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Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.

Description: Scriabin's piano miniatures are ideal for the study of evolution of his style, which underwent an extreme transformation. They present heavily concentrated idioms and structural procedures within concise form, therefore making it more accessible to grasp the quintessence of the composer's thought. A plethora of studies often reviews isolated genres or periods of Scriabin's legacy, making it impossible to reveal important general tendencies and inner relationships between his pieces. While expa… more
Date: May 2008
Creator: Sukhina, Nataliya
open access

An Analysis of Form and Tonality in Arnold Cooke's Sonata for Oboe and Piano (1957)

Description: Arnold Cooke composed many works for oboe including two sonatas, a concerto and several pieces for chamber ensembles; however, his works are rarely performed. Through the analysis of form and tonality in his first oboe sonata, Cooke's musical style and influences become apparent. His musical style was primarily influenced by his teacher, Paul Hindemith, and can be characterized by traditional forms with the contemporary use of quartal harmonies and a variety of tertian sonorities. Cooke wrote m… more
Date: May 2008
Creator: Polk, Kristin Marie
open access

An Analytical Study of Karamanov's Piano Concerto No.3 "Ave Maria"

Description: The purpose of this dissertation is to analyze Concerto No.3 "Ave Maria" by Alemdar Karamanov (1934-2007) and to elucidate the work through historical background and the composer's ideas. This concerto is presented as a significant gesture of dramatic emotion, religious belief, romantic spirit and universal feeling. The subtitle "Ave Maria" relates to a set up already present within the music program. An analysis of interval relationships will help performers better realize Karamanov's music la… more
Date: May 2008
Creator: Yang, Christine
open access

Anthoni van Noordt: Historical and Analytical Analysis of His Tabulatuurboeck van Psalmen en Fantasyen of 1659

Description: This dissertation presents a historical and analytical study of the organ works of Anthoni van Noordt. Van Noordt's Tabulatuurboeck is one of the most important music publications in mid-seventeenth-century Netherlands. It gives unique, valuable information on organ playing of its time. The process of discrete analysis has led to the identification and exploration of many details, such as extensive use of pedal, the reliance of the composer on rhetorical principals of composition, and his in… more
Date: May 2008
Creator: Javadova-Spitzberg, Jamila
open access

Birth of a Modern Concerto: An Explication of Musical Design and Intention in Journey: Concerto for Contrabass Tuba and Orchestra

Description: John Stevens was commissioned by the Chicago Symphony Orchestra (CSO) and the Edward F. Schmidt Family Commissioning Fund to compose a concerto for its principal tubist, Gene Pokorny. The piece began with multiple conversations between composer and performer and from these meetings actualized the influences that shaped the work. The most important influences that the performer mentioned were his passions for American steam locomotives and the Three Stooges, both of which were used by Stevens … more
Date: May 2008
Creator: Daussat, David M.
open access

The Career and Legacy of Hornist Joseph Eger: His Solo Career, Recordings, and Arrangements

Description: This study documents the career of Joseph Eger (b. 1920), who had a short but remarkable playing career in the 1940s, 1950s and early 1960s. Eger toured the United States and Britain as a soloist with his own group, even trading tours with the legendary British hornist, Dennis Brain. He recorded a brilliant solo album, transcribed or arranged several solos for horn, and premiered compositions now standard in the horn repertoire. He served as Principal Horn of the New York Philharmonic, Los Ange… more
Date: May 2008
Creator: Pritchett, Kathleen S.
open access

A Critique of Etudes and Method Books for Advanced Euphoniumists: Status Quo and Future Recommendations

Description: Etudes and method books played had an important role in teaching technique and musicality for all musicians. Euphonium players have been using pedagogical materials originally written for other brass instruments such as trumpet, cornet, and trombone. Those materials have been very effective in helping euphoniumists learn skills to play idiomatic nineteenth and early twentieth century repertoire. In recent years, many solo pieces for euphonium demanding advanced techniques have been composed.… more
Date: May 2008
Creator: Saito, Mitsuru
open access

The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions.

