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Description
The business language of communication is the starting point of my septet. The language is broken down here in their smallest elements. By this there is not a semantic relation, but a phonetic plain which has come into being. The singer uses vowels, diphthongs, later consonants. The parts become more and more full of noise and have only heard the explosive consonants. At the same time, the electronics continually envelope the part, and after the time of the greatest modulation.
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UNT Music Library
The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.
The business language of communication is the starting point of my septet. The language is broken down here in their smallest elements. By this there is not a semantic relation, but a phonetic plain which has come into being. The singer uses vowels, diphthongs, later consonants. The parts become more and more full of noise and have only heard the explosive consonants. At the same time, the electronics continually envelope the part, and after the time of the greatest modulation.
This recording is part of the following collection of related materials.
Mnemothèque Internationale des Arts Electroacoustiques
Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.