Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958) Page: iv
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MUSICAL EXAMPLES
EXAMPLE PAGE
1. 2 mm. before Rehearsal 55, Poulenc's modification of Cocteau's text --------23
2. 2 mm. before Rehearsal 66, Poulenc's modification of Cocteau's text 23
3. Rehearsal 108, Poulenc's modification of Cocteau's text -----------------25
4, 2 mm. before Rehearsal 94, Poulenc's modification of Cocteau's text --------25
5. ,3 mm. Before Rehearsal 53, chromatic wedge ------------------------27
6. Rehearsal 100, increased chromaticism -----------------------------28
7. Beginning, vertical conflict ------------------------------------- 29
8. 5 mm. after Rehearsal 5, cellular structure 30
9. Rehearsal 60, orchestral support of text delivery --- ------------------------ 31
10. Rehearsal 14, octatonic 1-2 model and chromatic wedge ----------------------33
11. 2 mm. before Rehearsal 64, octatonic 1-2 model and descending chromatic
line 34
12. 2 mm. before Rehearsal 74, chromatic wedge ------------------------37
13. Pellias et Milisande, Act 3, Scene 2, p. 142 mm. 10-11, whole-tone wedge .-38
14. 5 mm. after Rehearsal 72, whole-tone scale ------------------------- 38
15. 1 m. after Rehearsal 19, descending chromatic line --------------------39
16. Rehearsal 22, parallelism --------------------------------------39
17. Pellias et Milisande, mm. 24-27 -------------------------------- 40
18. 2 mm. before Rehearsal 11, off-beat bassline 48
19. Rehearsal 12, chromatic wedge------------------49iv
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Beard, Cynthia C. Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958), thesis, May 2000; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc2543/m1/4/?q=music&rotate=90: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .