UNT College of Visual Arts and Design - 3,512 Matching Results
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- [Graffiti, Venice Beach, California]
- The detail shows a portion of the wall that has been covered with a graffiti mural.
- [Graffiti, Venice Beach, California]
- This detail of the painted wall shows the face from the lower right section.
- [Graffiti, Venice Beach, California]
- The main portion of the north wall is shown. There is some text and two faces.
- [Graffiti, Venice Beach, California]
- A close view of a person's face is depicted in this image.
- [Graffiti, Venice Beach, California]
- A portion of the north wall includes a face and parts of some text.
- [Graffiti, Venice Beach, California]
- A close view of some of the text is shown.
- [Graffiti, Venice Beach, California]
- A close view of the wall includes the texture underneath the paint and a detail of some of the text.
- [Graffiti, Venice Beach, California]
- A close detail view of the artist's signature is included in this image.
- Arlington National Cemetery
- This view is a detail of a reflecting pool and a wall containing inscriptions.
- Arlington National Cemetery
- This view shows a detail of a commemorative inscription dedicated to women in the services.
- Fashion Before Ease or A Good Constitution Sacrificed for a Fantastic Form
- The original color etching depicts a tailor attempting with great exertion to tighten a woman's corset. Text beneath the illustration is satirical in nature.
- Comic Map of Europe
- Caricature figures are arranged to create the shapes of each European country.
- Economy
- The humorous illustration depicts people behaving poorly at dinner. There is dialogue written above the heads of the diners.
- 64 Old Church Street
- The view rakes along the street side facade showing the exterior of the house.
- Internet Use in Latin America
- This paper explores the development of Internet use in Latin America by exploring the macro- and micro-social expectations and actualities of Internet use.
- Ensemble
- Ensemble of navy wool lined in navy blue silk satin.
- Evening dress
- Evening dress of silk chiffon layered skirt with a strapless bodice of floral embroidered olive green tulle; fitted bodice of fine olive tulle is embroidered of flowers and vines of green and violet beads and threads; long skirt consists of layered triangular sections of pink, olive, and pale orange silk chiffon with uneven hemline; waistline is dipped at center-front and center-back; center-back zip closure. Designer's label: "Vicky Tiel / Couture" Retailer's label: "Bergdorf Goodman" Two maker's labels
- Dress
- Coat dress of black wool with double satin stripe gabardine.
- Ensemble
- a) Shirt jacket of navy cotton in an open-weave mesh knit. Shirt collar. Center front button closure with 5 circular, navy plastic buttons with vertical, tailored buttonholes. Two flap pockets at bust with lapels and single, matching button closure. Long sleeves. Front vest is lined in dark blue cotton. Interior back waistline has a cord to cinch from within. Designer's label at center back neckline: "A-K-R-I-S-" Sizes on reverse of designer's label: "US 8 F 40 D 38" Content/care label at inside left seam. b) Pencil skirt of navy wool knit with 1 ¼” waistband and 2 darts at front left and right. Two darts at back. Center back zip closure. Fully lined in blue satin. 21” length.
- Dress
- Dress of brown jersey wool with round neckline and long raglan sleeves.
- Jacket
- Jacket of black wavy, puckered, ribbed satin with notched collar and large, single button closure; long sleeves with single button closure at wrists; 2 faux slit pockets at hips; decorative attached belt at back of self-fabric; fully lined in black satin trimmed in black faille; fabric content: polyester, nylon, spandex, rayon.
- Pants Suit
- Pantsuit of dark green wool.
- [Vienna]
- Photograph of a streetscape in Vienna, Austria. In the foreground, numerous shop signs and blue cafe umbrellas are visible; orange umbrellas are visible in the middle ground; more buildings and a sculpture in scaffolding are visible in the background.
- [Interview with Elda Harrington]
- This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
- [Interview with Adelma Benavente Garcia]
- This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
- [Interview with Paula Sibilia]
- This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
- Students Collaborate to Develop Educational Green-Clothing Label
- This book chapter describes a project to develop an informative green label that outlines the impact of a product on the environment, to help inform the consumer considering buying the product.
