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A Comparison of the Leschetizky and Whiteside Methods of Piano Technique

Description: The idea for this investigation was inspired by the writer's attempt to acquire a more complete knowledge of piano teaching techniques. It is hoped that this report will challenge musicians of all ranks to delve further into the subject and investigate other methods of technique not included in this report.
Date: August 1965
Creator: Wilkinson, Alice Faye
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A Historical and Musical Analysis of the Characters in the Opera the Love for Three Oranges

Description: The Commedia dell'arte was a form of Italian comedy prevalent from about 1560 to 1760. It was rooted in the comedy of ancient Greece and Rome, and it first appeared during the Middle Ages. An example of this is the comic opera The Love for Three Oranges, scored by Sergei Prokofiev.
Date: January 1963
Creator: Perez, Antonio Hipolito
open access

A Technical and Historical Analysis of Alban Berg's Sonata for Piano, op. 1

Description: This sonata by Alban Berg is a product of Arnold Schoenberg's teachings and is, indeed, a musical reflection of the Schoenberg of 1907-1908. At this time the musical thought of Schoenberg himself was in a state of metamorphosis, developing from the chromaticism of the late Romantic composers toward the twelve-tone technique which he was to formulate a few years later. The sonata, as a whole and above all, reflects the growth of an important composer, one who is perhaps the most important link b… more
Date: August 1962
Creator: Evans, Billy G., 1938-
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Physical and Pricing Aspects of the Texas Grain Sorghum Market Structure

Description: The purpose of this study is to collect, analyze, and interpret physical and pricing data pertaining to the elemental market structure for grain sorghums in Texas. For comparative purposes, a criterion is established in Chapter IV to evaluate the data obtained. The objective is to deter mine whether the physical and pricing aspects of the Texas grain sorghum market structure conforms to theoretical structural patterns. If there are deviations from the theoretical pattern, explanations will be s… more
Date: August 1964
Creator: Pettit, John D.
open access

A Thematic Analysis of Edward Elgar's Oratorio, the Apostles

Description: It is the object of this paper to review Sir Edward Elgar's life as a composer, and to discuss and study the thematic elements of his oratorio, "The Apostles." To understand and evaluate the significance of any person's rise to fame in his own field, it is necessary to reconstruct the surroundings from which he came. If a study of the musical conditions had been made when Elgar's development as a composer was starting to draw attention, it would have been noted that the British public was prepa… more
Date: August 1962
Creator: Burge, Everett Waddell
open access

The Keyboard Ricercare in the Baroque Era: Volume 1

Description: This study seeks to examine the history of the ricercare, specifically in the baroque era. In this work, all types of keyboard compositions that utilize imitative counterpoint have been examined. Late baroque fugues have been examined to determine which characteristics of the earlier ricercare remained in general use and which specific compositions contain elements causing them to resemble strongly the parent form.
Date: August 1963
Creator: Douglass, Robert S. (Robert Satterfield), 1919-
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Construction and Testing of a Charging System and a Corona Column for an Electrostatic Accelerator

Description: The purpose of the project described in this paper has been to complete construction and to determine the operating characteristics of a charging system and a corona-type controlled leakage system for the compact Van de Graaf generator now under construction at North Texas State University. Calibration data of the generating voltmeter to be used for determining the potential developed by the generator are also included in the paper.
Date: January 1964
Creator: Daniel, Robert Earl
open access

Comparable Dissonance as Used by Palestrina, Lassus, and Victoria in Three Masses

Description: The purpose of this thesis is to give an account of the comparable use of dissonance of Palestrina, Lassus, and Victoria through harmonic analysis and statistical comparison, illustrating the stylistic differences among the three composers works. The thesis does. not attempt to cover text setting, melodic construction, ranges, or aesthetic evaluation of composition other than that which pertains to dissonance. The analysis of dissonance was done with primary consideration being given to the ver… more
Date: June 1967
Creator: Jerome, Raoul
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Microbial Actinomycete Population Studies in Lacustrine Substrates

Description: The discovery of the production of antibiotic materials by certain members of the Actinomycetales has stimulated the study of these organisms over the last two decades, raising them from a position of little significance to one of noticeable importance. These studies include investigations concerning the physiology and biochemistry of the actinomycetes.
Date: August 1968
Creator: Brothers, James Walker
open access

Leo Sowerby's Solo Organ Compositions Based on Hymn Tunes

Description: Sowerby's compositions based on hymn tunes cover the extent of his career - from 1913 to the time of this study. There are two purposes in selecting them for study: to describe the development of Sowerby's musical style; and to show, from a study of these compositions, the various devices, forms, and techniques which are effective in this area of composition in general.
Date: June 1966
Creator: Mitchell, Margaret P.
open access

An Acoustical Comparison of the Tones Produced by Clarinets Constructed of Different Materials

Description: In music education today there is a trend toward a greater understanding of the fundamentals of music. Investigations have been undertaken to determine exactly what a musical tone is made of and why individuals respond to it in certain ways. In all fields these endeavors have led to an objective view of what has been primarily a subjective area. A knowledge of why something happens or of a relationship between factors in a situation is always of ultimate value in teaching situations. In this li… more
Date: August 1969
Creator: Bennett, Wayne (R. Wayne)
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Arabic 1620: An Analysis and Procedure for Composing Computer Music

Description: Computers are used in the music field for generation of sound, for composing music, for analysis of music, and for musicological applications, such as cataloguing a bibliography of music literature. These areas are relatively new aspects of computer usage, and research is being conducted to stay abreast of current technological advancements. Avant-garde composers are challenged by new advances in music. Computer-generated music is one of the new trends, but the composer is usually limited in th… more
Date: August 1968
Creator: Lott, William Loyd
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A Comparative Analysis of Selected Goethe Lieder by Schubert and Wolf

Description: Of all the composers of German Lied, Franz Schubert and Hugo Wolf can be considered the true giants of this musical form. Schubert's position is secure as the greatest composer of the Lied. Wolf, though challenging Schubert in this particular idiom only, brought the Lied to its culmination. This study will show, by comparative analysis, the respective treatment by Fr anz Schubert and Hugo Wolf of selected poems by Johann Wolfgang von Goethe. Though Schubert composed some seventy songs (not incl… more
Date: January 1964
Creator: Ham, Harry C.
open access

The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak

Description: The harmonic practices of the late romantic period are often discussed in general terms, categorical phrases, and a score of subjectivisms characteristic of the era. It is the purpose of this thesis to clarify certain aspects of the harmonic vocabulary which developed in the late romantic period.
Date: January 1964
Creator: Webb, Kristin
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Reinhard Keiser and His Opera Fredegunda : a Study in the History of Early German Opera

Description: The purpose of this investigation is to trace briefly the development of opera in Germany during and after the Thirty Year's War as a background for the understanding of the milieu in which Keiser's Pregunda was created, and to study in detail this work as a representative of contemporary North German opera.
Date: August 1966
Creator: Brooks, Eulan Von
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Symphony No. 1

Description: Symphony No. 1 is a three-movement work for orchestra. The movements have the following tempo indications: (I) Allegro ma non troppo, (II) Lento, and (III) Allegro giocoso. The composition is scored for 3 flutes (3rd flute interchangeable with piccolo), 2 oboes, 2 clarinets in B-flat, bass clarinet in B-flat, 2 bassoons, contra-bassoon, 4 horns in F, 3 trumpets in B-flat, 2 tenor trombones, bass trombone, tuba, percussion (timpani, snare drum, and triangle), and the usual complement of strings.
Date: June 1967
Creator: Watson, Walter, 1933-2014.
open access

Movement for Orchestra

Description: The form of the movement is as follows: Slow introduction; forceful theme "A"; lyrical theme "B"; bridge between second theme and development section; development of theme "B"; another bridge developed from a fragment introduced immediately preceding the bridge which is used for a climax before theme "C" is introduced and developed. with the end of the development of theme "C", the development section ends, and thus begins the recapitulation of themes "B" and "A" in that order with little vari… more
Date: August 1961
Creator: Powell, Morgan, 1938-
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Ash Glazes and the Effect of Colorants and Firing Conditions: Volume 2. Plates

Description: The study being undertaken was to ascertain the effect or effects of different firing conditions and colorants on glazes composed of wood ash from two trees indigenous to Texas. The problem was divided into two parts: first, to identify the best mixtures using the selected vegetable ash; second, to alter successful glazes with set percentages of colorants. The main objective of the study was to evaluate findings resulting from the variation of elements, firing conditions, and colorants used and… more
Date: June 1969
Creator: Jones, James Denny
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The Keyboard Ricercare in the Baroque Era: Volume 2

Description: This study seeks to examine the history of the ricercare, specifically in the baroque era. In this work, all types of keyboard compositions that utilize imitative counterpoint have been examined. Late baroque fugues have been examined to determine which characteristics of the earlier ricercare remained in general use and which specific compositions contain elements causing them to resemble strongly the parent form. This volume is a musical supplement to the thesis.
Date: August 1963
Creator: Douglass, Robert S. (Robert Satterfield), 1919-
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