Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich Page: 5
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TABLE OF CONTENTS
Page
A CK N O W LED G EM EN TS ........................................................................................................... iii
LIST OF TABLES AND FIGURES......................................................................................... vi
LIST OF M USICAL EXAM PLES............................................................................................... vii
CH A PTER 1. IN TRO D U CTIO N ................................................................................................ 1
1.1 Augmented and Doubly Augmented Primes ......................................................8
1.2 O verview of D issertation .................................................................................. 13
CHAPTER 2. SHOSTAKOVICH AND TWENTIETH-CENTURY MUSIC THEORY IN
RUSSIA AND THE WEST: A REVIEW OF LITERATURE..................................................... 15
2.1 Introduction ...................................................................................................... . 15
2.2 Theoretical Studies in Early Twentieth-Century Russia.................... 15
2.3 Methods Used to Analyze the Music of Shostakovich in the West and Russia ... 26
2.3.1 Tonal, Dodecaphonic, and Semitonal Approaches to Shostakovich in the
W est .................................................................................................... . . 2 7
2.3.2 Analysis of Form, Narrative, and Rhetoric in Shostakovich's Music in
English-Language Scholarship ............................................................. 36
2.3.3 The Western and Russian Modal Analysis in the Music of Shostakovich40
2.4 Ogolevets's Contributions to Russian Music Theory.......................46
CHAPTER 3. THE METHODOLOGIES OF ALEKSEI OGOLEVETS (1894-1967).......... 48
3.1 Introduction ...................................................................................................... . 4 8
3.2 Line of Fifths and the Derivation of Modes Greater than Seven Tones.......... 48
3.3 The Generation of Doubly Augmented Primes ...............................................53
3.3.1 Diminished and Augmented Seventh-Chords.......................54
3.3.2 Orders of Connection........................................................................... 60
3.3.3 Hierarchy of System Connections ........................................................62
CHAPTER 4. METHODOLOGY OF THE DAP AND ITS RESOLUTIONS................65
4.1 Introduction ...................................................................................................... . 6 5
4.2 DAP as a Voice-Leading Method....................................................................69
4.3 Tendency Tones W ithin a DAP ......................................................................... 70iv
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Hatch, Amy M. Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich, dissertation, May 2022; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1944286/m1/5/: accessed July 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .