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The Interrelationship of Victimization and Self-Sacrifice in Selected Works by Oscar Wilde

Description: This study analyzes the themes of victimization and self-sacrifice as they appear in the life and works of Oscar Wilde. "Victimization" is defined as an instance in which one character disregards, damages, or destroys another's well-being; "self-sacrifice" is an instance in which one character acts to his own detriment in order to help another or through dedication to a cause or belief. Chapter I discusses the way in which these concepts affected Wilde's personal life. Chapters II-VI discuss th… more
Date: August 1975
Creator: Eccleston, Phyllis I.
Partner: UNT Libraries
open access

Major Themes in the Poetry of James Dickey

Description: The themes of sensual experience, nature, and mysticism in James Dickey's poetry are examined. Dickey's "Poems 1957- 1967" and "The Eye-Beaters, Blood, Victory, Madness, Buckhead and Mercy" are the primary sources for the poems. Selections from a decade of Dickey criticism are also represented. Dickey presents a wide spectrum of attitudes toward acceptance of the physical body, communion with nature, and transcendence of the human condition, but the poems exhibit sufficient uniformity to allow … more
Date: August 1975
Creator: Tucker, Charles C.
Partner: UNT Libraries
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The Kafka Protagonist as Knight Errant and Scapegoat

Description: This study presents an alternative approach to the novels of Franz Kafka through demonstrating that the Kafkan protagonist may be conceptualized in terms of mythic archetypes: the knight errant and the pharmakos. These complementary yet contending personalities animate the Kafkan victim-hero and account for his paradoxical nature. The widely varying fates of Karl Rossmann, Joseph K., and K. are foreshadowed and partially explained by their simultaneous kinship and uniqueness. The Kafka protagon… more
Date: August 1975
Creator: Scrogin, Mary R.
Partner: UNT Libraries
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Nature and Human Experience in the Poetry of Robert Frost

Description: This study seeks to demonstrate that nature provided Frost an objective background against which he could measure the validity of human experience and gain a fuller understanding of it. The experiences examined with reference to the poetry include loneliness, anxiety, sorrow, and hope. Attention is given to the influence of Frost's philosophical skepticism upon his poetry. The study reveals that Frost discovered correspondences between nature and human experience which clarified his perspective… more
Date: August 1975
Creator: Dixon, David C.
Partner: UNT Libraries
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Romantic Elements in Selected Writings of Flannery O'Connor

Description: Certain characteristics generally attributed to the British Romantics can be seen in selected writings of Flannery O'Connor, a contemporary American author (1926-1964). Chapter I defines Romanticism and identifies the Romantic elements to be discussed in the paper. Chapter II discusses Gothicism, Primitivism, and the treatment of the child as they appear in five of O'Connor's short stories. Variations of the Byronic Hero are presented in Chapter III as they appear in two short stories and one n… more
Date: August 1975
Creator: Bradley, William J.
Partner: UNT Libraries
open access

A Study of John Steinbeck's Monterey Trilogy

Description: John Steinbeck's three novels Tortilla Flat, Cannr Row and Sweet Thursday are significant in the Steinbeck canon. Although having many elements typical of Steinbeck's fiction in general, these novels, which are referred to as the Monterey Trilogy, are unified by common elements that are either unique or handled in an unusual manner. These common elements are setting, tone, themes, structure, and characters. The novels are complementary and form a unified whole. Just as the setting reflects the … more
Date: August 1975
Creator: Richmond, Yvonne Lorraine
Partner: UNT Libraries
open access

Eighteenth-Century Rhetorical Figures in British Romantic Poetry: A Study of the Poetry of Coleridge, Wordsworth Byron, Shelley, and Keats

Description: Rhetoric, seen either as the art of persuasion or as the art of figurative expression, has been largely neglected as an approach to the poetry of the Romantics. The most important reason for this seems to be the rejection of rhetoric by the Romantics themselves. As a result of negative comments about rhetoric by Coleridge, Wordsworth, Shelley, and Keats, scholars seeking clues about the Romantics' literary principles in their critical writings have agreed that eighteenth-century rhetoric was ei… more
Date: August 1975
Creator: Kennelly, Laura B.
Partner: UNT Libraries
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