An Analysis and Production Book for a Staging of Samuel Spewack's Under the Sycamore Tree Page: 74
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7^
• The rehearsal schedule is as follows;
Day
Agenda
June 9,
Friday
Discussion of characters and
read-through.
12,
Monday
Block Act I.
13,
Tuesday
Finish blocking and run Act I.
1^.
Wednesday
Block Act II.
15,
Thursday
Run Act II.
16,
Friday
Run Acts I and II.
19.
Monday
Block Act III.
20,
Tuesday
Run-through (Lines, Act I).
21,
Wednesday
Run Act II.
22,
Thursday
Run Act III.
23,
Friday
Run-through (Lines, Act II).
Zk,
Saturday
Run-through.
26,
Monday
Run-through (Lines, Act III).
27,
Tuesday
Run-through (Set).
28,
Wednesday
Run-through (Props).
29,
Thursday
Run-through (Costumes).
30,
Friday
Run-through (Set and Props).
July 1,
Saturday
Run-through (Set, Props, and Lights).
2,
Sunday
Run-through (Set, Props, Lights,
and S ound).
3,
Monday
Run-through (Set, Props, Lights,
Sound, and Projections).
Tuesday
Complete technical rehearsal.
5,
Wednesday
Complete dress rehearsal.
6,
Thursday
Performance.
7,
Friday
Performance.
8,
Saturday
Cast and crew meeting to discuss
the production and to answer the
Cast and Crew Questionnaire.
Although many problems may arise which have not been
discussed in this chapter, it is hoped that those which have
not been anticipated will be met directly and solved adequately.
Obviously, perfect foresight is an ideal which all persons
should be desirous of obtaining. Human endeavors, hoxvever,
to reach this goal have consistently failed to some degree.
Perhaps the planning for anticipated enigmas will allow time
to resolve those which are unanticipated.
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Long, Jerry Lyndon. An Analysis and Production Book for a Staging of Samuel Spewack's Under the Sycamore Tree, thesis, August 1967; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc163912/m1/82/: accessed July 16, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .