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open access

Adapting Reproduction Knowledge and Photomechanical Techniques to Serigraphy for Non-Commercial Purposes

Description: This problem is involved with attempting to answer two basic questions: (a) Can I, a commercial artist, expand and develop as an artist through screen printing and make valid aesthetic statements unrelated to client and/or product? and (b) Can knowledge of reproduction methods and photo-mechanical techniques be successfully utilized in screen printing for non-commercial purposes? Extensive notes in the form of a journal were maintained as work on the project progressed. These notes, combined wi… more
Date: December 1976
Creator: Adkins, Margie J.
open access

Adding and Subtracting Color in the Painting and Serigraphic Processes: A Development of Consistency in Two Art Media

Description: This is a method in which designs as a whole are not pre-planned or pre-arranged, but are developed by applying layers of color. This is an additive method for obvious reasons, and it is subtractive because shapes can be covered with opaque paint or very intense stain. Transparent layers of color applied over existing colors cause hue changes, and the process creates subtleties resulting from one color showing through another.
Date: August 1974
Creator: Gilbert, Richard W.
open access

Altered Interiors and Reality: The Subtle Changes of Perception

Description: It was my intent to find objects that were both historically symbolic and symbolic of the times we live in, and that could be melded into a nineteenth century interior where their presence would be secondary to the overall atmosphere. I wanted to incorporate objects that would function as metaphors or personal symbols as well as historical icons.
Date: May 1993
Creator: Fairlie, Carol Hunter
open access

Altering the Muzak Situation

Description: The project involved producing a group (16) of audio-visual installations that successfully displayed and exposed various Muzak situations. The following questions, relating to individual pieces, were of concern: 1. What is the basic intent of each installation or piece? 2. Does the piece communicate the intent of the artist? 3. Which installations or pieces will adapt to any space? 4. What visual documentation is necessary to preserve the idea?
Date: December 1979
Creator: Finch, Carl Wayne
open access

The Amalgamation of Three-Dimensional and Two-Dimensional Processes

Description: Although drawing had offered me many avenues for image exploration and mark making, it lacked the actual physical relief surface that was a natural part of the printmaking plate process (i.e., intaglio plates or relief surfaces). Sculpture allowed the images and marks to be realized dimensionally in the round; therefore, the images became objects.
Date: August 1992
Creator: Gentry, Larry Allen
open access

An Analysis of an Environmental Performance with the use of Light and Projected Photographic Imagery

Description: The primary objective of this creative project was to create an environmental performance through the use of light as the principal medium. Most of the photographic imagery had been completed. The remaining task involved creating an effective and workable system to integrate the projected imagery with the neon light placements. Each system, illustrated in the figures, attempted to create a different approach in using the light mediums.
Date: May 1983
Creator: Aaboe, Richard David
open access

Analysis of Imagery Concerning Body and Landscape

Description: The primary purpose of this study was to investigate how imagery evolved in my work, in dealing with the relationship between body and landscape and the relationship between image and abstraction. Five paintings were created for the investigation of the evolution in my imagery. A journal of notes was kept concerning each piece while in progress and immediately following its completion. The analyzing method was a visual analysis of the structure and content, as well as the process through which … more
Date: May 1985
Creator: Juergens, Sharon
open access

An Analysis of Space and an Investigation Into the Nature of the Block-Out Process in My Current Work

Description: The purpose of the creative project was to investigate the relationship of figure to ground in a series of paintings in order to better understand how I perceive the space in my work and to analyze the block-out process. Questions regarding the figure/ground relationship are as follow: 1. What is figure, what is ground and what is ambiguous as I see it? 2. What effects do overlapping, shape size, color and value have upon the figure/ground relationship? The portion of the investigation concerni… more
Date: May 1978
Creator: Werner, Lois Wetzel
open access

An Analysis of Spontaneous and Premeditated Working Methods

Description: For my problem, I proposed to document and analyze the relationships of the spontaneous and premeditated approaches in my work. The pieces that I began during the Spring and Summer 1979 were to be my primary sources of data. Two means were used to document these works and my approaches to them. I photographed the pieces as they progressed up to and including the finished product, and a sketchbook-diary was used to compile ideas and responses.
Date: May 1980
Creator: Lowrey, Nancy K.
open access

An Analysis of Two Dimensional Printed Elements Within Three Dimensional Structures

Description: I believe the frame or housing of a printed image plays an integral role in the context of the work. It functions as a vehicle for possible interpretation. It should respond to and complement the concept of the central image. The image presented in a vessel or reliquary format should instill a meditative or religious response.
Date: May 1994
Creator: Hubner, Lynne J.
open access

An Analysis of Verticality and Architectural Reference in the Presentation of Figurative Sculpture

Description: The purpose of this study was to analyze the physical issues of verticality and architectural reference in the presentation of my figurative sculpture and to determine how these issues affect me as viewer. In this analysis, the term architectural reference refers to the fundamental structural elements historically associated with architecture, such as column, pylon, pilaster, pyramid, elevated platform, and bilateral symmetry. The term does not address broader architectural concepts such as spa… more
Date: May 1990
Creator: Pavlovsky, Micheal D.
open access

Anxiety

Description: In summary my main three objectives are as follows: 1. To create large black and white photographic murals of isolated facial expressions with written phrases beneath each image. 2. To explore my capability to magnify and reinforce a strong emotional feeling through the large images. 3. To discover if the written phrases strengthen and support the photographic image.
Date: August 1980
Creator: Sturdivant, Max L.
open access

Art and Self-Awareness: A Personal Investigation

Description: This paper describes the artist's conception of their scientific knowledge and spiritual beliefs, and the juxtaposition of the two in a single awareness. Michael Muller discusses the use of printmaking, drawing, and photo mechanical processes to represent this awareness through visual imagery, and includes photographs of the works.
Date: May 1994
Creator: Muller, Michael
open access

Art by the Yard: Exploring Narrative Drawings

Description: I am interested, both from a personal standpoint and from a cultural perspective, in pursuing the meaning of thes eimages singly and as they combine with others. In turn, the results, I hope, will lead to the discovery of more images for my image encyclopedia. After this introduction subsequent chapters will explore my reasons for the combinations of images I choose and will place the finished drawings in their contemporary art context. My goal will be to note the changing meanings of the objec… more
Date: May 1990
Creator: Sale, Thomas Fancher
open access

The Artbook: A Synthesis of Literary and Visual Imagery

Description: In order to more fully explore this problem and to uncover important aspects of my work and work processes, I posed these questions to be answered after the completion of the five books: 1. In what ways am I able to synthesize the traditional concerns of the literary and visual image into an Artbook format? 2. To what extent am I able to develop this synthesis into an aesthetically valid and personally satisfying expression of my own artistic philosophy? 3. In what ways does this development re… more
Date: August 1980
Creator: Gaddie, Melinda A.
open access

The Artist's Book as an Alternative to the Gallery Installation

Description: I examined and evaluated three sets of gallery installations and related handmade books. The following questions were considered foremost: 1) Visually, how different from and how similar to the gallery installations are the books? 2) What verbal elements are adapted from the installations to the books? 3) How does the difference in format (that is, the books) alter or affect the content and meaning of the installations?
Date: May 1981
Creator: Bush, M. Rowena
open access

Artists' Books: An Investigation Into Another Genre of Artistic Expression

Description: For centuries, books have been a traditional way to display prints. Contemporary artists' books have become more than simply a method of displaying prints and have, in fact, become a relevant medium for artistic expression. It has been important to my work that each of my artist's books have functioned as a unified whole, all parts of complementing each other and strengthening the overall concept.
Date: August 1995
Creator: Zipfel, Karen K.
open access

Barriers and Connections, A Dichotomy

Description: I planned to explore the concept of the dichotomy of barriers and connections further. The works I planned to produce would incorporate a variety of printing techniques, drawing, and conceptual development. Each technique and method allowed for my perception to speak in a slightly different voice. The use of these multiple techniques would allow me to explore fully the complexity of barriers and connections in a manner more comprehensive than the one technique alone.
Date: August 1998
Creator: Wilson, Nichelle L.
open access

Bernhardt/Campbell: A Collaboration

Description: The idea for this creative project evolved as the result of communication between myself and Cathie Bernhardt during the first half of 1977. Both of us had been dealing with similar concepts such as reliquary-like containers and the objects contained within them. We also had a congruent approach concerning the use of materials and the manner in which they can be fabricated. These two things resulted in a mutual respect for each other's forms and imagery. We, therefore, decided to explore and co… more
Date: August 1980
Creator: Campbell, Frank M.
open access

Between Seeing and Knowing

Description: I intended to create a body of work using a variety of media and a combination of imagery that is both subjective and objective in regards to representation. I incorporated into the work, words and phrases which are not related to the imagery. This has allowed the work to be variously interpreted. I wanted certain elements of the work to appear simultaneously very old and very new.
Date: December 1991
Creator: Middleton, Michael D.
open access

Body Conscious: Pushing the Boundaries of Traditional Western Adornment

Description: The focus of the problem was to challenge the more traditional. Western approaches to jewelry as adornment in respect to areas such as placement and scale. Approaching adornment as sculptural forms interacting with the human body could possibly challenge the individual's awareness of jewelry as wearable art. This approach brought up the issue of using the human body as a pedestal for adornment.
Date: May 1998
Creator: DeRuiter, Margaret A.
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