Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich Page: 84
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Example 5.5: String Quartet No. 3, I, mm. 217-25.
(A) Aligned DAPNewtextursin
the lower st ringsChromatic
pabbiug ChOrd
C dyad
TjIarccUN
VII
pO
(B) Chordal reduction, (mm. 223-25 omitted to highlight DAP resolution in m. 222).
217 2]1 220 221 222
.9
B minor: i h116 +V4V
DAP
A nlinor: 14
VV - D - T
Example 5.5B presents a simplified version of these events. M. 217 begins with a tonic
chord in B minor and moves to a bII6 with E in the bass, which returns two measures later as a
pivot note to A minor.187 An A/C dyad appear prior to the DAP in the upper voices over the E in
187 I have added parenthesis around an E that is not voiced in that register in the score for the purpose of keeping
consecutive thirds among the top voices.
84217
B minor:
biI
Accompanimental lower strings
1 '
---1- --7- $
0 i Fdq I w I il
I r I -A gp 3 0 w
IL LL - 1 j +-m F ismi 19"
w N -A -M M 101" U L m AP6 ir
lffwr E&-W li 6W
-- i - I F 4--L "W i, Tr lowV
Minor: VMelody In Vioelin I
"
____Ip spriii. '" -
-Q a
i
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Hatch, Amy M. Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich, dissertation, May 2022; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1944286/m1/95/: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .