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open access

The Last Laugh: Selected Edwardian Punch Cartoons of Edward Linley Sambourne

Description: The illustrative work of Edward Linley Sambourne for Punch magazine during the period 1901-1910 addresses a myriad of political topics prevalent during the Edwardian period in British history. This thesis examines two of those topics - Women's Suffrage and Socialism - through their artistic treatment by one of Britain's most influential periodicals. Through a study of the historical context and iconography of selected cartoons-of-the-week, one is better equipped to understand and appreciate the… more
Date: May 2001
Creator: Larson, Alison
Partner: UNT Libraries
open access

Tangible Struggle

Description: The focus of my graduate work was to find my own voice through my continued efforts in woodcarving. I proposed to produce six to eight wood carved sculptures for my thesis that would be dealing with a juxtaposition of struggle expressively portrayed by the figure between two-dimensional and three-dimensional worlds. I used these works to express my emotions about myself, and my interactions with others in a form of nonverbal communication with the viewer. The result of this process did lead me … more
Date: May 2003
Creator: Whelan, Shawn
Partner: UNT Libraries
open access

Walter MacEwen: A forgotten episode in American art.

Description: Despite having produced an impressive body of work and having been well-received in his lifetime, the career of nineteenth-century American expatriate artist Walter MacEwen has received virtually no scholarly attention. Assimilating primary-source materials, this thesis provides the first serious examination of MacEwen's life and career, thereby providing insight into a forgotten episode in American art.
Date: May 2009
Creator: Cross, Rhonda Kay
Partner: UNT Libraries
open access

The Museum is the Object: An Action Research Study in How Critical Theory Curriculum Influences Student Understanding of an Art Museum

Description: The purpose of this action research study was to determine how a critical theory curriculum implemented in a college-level art appreciation course impacted student understanding of an encyclopedic art museum. A critical theory-based curriculum unit was designed and implemented, and students were given assignments to assess their learning. The most significant assignment centered on a self-guided student visit to the art museum in which students made detailed observations of the museum spaces an… more
Date: December 2016
Creator: Elizondo, Kristina Kay
Partner: UNT Libraries

Recollection of Moments (2)

Description: Work of art (variable dimensions) in Porcelain, corn husk paper, wire, graphite, table (burnout porcelain objects fired to cone 10 in soda atmosphere and in oxidation) by artist Karla Garcia part of a 2019 MFA Exhibition, entitled "Uncertain Ground."
Date: 2019
Creator: Garcia, Karla
Partner: UNT College of Visual Arts + Design

Shadows of Home Installation View

Description: Work of art in Kodak Carousel, glass, corn husk paper on panel by artist Karla Garcia part of a 2019 MFA Exhibition, entitled "Uncertain Ground." They have variable dimensions: Kodak Carousel, laser etched glass (Slide: 2” x 4” and 2” x 3”) Panel: corn husks paper and gesso on plywood. 4’ x 4’, and Table: Maple, steel pipes. 36” x 12” x 12”.
Date: 2019
Creator: Garcia, Karla
Partner: UNT College of Visual Arts + Design
open access

A Stylistic Analysis of American Indian Portrait Photography in Oklahoma, 1869-1904

Description: This thesis studies the style of Native American portrait photographs of William S. Soule (1836-1908), John K. Hillers (1834-1925), and William E. Irwin (1871-1935), who worked in Oklahoma from 1869 to 1904. The examination of the three men's work revealed that each artist had different motivations for creating Native American portrait photographs, and a result, used a distinct style. However, despite the individual artistic styles, each artist conformed to Native American stereotypes common du… more
Date: May 2001
Creator: Nelson, Amy
Partner: UNT Libraries

The Flora and Fauna in Eighteenth-Century Colonial Mexican Casta Paintings

Description: The primary objective of this thesis is to identify patterns of appearance among the flora and fauna of selected eighteenth-century New Spanish casta paintings. The objectives of the thesis are to determine what types of flora and fauna are present within selected casta paintings, whether the flora and fauna's provenance is Spanish or Mexican and whether there are any potential associations of particular flora and fauna with the races being depicted in the same composition. I focus my flora an… more
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Date: May 2006
Creator: Torres, Anita Jacinta
Partner: UNT Libraries
open access

Passionate transformation in vernicle images.

Description: This thesis will examine the iconography of late-thirteenth- through fifteenth-century images of St. Veronica's veil, also known as vernicles. In the late Middle Ages, vernicle iconography changed from iconic representations of Christ's face toward graphic imagery of Christ's suffering during his Passion. These passionate transformations, as I have called them, were affected by the Roman Sudarium relic, popular devotion to Christ's suffering and humanity during his Passion, and the Catholic rit… more
Date: December 2004
Creator: Hoffman, J. Starr
Partner: UNT Libraries
open access

Iconographic Analysis of the Armadillo and Cosmic Imagery within Art Associated with the Armadillo World Headquarters, 1970 - 1980

Description: This thesis draws upon recent, art historical scholarship in iconography and semiotics to identify and analyze key images in an iconographic program associated with murals, paintings, and posters related to the Austin, Texas music venue, the Armadillo World Headquarters, 1970-1980. Resources include South Austin Museum of Popular Culture, the Center for American History at the University of Texas, Austin, personal communications, and publications concerning the artists, music and history of Aus… more
Date: December 2006
Creator: Richmond, Jennifer Lynn
Partner: UNT Libraries
open access

Faith and politics: The socio-political discourses engaged by Mexican ex-voto paintings from the nineteenth-century and beyond.

Description: The Universalis Ecclesiae of 1508 authorized Spanish colonization of the Americas in return for the conversion of native populations to Christianity. From its inception therefore, the Mexican nation lived an alliance between Church and State. This alliance promoted the transfer of Castilian Catholicism to American shores. Catholic practices, specifically the ex-voto tradition, visualize this intermingling of religion and politics. The ex-voto is a devotional painting that expresses gratitude t… more
Date: May 2006
Creator: Hamman, Amy
Partner: UNT Libraries
open access

Redefining Beauty

Description: In an effort to continue the conceptual and aesthetic growth started in graduate school, I have produced a body of work dealing with the relation between the fragmentation of the figure and the self-perception of beauty. I produced twelve prints that have been exhibited at Cora Stafford Gallery. I have analyzed the body of work conceptually and formally and chose to discuss six pieces in a problem- in lieu-of-thesis. My work and book references informed the content of the paper. I divided it in… more
Date: May 2002
Creator: Perrin, Elvia
Partner: UNT Libraries

Goya's Los Caprichos: An Enlightened Bestiary

Description: This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.
Date: April 14, 2011
Creator: Thompson, Julie & Donahue-Wallace, Kelly, 1968-
Partner: UNT Honors College
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