Search Results

open access

Adding and Subtracting Color in the Painting and Serigraphic Processes: A Development of Consistency in Two Art Media

Description: This is a method in which designs as a whole are not pre-planned or pre-arranged, but are developed by applying layers of color. This is an additive method for obvious reasons, and it is subtractive because shapes can be covered with opaque paint or very intense stain. Transparent layers of color applied over existing colors cause hue changes, and the process creates subtleties resulting from one color showing through another.
Date: August 1974
Creator: Gilbert, Richard W.
open access

The Amalgamation of Three-Dimensional and Two-Dimensional Processes

Description: Although drawing had offered me many avenues for image exploration and mark making, it lacked the actual physical relief surface that was a natural part of the printmaking plate process (i.e., intaglio plates or relief surfaces). Sculpture allowed the images and marks to be realized dimensionally in the round; therefore, the images became objects.
Date: August 1992
Creator: Gentry, Larry Allen
open access

Anxiety

Description: In summary my main three objectives are as follows: 1. To create large black and white photographic murals of isolated facial expressions with written phrases beneath each image. 2. To explore my capability to magnify and reinforce a strong emotional feeling through the large images. 3. To discover if the written phrases strengthen and support the photographic image.
Date: August 1980
Creator: Sturdivant, Max L.
open access

The Artbook: A Synthesis of Literary and Visual Imagery

Description: In order to more fully explore this problem and to uncover important aspects of my work and work processes, I posed these questions to be answered after the completion of the five books: 1. In what ways am I able to synthesize the traditional concerns of the literary and visual image into an Artbook format? 2. To what extent am I able to develop this synthesis into an aesthetically valid and personally satisfying expression of my own artistic philosophy? 3. In what ways does this development re… more
Date: August 1980
Creator: Gaddie, Melinda A.
open access

Artists' Books: An Investigation Into Another Genre of Artistic Expression

Description: For centuries, books have been a traditional way to display prints. Contemporary artists' books have become more than simply a method of displaying prints and have, in fact, become a relevant medium for artistic expression. It has been important to my work that each of my artist's books have functioned as a unified whole, all parts of complementing each other and strengthening the overall concept.
Date: August 1995
Creator: Zipfel, Karen K.
open access

Barriers and Connections, A Dichotomy

Description: I planned to explore the concept of the dichotomy of barriers and connections further. The works I planned to produce would incorporate a variety of printing techniques, drawing, and conceptual development. Each technique and method allowed for my perception to speak in a slightly different voice. The use of these multiple techniques would allow me to explore fully the complexity of barriers and connections in a manner more comprehensive than the one technique alone.
Date: August 1998
Creator: Wilson, Nichelle L.
open access

Bernhardt/Campbell: A Collaboration

Description: The idea for this creative project evolved as the result of communication between myself and Cathie Bernhardt during the first half of 1977. Both of us had been dealing with similar concepts such as reliquary-like containers and the objects contained within them. We also had a congruent approach concerning the use of materials and the manner in which they can be fabricated. These two things resulted in a mutual respect for each other's forms and imagery. We, therefore, decided to explore and co… more
Date: August 1980
Creator: Campbell, Frank M.
open access

Building a Personal History With Layered Symbolic Images

Description: Since I was a young child, I have had a deep interest in all facets of the cultures of early humans and more modern primitive peoples-- in particular, their art and their mythology. It was my proposal, therefore, to combine these interests with the styles of my earlier works by using images drawn from the various aspects of my ancestry in several pieces of work in which the layering of those images-- similar to the layers of my heritage-- was used. My choices were limited to a set number of ima… more
Date: August 1990
Creator: Blair, Teresa A.
open access

Chair-Woman

Description: As the Chair-Woman series has progressed, I have explored the various means to enhance its interpretation. I have determined that materials such as wood and fabric result in a more intimate reading than bronze. However, I have not explored how scale and proximity to other objects will affect the reading. The questions I am seeking to resolve relate to possibilities for expanding the meaning and significance in the Chair-Woman series.
Date: August 1998
Creator: Weaver, Melanie L.
open access

The Combination of Objects in Box-Like Containers

Description: For my project, I chose to construct ten containers in which clay and non-traditional drawings were combined. The various materials used were ceramics, drawings on Plexiglas, wood, and other found materials. The questions to be answered by the completion of the ten pieces were the following: 1. What types of containers are most complimentary in combining ceramics and drawings? 2. What types of drawing media are most successful for combining drawings with ceramics? 3. What types of presentatio… more
Date: August 1978
Creator: Ellis, Lou
open access

