Right Hand Lute Technique in the Sixteenth Century, a Lecture Recital, Together with Three Recitals of Selected Works of F. Moreno-Torroba, J. Dowland, J.S. Bach, P. Attaignant, V. Capirola, and Others Page: 8
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Figure 4. Detail from a Painting by the Master of the Female
Half-Lengths (c. 1520).life of Ferrara from about 1440 to the end of the century.
Hailed by humanist writers at the time as a "rarissimo citha-
rista," he was raised to the rank of cavaliere in 1484 (rare
for a musician). Pietrobono was described as improvising
variations over a cantus firmus played by a second player ortenorista.
It is significant that many of the duets in the
lute books of Spinacino and Dalza (Petrucci: 1507-1508) are
in a similar style: single division lines over a two- or
7Lewis Lockwood, "Pietrobono and the Instrumental Tra-
dition at Ferrara in the Fifteenth Century," Rivista Italiana
di musicologia X (1975), 115-227.
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Craddock, Michael Duane. Right Hand Lute Technique in the Sixteenth Century, a Lecture Recital, Together with Three Recitals of Selected Works of F. Moreno-Torroba, J. Dowland, J.S. Bach, P. Attaignant, V. Capirola, and Others, thesis or dissertation, December 1983; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc798092/m1/17/: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .