UNT Libraries - 87 Matching Results

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Primary view of From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Ensign, Jeffrey S.
December 2010
Primary view of Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity
Davenport, Jennifer Tish
May 2011
Primary view of The Fundamental Unity in Brahm's Horn Trio, Op. 40
Kim, JongKyun
August 2007
Primary view of Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Dobbs, Benjamin Michael
December 2010
Primary view of Gualterio Armando's 34 Canciones Hispanoamericanas Para Canto Y Piano: a Comprehensive Edition and an Analytical Study of the Work’s Thematic Unity, Chromaticism, and Use of Musical Quotations
Pérez Torres, René
May 2014
Primary view of Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck
Cranford, Dennis R. (Dennis Ray)
May 1992
Primary view of The Harmonic Interval of the Seventh in the Works of Representative Composers of Italian Madrigals, 1542-1614
Dowden, Ralph D.
December 1976
Primary view of Harmony in the Songs of Hugo Wolf
McKinney, Timothy R. (Timothy Richmond)
August 1989
Primary view of Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch
Shin, Dong Jin
December 2010
Primary view of Igor Stravinsky: An Analytical Study of Programmatic Design of His Symphony in Three Movements
Anderson, Rachel (Rachel Anne)
August 2019
Primary view of Imagined Sounds: Their Role in the Strict and Free Compositional Practice of Anton Bruckner
Brooks, Jonathan
May 2008
Primary view of The Influence of Fredrik Melius Christiansen on Six Minnesota Conductor-Composers
Armendarez, Christina Marie
May 2006
Primary view of J. F. Daube's "General-Bass in drey Accorden" (1756): A Translation and Commentary
Wallace, Barbara Kees
May 1983
Primary view of Jacques Ibert: an Analytical Study of Three Movements From Histoires
Waldroup, William Allan
August 2012
Primary view of The Key to Unlocking the Secret Window
McConnell, Sarah E.
December 2010
Primary view of Klangfarben, Rhythmic Displacement, and Economy of Means: A Theoretical Study of the Works of Thelonious Monk
Kteily-O'Sullivan, Laila Rose
December 1990
Primary view of The Lessons of Arnold Schoenberg in Teaching the Musikalische Gedanke
Conlon, Colleen Marie
May 2009
Primary view of Ligeti’s Early Experiments in Compositional Process: Simple Structures in Musica Ricercata
Grantham, Daniel
December 2014
Primary view of Martin Agricola's 'Musica Instrumentalis Deudsch': A Translation
Hollaway, William W.
May 1972
Primary view of “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet
Stroud, Cara
August 2012
Primary view of Metric Dissonance in Non-Isochronous Meters
Smith, Jayson
August 2018
Primary view of Missa Papae Marcelli: A Comparative Analysis of the Kyrie and Gloria Movements of Giovanni Pierluigi da Palestrina and an Adaptation by Giovanni Francesco Anerio
Moore, Michael J.
May 2006
Primary view of The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality
Woodruff, Lawrence Theodore
August 1986
Primary view of Multidimensional Musical Objects in Mahler's Seventh Symphony
Patterson, Jason, 1982-
May 2019
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