The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing Page: Title Page
View a full description of this thesis.
Extracted Text
The following text was automatically extracted from the image on this page using optical character recognition software:
THE RESURREXIT FROM HECTOR BERLIOZ'S
MESSE SOLENNELLE (1825): A CASE
STUDY IN SELF-BORROWING
Sarah M. Gill, B.M., M.M.
Thesis Prepared for the Degree of
MASTER OF MUSIC
UNIVERSITY OF NORTH TEXAS
December, 1999
APPROVED:
Lester Brothers, Major Professor, Chair, and Chair of the
Division of Theory, Musicology, and Ethnomusicology
J. Michael Cooper, Minor Professor
Michael Collins, Committee Member
Phil Winsor, Program Coordinator for the College of Music
William May, Dean of the College of Music
C. Neal Tate, Dean of the Robert B. Toulouse School of
Graduate Studies
Upcoming Pages
Here’s what’s next.
Search Inside
This thesis can be searched. Note: Results may vary based on the legibility of text within the document.
Tools / Downloads
Get a copy of this page or view the extracted text.
Citing and Sharing
Basic information for referencing this web page. We also provide extended guidance on usage rights, references, copying or embedding.
Reference the current page of this Thesis.
Gill, Sarah M. The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing, thesis, December 1999; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc2249/m1/1/: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .