UNT Libraries - 234 Matching Results

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Primary view of Accessibility and Authenticity in Julia Smith's Cynthia Parker
Buehner, Katie R.
December 2007
Primary view of Addition, Omission and Revision: the Stylistic Changes Made to Zehn Variationen über ein Präludium von Chopin by Ferruccio Busoni
Yoon, Soomee
December 1994
Primary view of Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band
Anderson, Stephen Reg
December 2005
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of An Analysis and Performance Guide to William Lovelock's Concerto for Trumpet and Orchestra
Place, Logan
December 2008
Primary view of Analysis of Darius Milhaud's La Creation Du Monde
Salord, Yves C.
December 1971
Primary view of An Analysis of Jaques Ibert’s Concertino Da Camera for Alto Saxophone and Eleven Instruments
Riggs, James Garland
December 1972
Primary view of An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra
Hart, Shawn Michael
December 2008
Primary view of An Analysis of Method Books for the Bass Trombone
Hurst, Robert G.
December 1973
Primary view of Analysis of Selected Trombone Methods Developed at the Paris Conservatory of Music
Jackson, Robert Milton
December 1971
Primary view of Analysis of the Soprano Arias in the Oratorios of Joseph Haydn
Thomas, Deborah
December 1977
Primary view of An Analytical Study: Applying Hindemith's Tonal Theory to Niels Viggo Bentzon's Third Piano Sonata, Op. 44
Kim, Sun Hee
December 2009
Primary view of '...and one of time.': A Composition for Full Orchestra with Narration
Rinker, John Thomas
December 1999
Primary view of Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works
Švalbe, Erika Lynn
December 1997
Primary view of An Annotated Bibliography of Selected Chamber Music For Saxophone, Winds and Percussion with Analyses Of Danses Exotiques by Jean Françaix, and Nonet by Fisher Tull
Fryer, Cheryl A.
December 2003
Primary view of An Annotated Bibliography of Selected Repertoire for Alto Saxophone and Piano for Developing College-Level Alto Saxophonists, with an Analysis of Yvon Bourrel's Sonate Pour Alto Saxophone Et Piano
Kallestad, Scott D.
December 2005
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of Aphorismen, Capriccio, and Heptameron for Piano Solo By Jürg Baur: a Performer's Guide
Park, Esther
December 2012
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of An Argument for the Reassessment of Stravinsky's Early Serial Compositions
Hughes, Timothy Stephen
December 1995
Primary view of Art Song by Turn-of-the-Century Female Composers
Click, Sarah, D.
December 1993
Primary view of An Assessment of the Role of James ”Jimmy” Blanton in the Development of Jazz Bass
Bozarth, Rex O.
December 1981
Primary view of Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2
Chou, Kwong-Yan Godwin
December 1994
Primary view of Bach's Mass in B minor: An Analytical Study of Parody Movements and their Function in the Large-Scale Architectural Design of the Mass
Pérez Torres, René
December 2005
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