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The Brass Instruments as Used by Brahms in His Four Symphonies

Description: Instead of putting the emphasis on color in his orchestration, Brahms felt that the music was more important; not the orchestration. However, it would be a mistake to feel that he was deaf to orchestral color. When discussing color in regard to Brahms' orchestration it is necessary to realize that his use of color is much different than that of his contemporaries. This thesis discusses the four symphonies of Brahms and his usage of brass instruments within these symphonies, specifically the fre… more
Date: August 1964
Creator: Ritter, David G.
Item Type: Refine your search to only Thesis or Dissertation
open access

A Comparison of the Variation Technique Employed by Beethoven and Copland

Description: Draws a comparison between the piano variation techniques of Beethoven and Copland with reference only to the two works discussed herein, Thirty-Two Variations and Piano Variations, with the intent of gaining from these isolated examples knowledge of the changes in variation writing from Beethoven's time to the present.
Date: May 1964
Creator: Parrish, Mary Kay, 1940-
Item Type: Refine your search to only Thesis or Dissertation
open access

Contemporary Plans for Training the Boy's Changing Voice

Description: The purpose of this study is to describe contemporary plans for training the boy's changing voice and to prescribe ensemble material for these voices. Specific Problems: Analysis of the general problem leads to subordinate questions, or sub-problems, which may be stated as follows: 1. What are the contemporary plans of training the boy's changing voice? 2. What are the most usable musical materials available for use by ensembles which include boys with changing voices?
Date: January 1964
Creator: Cox, Rolla Kenneth
Item Type: Refine your search to only Thesis or Dissertation
open access

The Hermit Songs of Samuel Barber

Description: Samuel Barber was born in West Chester, Pennsylvania, a town on the outskirts of Philadelphia, on March 9, 1910. He was the son of Samuel Le Roy Barber and Marguerite Beatty Barber. His father came from a long line of tradesmen and professional people and was a doctor and prominent citizen in the Pennsylvanian town in which his son was born. Although no musical tendencies existed on the father's side, there were numerous accounts of musical abilities in his mother's family. Marguerite Beatty Ba… more
Date: May 1964
Creator: Lansford, Julia Ann
Item Type: Refine your search to only Thesis or Dissertation
open access

A History of the Clarinet and its Music from 1600 to 1800

Description: It is the purpose of this thesis to present a study of music written for the clarinet during the period from 1600 to 1800. The first part is a history of the clarinet showing the stages of development of the instrument from its early predecessors to its present form. Part one also explains the acoustics of the clarinet and its actual invention. The second part deals with composers and their music for the clarinet. No attempt is made to include all music written for the instrument during the pre… more
Date: August 1964
Creator: Kireilis, Ramon
Item Type: Refine your search to only Thesis or Dissertation
open access

The Programmatic Clavecin Pieces of François Couperin

Description: There are two major purposes in selecting Couperin's programmatic clavecin pieces for study; to prove their importance in the evolution of programmatic music and to prove the value of their study by the modern pianist. Due to the enormous number of Couperin's programmatic pieces, a detailed analysis of each piece will not be attempted in this paper. Instead, a general survey will be made.
Date: May 1964
Creator: Griffith, Ruth Jane
Item Type: Refine your search to only Thesis or Dissertation
open access

The Sinfonia Concertante

Description: Sinfonia Concertante is a name for an eighteenth-century composition as well as a name of an eighteenth-century instrumental form that was modeled after the earlier concerto grosso. It may be defined as a composition for two or more solo instruments with orchestral accompaniment and written in a style that admits the brilliant display of skill on the soloists' part. It is also thought that the form is nearer that of the symphony than that of the concerto. This thesis discusses the many differen… more
Date: August 1964
Creator: Sacchini, Louis Vincent
Item Type: Refine your search to only Thesis or Dissertation
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