Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich Page: 78
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instance they are aligned and resolved together, into a vertical tonic harmony. The combination
of vertical and horizontal chromatic lines allows the listener to aurally interpret the DAP
sonority, typical of Shostakovich's style.185
Example 5.1: Piano Sonata No. 1, mm. 114-16.
(A) Aligned DAP
114 4IL5
r%.SM ILIt
(Resolves to
dyad GA)I. i
RdsoIves to
dyad CtE)(B) Chordal reduction
I1L4 I 116
C MNjor: iv4 DAP ii DAP 11
(atmarmal)
Also from Piano Sonata No. 1, another DAP aligns in the second eighth-note of m. 191
(Example 5.2A). While the key of the passage is ultimately F major, it begins with ambiguous
key centers between whole note octave Ab's in the left hand and a grace note F in the right. It
appears Ab is more prominent as a key center in this measure, but the F-Bb (shown in boxes)
185 Because this piece is highly chromatic, it is very difficult to pinpoint a centric tone to give any passage a mode
labeling. The lack of mode(s) does not affect the use of DAP in this passage.78
C Ma
TT KIP
A ati
.: cSment DAP IIA 1;
se
WNW Lc iN"E)rk Lb9hrm
IL 32 M i wErp if I t IL b P- I r 3 0
.31int -AL ot
I ri I --hmmpw -jor
::I
lpa!
IL48
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Hatch, Amy M. Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich, dissertation, May 2022; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1944286/m1/89/: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .