A Study of Four Solo Works for Tuba Page: 44
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44
able to introduce humor into this passage. Figure 34 shows
the introduction and the subject, including measure 9, where
the development (interruption) starts.I) espr
m giocondo
arc.
ipP dolce
Fig. 340-ersichetti, Serenade No. 12, First Kovement,
introduction and first subject measuresT-11.
The fact that this introduction is both very short and quite
non-tonal represents some of the main elements of this
composer's style. Persichetti's use of modes will be dis-
cussed in detail later in this chapter when the fifth
movement is studied. A critic's comment on Persichetti's
brevity of musical ideas when applied to the tuba was:
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Westby, Donald Lloyd. A Study of Four Solo Works for Tuba, thesis, August 1967; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc663143/m1/50/: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .