The following text was automatically extracted from the image on this page using optical character recognition software:
Example 37) The Key, Fourth movement, mm. 28-33
Presto Agitato J- 160
Lydian 29 30
I Ll i inversion of "i. . IEl32 k3 fr 1 7
In contrast to section A, section B is lyrical and thoughtful. It begins with a composite scale (built of a whole-tone even scale, Phrygian mode, and minor tetrachord) in the piano. The very lyrical melody enters over the legato ostinato, which contains an ascending and descending figure in the left hand of the piano in measure 61. The meditative melody is taken over by the trumpet in measure 66, but the articulation of the piano changes from legato to staccato. The long ascending and descending composite scale appears in the left hand of measures 97-98. The figure is derived from measures 13-14 of the third movement. The composite scale of the third movement, which has one more beat than that of the fourth movement, is built of five different types of scales: whole-tone odd collection, Phrygian,