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The a Cappella Choral Music of Benjamin Britten

Description: The twentieth century has witnessed a renaissance in the composition of choral music. Not since the Baroque, has choral writing held the prominent position with composers that it has today. At the same time, English composers have regained a stature and influence they have not held since the time of Purcell. It was not until the time of Edward Elgar, Gustave Holst, and Ralph Vaughn-Williams that English music began to recover from the decline of the nineteenth century. Benjamin Britten has play… more
Date: August 1963
Creator: Corse, Larry B.
Item Type: Refine your search to only Thesis or Dissertation
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Aaron Copland's Symphonic Use of Brass Instruments

Description: Traditions in orchestration can be described by relating the practices of most of the important composers of a particular time. This was done with great success by two composers of the nineteenth century, Hector Berlioz and Nicolai Rimsky-Korsakov, in their books on orchestration. These texts are the basis for the traditional uses of brass instruments appearing in the chapter.
Date: August 1965
Creator: Hasty, Patrick R. (Patrick Robert)
Item Type: Refine your search to only Thesis or Dissertation
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An Acoustical Comparison of the Tones Produced by Clarinets Constructed of Different Materials

Description: In music education today there is a trend toward a greater understanding of the fundamentals of music. Investigations have been undertaken to determine exactly what a musical tone is made of and why individuals respond to it in certain ways. In all fields these endeavors have led to an objective view of what has been primarily a subjective area. A knowledge of why something happens or of a relationship between factors in a situation is always of ultimate value in teaching situations. In this li… more
Date: August 1969
Creator: Bennett, Wayne (R. Wayne)
Item Type: Refine your search to only Thesis or Dissertation
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An Analysis of Arnold Schoenberg's Suite for Piano, Op. 25

Description: It now seems necessary to follow the further development of Schoenberg and his first pupils, Berg and Webern. "Starting from their twin conceptions of the dethronement of tonality and the free use of the former 'discords', they produced a series of pieces of which the foremost characteristics were their extreme expressiveness and their extraordinary brevity."
Date: August 1962
Creator: Mayhew, Thomas E. (Thomas Elmo)
Item Type: Refine your search to only Thesis or Dissertation
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An Analytical Study of Solos for Beginning College Voice Students

Description: The object of this study was to compile a list of solo literature for beginning college voice students and analyze these solos for pedagogical and performance purposes. There is no lack of printed material on the subjects of singing and voice culture. But it is not readily accessible to teachers since it is extremely diversified and rather diffusely distributed throughout a variety of sources, such as books, periodicals, and scientific papers. Several lists and books containing songs for beginn… more
Date: August 1968
Creator: Bryant, Karen Sue
Item Type: Refine your search to only Thesis or Dissertation
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Arabic 1620: An Analysis and Procedure for Composing Computer Music

Description: Computers are used in the music field for generation of sound, for composing music, for analysis of music, and for musicological applications, such as cataloguing a bibliography of music literature. These areas are relatively new aspects of computer usage, and research is being conducted to stay abreast of current technological advancements. Avant-garde composers are challenged by new advances in music. Computer-generated music is one of the new trends, but the composer is usually limited in th… more
Date: August 1968
Creator: Lott, William Loyd
Item Type: Refine your search to only Thesis or Dissertation
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Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2

Description: Computers are used in the music field for generation of sound, for composing music, for analysis of music, and for musicological applications, such as cataloguing a bibliography of music literature. These areas are relatively new aspects of computer usage, and research is being conducted to stay abreast of current technological advancements. Avant-garde composers are challenged by new advances in music. Computer-generated music is one of the new trends, but the composer is usually limited in th… more
Date: August 1968
Creator: Lott, William Loyd
Item Type: Refine your search to only Thesis or Dissertation
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The Bass Trombone and Its Use in Selected Works of Smetana, Borodin, Tchaikovsky, and Dvorak

Description: The selected works by the composers studied in this thesis might well stand as illustrative of the normal development of the use of the bass trombone near the close of the nineteenth century. Although notable progress was made by the cited composers in increasing the bass trombone's usefulness in the orchestra, each composer also continued to use the bass trombone as it had been used in previous years, such as in doubling bass parts, harmonic backgrounds, and for strong rhythmic punctuations.
Date: August 1969
Creator: Kesting, Gary Walther
Item Type: Refine your search to only Thesis or Dissertation
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The Basset Horn: Its Development and Literature

Description: The purpose of this study is to trace the development of a practically extinct woodwind instrument, the basset horn, and its use by composers as both a solo and an orchestral instrument. The first chapter concerns the development of the basset horn from the earliest imperfect specimen to the modern-day instrument. The second chapter deals with the physical characteristics that are peculiar to the instrument. The third chapter discusses the literature and musical history of the basset horn. An a… more
Date: August 1968
Creator: Shanley, Richard A.
Item Type: Refine your search to only Thesis or Dissertation
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The Brass Instruments as Used by Brahms in His Four Symphonies

Description: Instead of putting the emphasis on color in his orchestration, Brahms felt that the music was more important; not the orchestration. However, it would be a mistake to feel that he was deaf to orchestral color. When discussing color in regard to Brahms' orchestration it is necessary to realize that his use of color is much different than that of his contemporaries. This thesis discusses the four symphonies of Brahms and his usage of brass instruments within these symphonies, specifically the fre… more
Date: August 1964
Creator: Ritter, David G.
Item Type: Refine your search to only Thesis or Dissertation
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The British Museum Manuscript Additional 35087: A Transcription of the French, Italian, and Latin Compositions with Concordance and Commentary

