Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich Page: 88
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marked above the stave in beats one and two. Like Example 5.6, a dashed line separates both a
clef and mode change. In this example, however, a brief change to treble clef in the left hand
includes the boxed, pivot tone members: A, C, and G.190 The old key and new key are both
represented in this box, A and C, respectively. G, however, is again the common tone between
the two keys, represented as both scale-degrees 7 and 5. The new key, C Phrygian major,
immediately follows the same voice exchange pattern as its predecessor. Both voice exchanges
enforce the key, but this instance includes one member of the DAP, Db. The other member, D#,
appears in the upper voice's ascending, chromatic passage, tonicizing scale-degree 5 (E).
Example 5.7: Bassline Chromatic Descent in Piano Sonata No. 1, mm. 12-17.
1
M.-
4Descent begins on D
13
t
15
DA P member:A b
tIesccrL a eds on G
190 F# is a leading tone to emphasize G at this moment.88
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Hatch, Amy M. Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich, dissertation, May 2022; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1944286/m1/99/: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .