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open access

Development of the Mozart Song

Description: This paper explores the lesser known songs Wolfgang Mozart composed for voice and keyboard and examines developments in harmony, melody, and style. Timothy G. Seelig traces the history of these songs, their structure and interpretation, and promotes study of the pieces.
Date: August 1977
Creator: Seelig, Timothy G.
open access

Analysis for Performance of the Song Cycle Songs of Travel, by Ralph Vaughan Williams

Description: This paper analyzes Ralph Vaughan Williams' Songs of Travel and asserts that the songs are a song cycle rather than just a collection of songs set to to the poetry of Robert Louis Stevenson. Richard Porter Cole performs a musical and poetic analysis of the songs and makes suggestions to aid performers of the piece.
Date: May 1977
Creator: Cole, Richard Porter
open access

The Baritone Title Roles in the Operas of Verdi

Description: This paper discusses the nature and significance of the baritone title roles in the operas of Giuseppe Verdi. These operas include Nabucco, Macbeth, Rigoletto, Simon Boccanegra, and Falstaff. Jewel William Hobbins explore the evolution of vocal roles and asserts that Verdi highly prized dramatic skill in his performers.
Date: December 1977
Creator: Hobbins, Jewel William
open access

Factors Which Motivated Me to Produce as a Working Sculptor

Description: The purpose of this project is to provide a record, much like the ones left to us by Michelangelo and Leonardo da Vinci, of the personal influences which motivated the present artist to function productively as a sculptor for a period of one semester: from September 1, 1975 through December 12, 1975. The methods involved in charting such artistic transpirations consisted of two types: a written diary, daily recorded, which indicated the progress, regression, frustration, inspiration, and percep… more
Date: December 1977
Creator: Campbell, John T.
open access

An Investigation of Group and One-Person Exhibitions

Description: The primary purpose of this investigation was to acquire information about the fundamentals of participating in group and one-person shows. The assumption was made that upon acquiring this basic information an understanding of the intricacies of the larger exhibition procedure could be attained. I proposed to investigate aspects important to the production, selection, and installation of my work in a formal gallery setting.
Date: August 1977
Creator: Hurt, Cynthia Richardson
open access

A One-Person Exhibition: An Investigation of Problems in the Production, Selection, Presentation, and Installation

Description: In this creative project, I investigated the problems of producing, selecting, presenting, and installing a one-person exhibition. I executed a series of 31 drawings, paintings and prints from which 21 pieces for the exhibit were selected. From the body of work executed prior to and during my graduate study, 21 pieces were included based upon the relative quality of the imagery. There were no restrictions with regard to media or size. My goal in this project was to assemble and present a cohere… more
Date: December 1977
Creator: Hoge, Catherine Nell
open access

Three Procedures for Creatively Joining Paper and Fabric Surfaces in Painting

Description: During the last several years, my art work has evolved around a developing concept nurtured by a fascination with timeworn relics of the past centered itself around an emotional sensibility toward deteriorating fragmentary remnants of archaeological finds and relics of ancient art, predominately pottery shards and old textiles. I was intrigued and stimulated by the feeling of age and by the beauty of these worn and irregular shapes.
Date: May 1977
Creator: Crump, Carole Huddleston
open access

Gum-Bichromate Photographic Printing as Applicable to the Ceramic Process

Description: The questions answered by this investigation were as follows: 1. Will a clay surface accept multiple emulsions and multiple development processes with little or no loss of detail? 2. Can a gum-bichromate print be accomplished using a normal 35 millimeter negative in an enlarger? 3. What is the effect of different oxides and fluxes on the emulsion? and 4. What is the effect of firing on the experimental emulsions?
Date: August 1977
Creator: Glover, Tom F.
open access

Non-Heat Joining of Metals

Description: The concern in this project was the utilization of metal joining processes which used no heat in the construction of sculpture. The problem area was motivated by an attempt to avoid some of the inherent problems and limitations incurred when welding, brazing soldering are employed. Specifically, the following questions were considered: 1) Can the non-heat joining process be utilized as a design element? 2) Does non-heat joining allow the use of lighter (30-16) gauge metal? 3) Are distortion and… more
Date: August 1977
Creator: Donahue, John Joseph, Jr.
open access

Warp-Faced Weaving on an Architectural Scale

Description: The impetus for this project emerged in an effort to move beyond small scaled weavings executed in neutral hues to larger pieces with more color. All of my previous work had been technically oriented, lacking in direction, and limited to neutral hues which blended well together and were readily available. I determined that the project would involve answering two basic questions: (1) could i successfully push these panels to large scale, and (2) could several of these large panels be manipulated… more
Date: May 1977
Creator: Kirk, Dianne
open access

Photography Versus Direct Observation: An Investigation in Painting

Description: To clarify this investigation, certain questions were formulated to guide the research. These were: 1. is the working procedure markedly different when using a photograph as a source for a work than the procedure used when working from direct observation? 2. If different, does this working procedure affect the final outcome or product? and 3. Whether the working procedure is similar or dissimilar, is the end result, i.e., the work of art, affected by the method used? That is, will the style of … more
Date: May 1977
Creator: Sheppard, J. C.
open access

Design and Implementation of a PDP-8 Computer Assembler Executing on the IBM 360/50 Computer

Description: This problem is intended to be an introduction to the design of a software system which translates PDP-8 assembly language source into it's machine-readable object code. This assembler runs on the IBM 360/50. It is assumed that the reader is familiar with the basic PDP-8 assembly language. For the description and use of this assembler the reader is referred to the PAL-III SYMBOLIC ASSEMBLER PROGRAMMING MANUAL from DEC (order number DIGITAL 8-3-5, Digital Equipment Corporation: Maynard, Massachu… more
Date: August 1977
Creator: Madani, Ali
open access

New York City: A Collage of Cultures

Description: New York City: A Collage of Cultures is a single-movement programmatic orchestral work that features polytonality, prallelism, sound-mass, micro-tones, polychordal rhythmic ostinato, neo-impressionism, and folk themes and anthems from sundry cultures and nationalities. The simultaneity of contextual material at one point necessitates the employment of three conductors. The composition portrays America as a "melting pot" through its busiest immigration center, itself a microcosm of diverse inter… more
Date: May 1977
Creator: Drozin, Garth M. (Garth Matthew).
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