- Ball gown
- Ballgown of beaded light blue silk satin. A) Dress: sleeveless, princess-line, flared, full-length evening gown with moderate square neckline. Overlay bodice detail of matching aqua satin. The overbodice has a slightly empire line with side panels extending over the hips. The overbodice is intricately pieced and embellished with cutwork details and beading. The cutwork treatment extends across the wide shoulder straps, down the bodice front and back and then completely covers the side panels. The beading incorporates clear rhinestones with square pillow-shaped studs in varying shades of aqua and turquoise. The beading was based on the tile work incorporated in the Southland Center, Dallas, Texas. The full, flared skirt is tacked into four wide inverted knife pleats down the front and it is asymmetrically pleated across the back. Center back zipper closure to hipline with a single hook&loop at midback neckline. Placket closure secured with one snap and one hook&eye. The skirt is lined with heavy white pellon and has a horsehair reinforced hem. Label located over inside front bustline. B) Petticoat: full-length, gored, ten panel petticoat of iridescent turquoise/aqua silk satin. Narrow waistband with center back placket opening secured with two hook&eyes. Horsehair reinforced hem.
- Dress
- Evening dress of turquoise blue chiffon beaded completely in vertical rows of matching blue bugle beads.
- Cocktail dress
- Dress ensemble consisting of red and black plaid with white stripe. A) Dress of matching plaid chiffon. Street length; short raglan sleeves with underarm gussets. Peter Pan collar. Skirt is formed of three layers of gored chiffon with outer layer of plaid and two under layers of red chiffon. Center back zipper from skirt through interior bodice; chiffon over blouse has closure of eight circular black buttons with tailored buttonholes and is supplemented with hook & loop at neckline and snap and hook & eye at waistline. Red grosgrain ribbon petersham with hook & eye. Inner bodice is covered in red chiffon, boned and lined in red synthetic; skirt is lined in red silk crepe. Interior sleeve hems and neckline are lined in female snap ends, possibly indicating missing pieces to ensemble. Designer's label at left side seam of bodice: "Galanos" Retailer's label at center back seam of skirt: "Neiman-Marcus" B) Cape of matching wool plaid. Elbow length with wide cape collar. Closure of two black plastic buttons on collar joined by contour-shaped placket with bound buttonholes; snap and hook & eye on neckline of cape supplement the button closure. Faux flap pockets with matching black button and bound buttonhole. Designer's label at right side seam: "Galanos" Retailer's label at center back neckline: "Neiman-Marcus" C) Contour belt of black leather with rectangular self-covered buckle. Stamped on back: "Galanos / Originals / Beverly Hills"
- Dress
- Dress of black silk matelassé. A) Fitted bodice of black silk matelassé with vestee of cream silk with lace appliqué trimmed in black and ivory braid in an Art Nouveau motif. High standing collar of lace appliqué matching vestee. Black velvet revers and trim at collar. Long sleeves with rolled back cuffs. Hook & eye closure at left of vestee. Vestee is lined in white polished cotton. Bodice is boned and lined in black polished cotton with center front hook & eye closure; 24" waist. B) Bustle-back skirt with slight train. Center back hook & eye closure. Unlined.
- Dress
- Dress of navy wool jersey knit. Sleeveless; knee length. Princess line. Brown and navy set in waist/belt with oval shaped placket trimmed with 2 gold and mauve buttons at center front. Center back closure of four matching buttons to waist and zipper below waist. Lined in navy. Designer' label: "Burke-Amey / New York"
- Evening dress
- Evening dress of black polyester knit. Full length with long split at center front seam; narrow silhouette. Halter style bodice of floral black lace embellished with black sequins and beads over white satin. Black knit gathers around waist with off-white satin bow at center front. Center back zipper closure with hook & eyes. Bodice lined in white acetate and skirt has slip of black acetate. Designer's label at back left shoulder: "Victor Costa" Union label beneath designer label. Care label at right side seam.
- Dress
- Evening dress of fuchsia silk satin with bow embellishments on short, off-shoulder sleeves. Sleeves are bell-shaped and have cartridge pleats at upper portion. Strapless bodice is fitted; princess seams. Skirt is gathered at drop waist at hips and around back; falls just below knees. Center-back zipper closure with hook and eye. Fully lined in fuchsia synthetic with attached net underskirt. Designer's label at center back neckline: "Victor Costa" Union label at bottom of designer's label: "Crafted with Pride / in U.S.A." Fabric/care/size label at inside left seam.
- Dress
- Gown of violet purple jersey.
- Cocktail dress
- Evening dress of yellow and turquoise floral printed lace with iridescent yellow sequins and yellow and turquoise seed beads. Strapless, sheath-style. Knee length. Left side zipper closure. Lined in bright yellow synthetic; boned bodice. Designer's label at center back: "Victor Costa" Style number "9183" tag under designer label.
