2024.
Date: May 2023
Creator: Xu, Jingye
Partner: UNT Libraries
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The Ideal of Moral Cosmopolitanism and Human Rights in Edward Manukyan's "A World Without War"

Description: The cantata A World Without War (2009), by Armenian-born composer Edward Manukyan (b. 1981), was written, in part, to support increased awareness of human rights issues. Based on a quote from linguist and philosopher Noam Chomsky (b. 1928), the narrative of the cantata states: "We can, for example, be fairly confident that either there will be a world without war or there won't be a world." In addition to Chomsky's words, the cantata excerpts quotes of two additional literary giants advocating … more
Date: May 2023
Creator: Williams Krause, Lyndi
Partner: UNT Libraries
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Brazilian Adaptations of Baroque and Classical Elements in the Piano Sonata in F Minor, Op. 9, by Alberto Nepomuceno (1864–1920)

Description: Alberto Nepomuceno was one of the leading figures in developing Brazilian art music at the turn of the twentieth century. He became widely known for his Brazilian art songs and kept promoting Brazilian music and the use of Portuguese as an "art language" throughout his life. Nepomuceno has widely been seen as a nationalist composer, yet some of his works adopt a more European style. In this study, I argue that Nepomuceno incorporates European musical languages in his Piano Sonata in F Minor, Op… more
Date: May 2023
Creator: Wu, Qifan
Partner: UNT Libraries
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Positioning a Composer's Voice: Embodied Inquiry, Musical Analysis, and Educational Guides on Four Choral Works by Dr. Zanaida Stewart Robles

Description: In this dissertation, I study four choral works by Dr. Zanaida Stewart Robles through musical, thematic, and theoretical analysis to synthesize her compositional style. In addition to analysis, I created supplemental educational guides for each piece. These guides are intended to facilitate an intentional teaching process that leads to meaningful performances that engage the community. I investigate Robles' intersectional approach to composition as it reflects her identity as a Black, female co… more
Date: May 2023
Creator: Stenson, McKenna
Partner: UNT Libraries
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A Schenkerian Analysis and Interpretation of Joseph Jongen's Eclectic "Vingt-quatre petits préludes dans tous les tons pour piano," Op. 116 (1940-1941)

Description: Belgian composer Joseph Jongen (1873-1953) was an eclectic composer who successfully maintained his own unique musical vocabulary—particularly in his piano compositions. Jongen composed very little between 1940-1941—the period in which he and his family fled to the countryside of Mazères, France, living as refugees for several months before returning to Sart-lez-Spa, Belgium, due to the outbreak of WWII. Reflective of this time in his life, Vingt-quatre petits préludes dans tous les tons pour p… more
Date: May 2023
Creator: Liu, Yi
Partner: UNT Libraries
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