Combining Clay and Light Into Sculptural Forms

Description: This problem concerns the feasibility of combining the elements of light and clay in a sculptural concept of design. The study has determined various procedures of combining the sculptural ceramic forms for the internal inplant of light sources. Specific questions posed were 1. Can the surface decoration be enhanced by external and internal lighting? 2. How does each surface quality, raku, and low-fire salt glaze differ with the interplay of light? 3. In what way may two surface qualities be ap… more
Date: August 1978
Creator: Munoz, Gilberto, Jr.
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Combining Silkscreen, Drawing, and Painting on Canvas

Description: It is the purpose of this study to visually and technically explore the combination of the direct methods of drawing and painting and the more indirect process of silkscreen printing on canvas. The flexibility of the three technical areas- silkscreen, drawing, and painting- proved to make the combination more feasible.
Date: August 1974
Creator: Bennett, Jolynn N.
open access

The Comic Book Style as Stylistic Meaning in Painting

Description: I Investigated the use of unpremeditated and reactionary methods of composing to arrange the landscape and figurative elements in my paintings. Though it may not necessarily be the case, these paintings may appear to have a narrative structure. The media, graphic imagery, and figure/ground relationships have given me a feedback loop, a guide by which I pictorially arranged the remainder of the developing composition. The painting revealed its identity and direction in this way to me. The applic… more
Date: August 1997
Creator: Scroger, Chris
open access

Compositions in Clay and Rhythm

Description: I constructed ceramic/mixed media instruments, recorded rhythmic music composed for and played on my instruments, and prepared a slide presentation portraying my daily rituals a studio artist. I describe in this paper the process involved in creating this environment and give an interpretation of the work by answering the following questions. 1. What were the rituals that were essential to the creation of my work? 2. In what ways did the use of the different visual and audio media work together… more
Date: August 1981
Creator: Ehrich, Lisa
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Concepts on Attraction and Repulsion for a Greater Visual and Psychological Dynamic

Description: The duality of repulsion and attraction is present in all aspects of life, neither existing exclusive of the other. This awareness has manifested itself in the need for creating work addressing the complexity of this duality and finding a balance that relates to human experience. The purpose of his problem in lieu of thesis was to combine my concept of the attractive, present in my early graduate work, with explorations on the concept of repulsion, to heighten the visual and psychological dynam… more
Date: August 1996
Creator: Rentzel, Craig A.
open access

Contemplation Series

Description: My work dealt with the life within inanimate objects and what occurred when one placed apparently unrelated objects together in an arrangement. The arrangements had three interrelated elements: the objects, spacial relationships, and materials.
Date: August 1984
Creator: Blackwell, Pamela R.
open access

Developing an Efficient One-Man Potter's Studio

Description: The problem I proposed to explore involved making changes in personal work practices in the studio as well as studio organization. Using advice and practices that I have gleaned over the past few years, I made changes in the areas of studio organization, wheel production, and the glaze decoration process with the goal of adapting to a limited studio space and becoming more productive.
Date: August 1990
Creator: Bailey, John Scott
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The Development and Articulation of Cross-Cultural Imagery

Description: The purpose of this project was to develop a body of work in which the content has probable, if not definite, cross-cultural application. It was my intent to analyze images for their content and underlying themes. This collection of "image content" was to be used in the production of a body of work which hopefully would transcend cultural bias or limitations. I consulted art and anthropological texts, books, and periodicals (listed in bibliography) which contained images produced by different c… more
Date: August 1984
Creator: Shelton, Pat
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Dimensional Alteration of Structure in Communicating Artist's Intent

Description: This study involves an investigation of artist's intent (purpose) and the effects of altering the dimensional structure of a print utilizing the materials as imagery. Concerning the nature of the creative project, The following questions arose: 1. How will changing my current two-dimensional format to a three-dimensional presentation produce the desired intensity of physical, emotional, mental and spiritual depth? 2. What kinds of materials can be combined to effectively produce the desired ima… more
Date: August 1987
Creator: Collins, Laurie Lyn
open access

Diverse Works

Description: The goal of the work was to infect traditional ideas of beauty and authority with late Twentieth-Century culture and to thereby create an artifact that would reflect the multiplicity of our culture. My work, to date, has dealt with single works of a consistent media combining two and three-dimensional elements. I proposed to add to the complexity of my stated goal through a more varied use of medium; audio, photography, lighting, paint on canvas, reprocessed found objects as well as materials w… more
Date: August 1994
Creator: Allen, Joseph Hugh
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The Dynamics of Structure and Discord in the Beautiful

Description: The objective of my problem in lieu of thesis was to produce twenty hand-built porcelain objects which reflected this conception of beauty. To review the success of my project, I asked three questions to evaluate my work. 1. Was there significant structure to my works? 2. Was there significant discord within these structures? 3. Did the tension created through the interaction of these two elements of my work create beauty?
Date: August 1992
Creator: Merino, Anthony D.
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