Sounds Themselves: Intersections of Serialism and Musique Concrète in Karlheinz Stockhausen's "Elektronische Studie I"
Description:
In the summer of 1953, Karlheinz Stockhausen began composing his first piece of elektronische Musik at the Westdeutscher Rundfunk Studio for Electronic Music in Cologne. Up to that point, Stockhausen's only experience with electroacoustic music was his time spent at the Radiodiffusion-Télévision Française the previous year, where he assisted Pierre Schaeffer and composed a piece of musique concrète. An early case study in the marriage of serial aesthetics and electroacoustic techniques, Studie …
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Date:
August 2020
Creator:
Huff, David, 1976-
Partner:
UNT Libraries