UNT Libraries - 13 Matching Results

Search Results

Results: 1 - 13
Primary view of The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
Lee, Hee Seung
December 2006
Primary view of Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Ringer, Rebecca Scharlene
May 2007
Primary view of Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.
West, Aaron J.
December 2008
Primary view of Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony
Rober, Russell Todd
August 2003
Primary view of Myth in the Early Collaborations of Benjamin Britten and William Plomer
Salfen, Kevin McGregor
August 2005
Primary view of "Now His Time Really Seems to Have Come": Ideas about Mahler's Music in Late Imperial and First Republic Vienna
Kinnett, Forest Randolph
December 2009
Primary view of Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710
Hale Harris, Kimberly Coulter
May 2005
Primary view of Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718)
Chang, Young-Shim
August 2005
Primary view of Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640
Chung, Kyung-Young
December 2004
Primary view of Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet
Straughn, Gregory
December 2004
Primary view of Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony
Hellner, Jean Marie
May 2003
Primary view of The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976
McGinney, William Lawrence
May 2009
Primary view of Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy."
Lamb, Earnest
August 2005
Back to Top of Screen