- Day Dress
- Day dress and underskirt of olive green shantung silk . a) Shirt waist style dress of olive green shantung silk. Knee-length. Round neckline; princess seams; gathered natural waist. Buttons down center front of bodice with a snap at the neckline; covered buttons with bound buttonholes. Left side seam zipper closure from underarm to upper thigh; underarm gussets. Two slit double welt pockets on left and right; 3/4 length sleeves. Attached self tie belt at center back waist. Unlined; 26" waist. Designer's label at inside right: "EISA" b) Unattached straight underskirt. Upper panel of white silk; lower panel of olive green shantung silk. Left side zipper with a hook and eye; folded hem. Unlined.
- Afternoon Dress
- Afternoon ensemble of heavy black silk faille and lace. A) Bodice. Fitted; 3/4 length sleeves are split to show ice blue faille insets covered in black lace and are piped and scalloped with black embroidery and braid medallions. The lace on the sleeve insets extends from the elbow to the wrist with gathers in the lace at the back of the wrist. High standing collars with the front of the collar covered in matching blue faille covered in black lace; collar has hook & eye closure. Center front opening of 16 self-covered buttons and barred buttonholes. Center front opening is scalloped and piped to match sleeves and is trimmed with matching embroidered medallions. Boned with white moire silk grosgrain petersham which secures with two hook & eyes. Center back of petersham has three irregular pentagonal shaped tabs of black faille with barred buttonholes for securing bodice to skirt. B) Skirt. Full skirt is asymmetrical with blue faille panels inserted at front right side of skirt and two narrow inserts on left side. Left side inserts are partly covered by black faille pleating which forms folds at the left side waist. Front inserted panel is covered in black lace in floral motifs with diagonal striping. Hemline of front inserted panel is scalloped and piped in black faille with matching black embroidered medallions. Right side of skirt has an inserted panel of matching black faille that is piped and scalloped to match the bodice and is trimmed with matching embroidered medallions. Underskirt of black faille has a box pleated ruffle of self around the hemline. Center back hook & eye closure with three mother-of-pearl button on black grosgrain waistband for securing skirt to bodice. All blue insert faille panels have faded to white.
- Skirt suit
- Skirt suit of floral brocade fabric. Fabric has light tan ground with trellis window pane design of brocaded green vines with pink flowers. Within the squares of the trellis are brocaded sprays of flowers.
- Dress
- Day dress ensemble: A) Bodice of ivory crinkled cotton gauze with a tiny floral print in vertical stripes and waves. High standing band collar with lace yoke and matching cotton ruffle around shoulders; trimmed with two rows of thin dark brown ribbon. Long sleeves are gathered in armhole and are completely covered in pin tucks which open and flare out at wrists; wrists trimmed in two narrow rows of dark brown velvet ribbon. Button closure at left side shoulder and under armseye; string tie of self at waist. Unlined. B) Skirt of matching fabric in full, A-line silhouette. Slightly trained with two rows of self ruffle at hem. Center back opening. Unlined.
- Dress
- A) Fitted bodice of black silk covered in black silk netting. Intricate black jet beading and black sequin design around high standing collar and yoke. Long sleeves with matching net ruffle cuffs trimmed with three rows of black silk ribbon; black Alençon lace trim at wrist above ruffled cuff. Bodice front is loosely fitted and trimmed with three vertical rows of black silk ribbon at each side; back of bodice is trimmed with two vertical rows of black silk ribbon at each side. Center back hook & eye closure. Outer bodice is boned and has brown polished cotton lining; inner bodice of brown polished cotton. B) Skirt of black silk netting. Full length. Dress is trimmed two vertical rows of gathered black silk ribbon from waist to ruffle and has five Alençon black lace appliques on front. Twelve-inch ruffle at hemline is trimmed with four rows of black silk ribbon and has rows of gathered matching ribbon at top of ruffle and along bottom of hem. Center back opening with hook & eye on waistband.
- Mother Hubbard Dress
- Dress in Mother Hubbard style of cotton muslin in printed paisley pattern in shades of pink.
