UNT Music Library - 2,052 Matching Results

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Arhynalia Alpha

Description: Recording of Teemu Ontero's Arhynalia Alpha. This work uses dynamic stochastic synthesis technique and electronics.
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Date: 1998
Duration: 4 minutes 10 seconds
Creator: Ontero, Teemu
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Ari

Description: Recording of Frank Schweizer's Ari. This piece focuses on sound manipulation, pre-recorded audio, and voice with many moments of stillness and transparency.
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Date: 1992
Duration: 11 minutes 06 seconds
Creator: Schweizer, Frank, 1962-
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Arion ex Pascal

Description: This piece exploits a voluntarily limited sound material, opposing two types of sounds: long and very short sounds. This material was generated at the Pascal* studio of the CRFMW in Liège. To obtain an enlargement of the sound palette, the sounds once generated have been reworked at the Arion studio** of the same Research Center. Arion therefore produces no sound, it only affirms, punctuates, or rather nuance, modulate Pascal's statements. Each of the two studios is entrusted with a specific mu… more
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Date: 1990?
Duration: 1 hour 1 minute 34 seconds
Creator: Sporken, Gerard, 1960-
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El Arpa, la Mano, la Sombra

Description: Recording of Teodoro Pedro Cromberg's El Arpa, la Mano, la Sombra. This is a work for harp and electroacoustic track. This piece has two sections that are preceded by a prelude and separated by an interlude. In the first section the instrument is more abstract whereas in the second section there is more emphasis on the instrumental possibilities of the harp. The composer credits Ricardo Biancchini, who created one of the sounds used in the Csound orchestra.
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Date: 1998
Duration: 9 minutes 13 seconds
Creator: Cromberg, Teodoro, 1955-
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The Artist and His Model

Description: Recording of Charles Mason's The Artist and His Model. This work is for cello and CD. There pre-recorded sound and acoustic instruments which come together. The equal interchange influence, and modeling between the live cellist and the tape makes them in constant flux.
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Date: 1992
Duration: 9 minutes 22 seconds
Creator: Mason, Charles Norman
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Ascension (las tierras nuevas)

Description: Recording of Alejandro Iglesias-Rossi' Ascension (las tierras muevas). The piece's soundscape created with electronics and sound processing techniques. Techniques include delay, sound stretching, reverb, and pitch alteration.
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Date: 1998
Duration: 10 minutes 44 seconds
Creator: Iglesias-Rossi, Alejandro, 1960-
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Ascent

Description: Recording of Andrew Lewis' Ascent. For electronics. This process was initiated by the nature of the opening sounds of the piece, which were the first to be developed. Ascent moves freely across a spectrum of musical approaches, from the purely abstract to the more cinematic: at one extreme, the exploration of texture and of static pitch structures dominates; in the middle ground, evocations of irregular rock formations, undulating topography and large geological masses are prevalent; while at … more
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Date: 1994/1997
Duration: 11 minutes 54 seconds
Creator: Lewis, Andrew, 1963-
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Ash

Description: Recording of Peter Dudak's Ash. Tape music for flute, cello, percussion, and violin.
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Date: 1997
Duration: 11 minutes 40 seconds
Creator: Dudak, Peter
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Aspérites

Description: Recording of Philippe Moënne-Loccoz's Aspérites. This piece use traditional electronic techniques to manipulate sounds and create a dense musical atmosphere.
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Date: 1992
Duration: 12 minutes 06 seconds
Creator: Moënne-Loccoz, Pierre
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Aspettando Nmesis (en attendant Nemesis)

Description: Recording of Elio Martusciello's Aspettando Nmesis (en attendant Nemesis). This piece uses the sounds of some old toy instruments, ambient bells, clocks and other objects which are processed though computers or samplers. In addition, the use of an old tape on which first compositional attempts where created and reproduced into small fragments that are embedded into the structure of this piece.
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Date: 1993
Duration: 8 minutes
Creator: Martusciello, Elio
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...at other times, the distances

Description: Recording of James Dashow's ...at other times, the distances. Quadraphonic electronic music. This work is a re-working of the electronic materials from FAR SOUNDS, BROKEN CRIES, for 12 instruments and electronic sounds. With the exception of a single cello note, the sounds were produced by the composer's MUSIC30 language for digital sound synthesis, and subsequently elaborated by additional signal processing.
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Date: 1999
Duration: 25 minutes 18 seconds
Creator: Dashow, James, 1944-
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Atl

Description: Recording of Manuel Rocha Iturbide's Atl. This is a work for digital tape, and the sound of the piece were made digital audio software Turbosynth and Sound designer. It was mixed down in a 24-track studio at the Center of Contemporary Music of Mills College. The composer states, "By means of transforming and working with the same sound object, I arrived to the conclusion that I could open and reveal it through time. The methodology of working with only one sound would define then the structure … more
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Date: 1990
Duration: 10 minutes
Creator: Iturbide, Manuel Rocha, 1963-
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Atlantis

