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Primary view of Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba
Hall, David Porter
August 2013
Primary view of Exploring Aspects of Korean Traditional Music in Young Jo Lee's Piano Honza Nori
Kim, Jin
August 2013
Primary view of A Survey of the Solo and Chamber Works for Trumpet, Horn, Trombone, Euphonium and Tuba By the Hungarian Composer Frigyes Hidas
Gill, Jonathan B.
August 2013
Primary view of A Performer's Guide to Béla Bartók's Violin Concerto No 1, Opus Posthumous, 1907–1908
Jobbágy, Szemoke
August 2013
Primary view of The Integration of Western Techniques with East Asian Philosophies in Isang Yun's Quartett Für Horn, Trompete, Posaune Und Klavier
Kim, Daewook
August 2013
Primary view of Derivation of the Thematic Material and Intervallic Gestures From the Main Theme in Fantasia Carioca By Sérgio Assad
Abdihodži?, Armin
May 2013
Primary view of James Wintle's Northwest Miniatures for Flute, Trumpet and Piano (1998): a Performance Guide
Walker, Julee Kim
May 2013
Primary view of Transfantasies for Flauto Traverso, Computer Music, and Dance
Fick, Jason
May 2013
Primary view of A Performance Guide to Bernd Alois Zimmermann's Trumpet Concerto, "Nobody Knows De Trouble I See"
Haley, Matthew
May 2013
Primary view of Dario Castello's Music for Sackbut: the Sonate Concertate in Stil Moderno (1629)
Hausback, Jason M.
May 2013
Primary view of Piano-related Musculoskeletal Disorders: Posture and Pain
Shamoto, Yoshiko
May 2013
Primary view of An Analysis of Pitch Organization in Villa-lobos's Rudepoêma
Kruger, Esthea
May 2013
Primary view of Transcription of Baroque Works for Classical Guitar: J S Bach's Sonata in D Minor (Bwv 964) As Model
Lang, Matthias
May 2013
Primary view of A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire
Lignitz, Kellie
May 2013
Primary view of The Formative Years: an Exploration of the Early Training and Song Juvenilia of Samuel Barber
Chester, Derek T.
May 2013
Primary view of “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer
Harris, Joshua Kimball
December 2013
Primary view of An Examination of Innovations in Alexander Scriabin’s Late Etudes for Piano
Lee, Kuo-Ying
December 2013
Primary view of Performer’s Guide to the Execution and Application of Karen Tuttle’s Coordination, As Applied to Ernest Bloch’s Suite Hébraïque
Sander, Amber
December 2013
Primary view of Teacher Communication in Title I Elementary Music Classrooms: Perceptions of Elementary Music Classroom Teachers
Mason, Lindsey Lea
December 2013
Primary view of An Instructional Approach to Introducing Twentieth-century Piano Music to Piano Students From Beginning to Advanced Levels: a Graded Repertoire for Mastering the Challenges Posed by Logan Skelton’s Civil War Variations
Kim, Dajeong
December 2013
Primary view of A Similar Approach with Different Results: the Use of Baroque Elements in Stravinsky’s Suite Italienne (1933), Shostakovich’s Violin Sonata in G Major, Op 134 (1968) and Schnittke’s Suite in the Old Style (1972)
Oh, Hyun Sun
August 2013
Primary view of Revisioning a Masterpiece: Jon Magnussen’s “Psalm”
Burnett, Jason
August 2013
Primary view of A Performance Guide to Jean Balissat’s Kaleidoscope for Trumpet and Percussion
Anderson, Matthew Douglas
August 2013
Primary view of Iron Sharpens Iron: Duets for Two Women in the Teaching/instruction of Undergraduate Women
Backlin, Laurissa
August 2013
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