Description: The London British Museum Manuscript Additional 35087, hereafter referred to as London Add. 35087, is an important parchment manuscript in large octavo choirbook arrangement from the beginning of the sixteenth century. Its measurements are 19.4 x 29.3 centimeters. The manuscript contains ninety-five folios and one stub where a leaf has been torn out (f. 4).1 The last composition in the manuscript is incomplete, which indicates that one leaf is lacking at the end (f. 96). Two sets of foliation … more
Date: August 1967
Creator: McMurtry, William M.
Item Type: Refine your search to only Thesis or Dissertation
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Chopin's Mazurka: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, F. Busoni, D. Scarlatti, W.A. Mozart, L.V. Beethoven, F. Schubert, F. Chopin, M. Ravel and K. Szymanowski

Description: This dissertation consists of four programs: one lecture- recital, two recitals for piano solo, and one (the Schubert program) in combination with other instruments. The repertoire of the complete series of concerts was chosen with the intention of demonstrating the ability of the performer to project music of various types and composed in different periods.
Date: August 1969
Creator: Drath, Jan
Item Type: Refine your search to only Thesis or Dissertation
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A Comparative Analysis of the Orgelbüchlein by J.S. Bach and Choral-Vorspiele für Orgel by Max Reger

Description: One of the outstanding aspects of nineteenth-century romanticism was its preoccupation with the past. This interest in the music or the old masters has lasted well into the twentieth century, and one whose lifetime bridged the two centuries was the composer Max Reger (1873-1916). Reger's admiration for the music of the past pervaded his own works. His preference for contrapuntal textures and devices, his use of baroque forms, his distaste for program music--all bespeak Reger's especial interes… more
Date: August 1963
Creator: Moehlman, Carl B.
Item Type: Refine your search to only Thesis or Dissertation
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A Comparison of Formal and Structural Principles in the Concerti Grossi of Corelli's Opus VI and Vivaldi's Opus III

Description: The comparison of structural and formal traits in the concert grossi of Corelli's Opus VI and Vivaldi's Opus III will proceed in the following manner: first, the cycle as a whole will be taken up; next, the individual movements will be considered. Finally, in each instance of comparison, Corelli's music will be dealt with first.
Date: August 1968
Creator: Hart, Euclid August
Item Type: Refine your search to only Thesis or Dissertation
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A Comparison of the Leschetizky and Whiteside Methods of Piano Technique

Description: The idea for this investigation was inspired by the writer's attempt to acquire a more complete knowledge of piano teaching techniques. It is hoped that this report will challenge musicians of all ranks to delve further into the subject and investigate other methods of technique not included in this report.
Date: August 1965
Creator: Wilkinson, Alice Faye
Item Type: Refine your search to only Thesis or Dissertation
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The Development of Schoenberg's Twelve-Tone Technique From Opus Nine to Opus Twenty-Six

Description: The real importance of the twelve-tone system would seem to lie in its structural possibilities. It combines the inherent potentialities of the theme of a movement in sonata form with those of the theme of a fugue and of variations. It creates a coherent texture throughout the single movements and the work as a whole. It is needless to say that this kind of coherence can also be achieved in serial compositions, that is, in movements in which not the full row of twelve tones, but only seven or e… more
Date: August 1968
Creator: Bryant, James Ronald
Item Type: Refine your search to only Thesis or Dissertation
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Elements of Verismo in Selected Operas of Giuseppe Verdi

Description: In music, the term verismo usually refers to a realistic or naturalistic movement in Italian operas of the late nineteenth century. From the dawn of Italian opera four features have been manifested--umanita (humanism), sincerity (sincerity), passione (passion), effetto (not only theatrical effect but the supreme dramatic moment). The elements of verismo are among the characteristics present in the operas of Giuseppe Verdi where they reached a zenith of development. It is upon these veristic asp… more
Date: August 1968
Creator: Morgan, Ann Shands
Item Type: Refine your search to only Thesis or Dissertation
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Exercises for Preparing Singers to Perform Contemporary Choral Music

Description: This treatise has been prepared largely because of an increasing interest in contemporary music and an awareness on the part of many music educators of its merits in the curriculum of public schools and colleges. Since contemporary music is a controversial subject among directors, it has become necessary to search for specific, positive approaches to the teaching of contemporary music in high school.
Date: August 1967
Creator: Ivey, Milvern K.
Item Type: Refine your search to only Thesis or Dissertation
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The Fifteen "Mystery" Sonatas of H.I.F. Biber (1644-1704)

Description: The "Mystery'" sonatas for scordato violin and continuo by H. I. F. Biber (1644-1704) had been largely ignored until 1905, when they were included in the collection of Austrian masterpieces, Denkmäler der Tonkunst der 0sterreich. Even then, they were the cause of some confusion which was later corrected in an addenda to the volume which included this series of sonatas. In the baroque period, scordatura was used by a few of Biber's contemporaries, but the technique is not commonly used today. In… more
Date: August 1967
Creator: Vollen, Linda Hunt
Item Type: Refine your search to only Thesis or Dissertation
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Forms in the Chopin Ballades

Description: The term ballade is the French and German spelling of the English word "ballad" and the Italian ballata. Although each of these terms is derived from the Latin ballare, meaning "to dance," each denotes an entirely different meaning. The synonomous usage of these terms is definitely misleading (1,p. 67), Frederic Chopin, 1810-1849, was first to use this term as a title for piano compositions. The purpose of this study is to reveal the formal characteristics of each of the four ballades that Chop… more
Date: August 1967
Creator: Driggers, Orin Samuel
Item Type: Refine your search to only Thesis or Dissertation
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