- Coat
- Coat of cream colored broadtail. Hip- to 7/8-length. Long sleeves with wide cuffs trimmed in brown mink. Detachable collar of brown mink with 4 bands of brown mink, two per side, which snap at collar (3 snaps) and hang down at front. Center front closure, which fastens with double-strand ribbon belt from interior at right to loop on left edge of coat. Fully lined in cream silk, with applied silk monogram quilted to lining: "RYL". Retailer's label at inside back collar: "Bergdorf / Goodman / Fifth Avenue / at 58th Street"
- Dress
- Cocktail dress of black crepe: Sleeveless with 1" straps; princess seams in front and back; natural waist; sheath; skirt is trimmed with 3 rows of 6" black fox fur; bodice is lined with black crepe, skirt is lined in black polyester; low back; bust seems to be lined with what feels like styrofoam in bra "cups" so the dress can be worn braless for its low back; CB zipper closure with a hook and eye. 30 waist. Designer's label at back to right of zipper: "Estevez"
- Infant's dress
- Infant's dress and slip set of white cotton batiste. A) Gown is gathered at V-shaped yoke with 8 vertical bands of broderie anglaise and 7 strips of narrow lace. Long sleeves have cuffs trimmed with matching broderie anglaise and hem trimmed with netted lace; three rows of pin tucks at bend of elbows. High rounded neckline with matching broderie anglaise. Back of yoke is trimmed with five rows of vertical pin tucks and matching broderie anglaise. Hemline has 1" band of broderie anglaise in fleur-de-lis pattern between three rows of pin tucks. Ruffle at hemline has band of feather stitched embroidery at seam with two rows of drawn work and floral and fleur-de-lis embroidery with scalloped hem. Center back closure of three mother-of-pearl buttons. B) Slip. Rounded neckline; sleeveless. Lace trim at neckline and armseye. Full gathered skirt attached to bodice with band of feather stitched embroidery . Hemline and ruffle of slip is trimmed to match gown. Center back closure of two mother-of-pearl buttons.
- Dress
- Day dress of navy, brown, and green polyester silk crepe. Street length. Full, set-in sleeves with 1-1/2" navy cuffs and spherical self-covered button with barred buttonhole. V-shaped neckline with attached sash at neckline. Inverted pleats throughout body of dress which open at dropped waist to form the pleated skirt. Center front zipper closure with hook & eye. Unlined; shoulder pads. Designer's label at right side seam: "Galanos" Retailer's label at right side seam: "Neiman-Marcus"
- Dress
- Cocktail dress of fuchsia pink silk chiffon. Knee-length, princess-line sheath with moderate scooped neckline and short sleeves. The set-in sleeves are attached to a U-shaped armseye opening set below a dropped shoulder line. The short sleeves are horizontally pleated in five tiers with each pleat slightly wider than the one above it. Two pleats fall from off the left front neckline to mid-thigh. Asymmetrical waistband curving up over the left hip. Chiffon overskirt falling from the waistband. The overskirt has an asymmetrical hem that curves upward around the left side. The overskirt's hem is embellished with four wide horizontal pleats. The bodice pleat detail becomes a separate pleated panel as it falls from the waistband to the overskirt's hem. It is caught up into the hem. Knee-length underskirt of fuchsia silk chiffon. Center back zipper bodice closure from the neck to the hip line with a single hook&eye at the neckline. Piece lined in fuchsia pink silk satin. Right side seam slit in underskirt about 6 inches. Label located inside center back beside the zipper. The zipper is faced with fuchsia pink chiffon. Designer label left of zipper: "By / Lilli Wolff / Dallas, Texas"
- Dress
- First Communion dress of off-white rayon blend. Mid-length; short sleeves. Bands of cotton crocheted lace around sleeve hem and 8 1/2" above skirt hem. Round collar has square matching crochet lace inset below. Belt of self fabric is attached at sides of waist and closes with self-covered rings. Princess seams. Center back zipper closure. Unlined.
- Dressing gown
- Dressing gown of brown cotton with paisley print in warm reds, teal, dark pinks, golden yellow and blue grey. Full length, loose fit with long sleeves. Fold-over collar, opening and cuffs are trimmed with a different fabric band of bone colored stripe surrounded by darker brown with rows of floral bouquets. Open front is stitched closed from waist down. Gown is full; skirt is meticulously pleated into back waistline which ends at sides. Tie of black ribbon ties around waist at inside. Bodice back is lined in tan mercerized cotton.
- Dress
- Maxi dress of ivory jersey knit. Long sleeves with zippered wrists. Scooped neckline. Bodice is accented with orange and red geometric insets at neckline and waist. Side slit pockets. Center back zipper. Lined in ivory polyester. Designer's label at base of zipper: "Ronald Amey / New York" Cleaning instructions tag with designer label.