Goya's Los Caprichos: An Enlightened Bestiary

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This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.

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28 p. : col. ill.

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Thompson, Julie & Donahue-Wallace, Kelly, 1968- April 14, 2011.

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This paper is part of the collection entitled: The Eagle Feather and was provided by the UNT Honors College to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 965 times, with 10 in the last month. More information about this paper can be viewed below.

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This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.

Physical Description

28 p. : col. ill.

Notes

Abstract: Sinful behavior was ubiquitous despite the religious fervor of the Middle Ages and the Inquisition in eighteenth century Spain. To simplify church doctrine the medieval clergy employed the bestiary, a manuscript that categorizes animals and fantastic creatures by traits that symbolize moral behavior. This analysis argues that the iconography and allegories found within medieval bestiaries influenced prints depicting human, animal , and hybrid figures within Francisco de Goya's (1746-1838) series 'Los Caprichos'. However, in contrast to the medieval bestiary which employs animal symbolism for morally didactic purposes, Goya reworks the composition of bestial allegories in order to enlighten the viewer on the immortality that is innate, universal, and destructive to humanity. Accordingly, a semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.

Eighth Annual University Scholars Day, 2011, Denton, Texas, United States.

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  • Eagle Feather, Issue 8, University of North Texas Honors College: Denton, Texas. 2011

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  • Publication Title: The Eagle Feather
  • Volume: 8
  • Issue: 2011
  • Peer Reviewed: Yes

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The Eagle Feather

Launched in 2004 by UNT's Honors College, The Eagle Feather was an interdisciplinary undergraduate research journal that promoted the work of students and their faculty mentors. The Eagle Feather was published annually until 2017 when it transitioned into the North Texas Journal of Undergraduate Research.

UNT Undergraduate Student Works

This collection presents scholarly and artistic content created by undergraduate students. All materials have been previously accepted by a professional organization or approved by a faculty mentor. Most classroom assignments are not eligible for inclusion. The collection includes, but is not limited to Honors College theses, thesis supplemental files, professional presentations, articles, and posters. Some items in this collection are restricted to use by the UNT community.

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Goya's Los Caprichos: An Enlightened Bestiary [Presentation] (Presentation)

Goya's Los Caprichos: An Enlightened Bestiary [Presentation]

Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on Francisco de Goya's series, "Los Caprichos."

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Goya's Los Caprichos: An Enlightened Bestiary [Presentation], ark:/67531/metadc93299

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  • April 14, 2011

Added to The UNT Digital Library

  • May 18, 2012, 10:45 a.m.

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  • April 14, 2020, 5:21 p.m.

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Thompson, Julie & Donahue-Wallace, Kelly, 1968-. Goya's Los Caprichos: An Enlightened Bestiary, paper, April 14, 2011; [Denton, Texas]. (https://digital.library.unt.edu/ark:/67531/metadc84365/: accessed April 25, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Honors College.

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