Description: "Atlantis", as a piece of a triptych, is perhaps an offering to lost civilizations and their cultures.
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Date: 1991?
Duration: 6 minutes 56 seconds
Creator: Kaszycki, Lucjan M.
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Atlas folisipelis

Description: Recording of Florivaldo Menezes' Atlas folisipelis. This work was written for oboe, English horn, and percussion. This work's sound materials were created by oboe, different countries' skin instruments, and 13 different bagpipes. The piece establishes a sound map of various geographical locations and focuses on the different archetypical elements of civilization. The composer separated the piece into 13 distinct parts that are connected without interruption.
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Date: 1997
Duration: 23 minutes 51 seconds
Creator: Menezes Filho, Florivaldo, 1962-
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Attract

Description: Recording of José Miguel Fernández's Attract. This work was composed in 1999 as part of a FONDART project of the Ministry of Education of the Chilean government, on the use of mathematical models (chaotic and stochastic) for musical composition and interaction with the computer. For this work, the composer used two chaotic models (torus and logistic map) for the clarinetist's score and random models (Brownian, 1/f and white noise) for the spatialization of the sound. The samples were made with … more
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Date: 1999
Duration: 7 minutes 40 seconds
Creator: Fernández, José Miguel, 1973-
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Au loin... bleu

Description: Recording of Elsa Justel's Au lion...bleu. Words, phonemes, vocal gestures are transformed into a musical flow enriched by the colors specific to each of the participating languages. The word disguises itself as an atmosphere; it expresses its essence to merge with the music. Clouds of sighs fly away in a blue space, like fugitive wings rushing towards a distant horizon. The voice becomes matter of an unknown language. However, the sound discourse communicates a meaning to us. Of the lived exp… more
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Date: 1997
Duration: 11 minutes 32 seconds
Creator: Justel, Elsa
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Auf Blau Zugehen

Description: Recording of Johannes Schmidt-Sistermanns' Auf Blau Zugehen.
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Date: 1995
Duration: 31 minutes 48 seconds
Creator: Schmidt-Sistermanns, Johannes, 1955-
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Aura

Description: Recording of Maria Cristina De Amicis' Aura. This work explores the sonic possibilities of processed percussion and electronics.
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Date: 1994
Duration: 5 minutes 46 seconds
Creator: De Amics, Maria Cristina
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Ausbruch

Description: Recording of Carlos Gratzer's Ausbruch. This work was commissioned by INA-GRM and produced in their studios in Paris. The piece explores the relationship between sounds of nature and synthesized sounds. The composer modified and distorted the sounds of nature to persuade the listener into forgetting their origin and instead hear them as new material entirely.
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Date: 1997
Duration: 12 minutes 25 seconds
Creator: Grätzer, Carlos
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L'autel de la perte et de la transformation

Description: Recording of Brigitte Robindore's L'autel de la perte et de la transformation. This work illustrates an archetypal event in the evolution of the inner life where man has to face loss. It is not just an ordinary loss, as distressing as it may be, but the voluntary sacrifice of something very dear. The UPIC system does not reveal all its possibilities during the first approach. With time the sounds begin to be electronically processed and revealing the possibilities of electro-acoustic technique.
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Date: 1993/1994
Duration: 8 minutes 36 seconds
Creator: Robindoré, Brigitte, 1962-
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Autumn space

Description: Recording of Rodrigo Cicchelli Velloso's Autumn space. This piece relates to the coexistence of the differently contrasting and even contradictory elements we experience in Autumn. The technique used to create these sounds was based on the DSP functions available on the computer used. It is mainly a radical process of filtering transposed sounds by boosting frequencies.
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Date: 1992
Duration: 10 minutes 06 seconds
Creator: Velloso, Rodrigo Cicchelli
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Autumnal Allegro

Description: Recording of Pavel Kopecký's Autumnal Allegro. Using the sounds formed by different types of sound synthesis – aditive, FM, fractal, etc. creating color vividness and contrast with particular music passages. Connecting effect processors at final modifications made possible to realize the movement and localization of the direction and depth. At close look at the tectonics of the composition reveal any contrasted blocks, which are combined in motifs and which created formally more free imaginatio… more
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Date: 1996
Duration: 5 minutes 03 seconds
Creator: Kopecký, Pavel, 1949-
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Aux mains de l'espace

Description: Recording of Gerald Eckert's Aux mains de l'espace. The various processes generated in this work appear in different states at different points in the piece and will be integrated into their respective temporal environment. Generated sound points are given independent, audible sound movements within an acoustic space, and create a spatial-perspective quality. This is achieved through special distribution over the loudspeakers and through a diminishing echo. An integral part of the composition … more
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Date: 1992/1993
Duration: 14 minutes 57 seconds
Creator: Eckert, Gerald
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Available instruments

Description: Recording of William Kleinsasser's Available instruments. This work is meant to be performed by one piano, one Disklavier piano, and a computer system. The computer music in this piece results from various sound transformational processes applied to recordings of the piano music. The work as a whole explores the intrigue and risk of engaging musical instruments that are on technology's developmental edge.
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Date: 1997
Duration: 14 minutes 41 seconds
Creator: Kleinsasser, William, 1961-
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