Description: As several Italian baroque violoncello transcriptions have entered the standard performance repertory for both high school and collegiate tubists, and as numerous texts, articles, and baroque performance instruction courses have illuminated a new realm of performance possibilities, no published document has provided specific, thorough, and sample approaches to performance on the tuba of a given piece (or pieces) through a detailed application of materials found in any singular source or combina… more
Date: May 2008
Creator: Coker, Bradley Gene
open access

Extended Techniques in Stanley Friedman's Solus for Unaccompanied Trumpet

Description: This document examines the technical execution of extended techniques incorporated in the musical structure of Solus, and explores the benefits of introducing the work into the curriculum of a college level trumpet studio. Compositional style, form, technical accessibility, and pedagogical benefits are investigated in each of the four movements. An interview with the composer forms the foundation for the history of the composition as well as the genesis of some of the extended techniques and pr… more
Date: May 2008
Creator: Meredith, Scott
open access

Georgy L'vovich Catoire: His Life and Music for Piano, with Special Emphasis on Poem: Second Sonata for Violin and Piano, Op. 20

Description: A Russian composer of French descent, Georgy L'vovich Catoire (also often spelled "Katuar") (1861-1926) is one of the most neglected composers of the turn of the nineteenth and twentieth centuries. Catoire composed a number of piano pieces, most of which are chamber and solo works. These pieces are rarely studied or performed in the West. This study makes an attempt to fill this void. It thoroughly investigates Catoire's life, as well as looks into his genealogy, since his family was influen… more
Date: May 2008
Creator: Bolshakova, Natalia
open access

John Harbison's The Flight into Egypt: An Analysis for Performance

Description: John Harbison's status as a significant contemporary American composer is confirmed by his numerous appointments, honorary degrees, and awards. He is the recipient of nearly every major composition award, with works performed by major orchestras and in important opera houses spanning the world. This paper examines in detail Harbison's most acclaimed choral work, the 1987 Pulitzer Prize-winning The Flight into Egypt. This study of the score is a "conductor's analysis," offering a musical guide … more
Date: May 2008
Creator: Galante, Brian Edward, 1974-
open access

Mozartean Gesture and Rhetoric in Hummel's Concerto for Trumpet

Description: Hummel's Concerto for Trumpet (Concerto a Tromba principale) is overtly operatic and is stylistically reminiscent of Mozart's Don Giovanni. Using the methodology of Leonard Ratner and Wye J. Allanbrook, it is possible to explore gesture and rhetoric in Hummel's Concerto for Trumpet and Mozart's Don Giovanni, and achieve a deeper understanding of the stylistic similarities shared between the two works. In the third movement, dance is the most significant link to Don Giovanni. In the second move… more
Date: May 2008
Creator: Phillips, Edward
open access

Risk Factors for Flute-Related Pain among High School and College Students

Description: Flutists have reported musculoskeletal pain from practicing and performing their instrument. This study was a statistical approach to investigate potential causal risk factors for flute related pain among high school and college students. The study focused on the relationship between flute related pain and musical background or anthropometric measurements including size, strength and flexibility. Subjects included thirty high school and college-aged flutists who were assessed using a questionn… more
Date: May 2008
Creator: Thompson, LeeAnne
open access

An analysis of the American Concerto by Ellen Taaffe Zwilich, identifying the use of motives, and a guide for performance preparation.

Description: Ellen Taaffe Zwilich is an important figure in the compositional world, having written a diverse body of works for which she has received many accolades, including the coveted Pulitzer Prize. The second chapter examines this American composer, the commission of the American Concerto, and events leading to the piano reduction of the concerto. The America Concerto is a modern work that incorporates synthetic scales, unusual notation, and the organization of melodic material through motives. The… more
Date: August 2008
Creator: Samayoa, Raquel Rodriquez
open access

Carl Orff's Carmina Burana: A Comparative Study of the Original for Orchestra and Choruses with the Juan Vicente Mas Quiles Wind Band and Chorus Arrangement.

Description: The 1994 publication of a new version of Carl Orff's Carmina Burana, arranged for winds, percussion and choruses by Juan Vicente Mas Quiles, created new possibilities for the performance of Orff's monumental work. This dissertation serves as a guide to the study and performance of the Mas Quiles arrangement of Carmina Burana. Chapter One presents a brief discussion of Carl Orff and his Carmina Burana, followed in Chapter two by a short discussion of Mas Quiles' and the other significant transc… more
Date: August 2008
Creator: Simon, Philip G.
open access

Carl Sandburg's Timeless Prairie: Philip Wharton's Song Cycle, The Prairie Sings

Description: The connection of music and verse evident in the work of American poet, Carl Sandburg, is a topic that has received inadequate attention. Much preexisting research has focused on Sandburg's work with The American Songbag anthology; however little has been written about music composers' settings of his verse. The relevance of Sandburg's work as a poet has faded in today's society; the rural prairie subject matter and his poetic style are deemed archaic in an ever-evolving mechanistic society. … more
Date: August 2008
Creator: Wunderlich, Kristen A.
open access

Choral Resonance: Re-Examining Concepts of Tone and Unification.

Description: Resonant singing creates possibilities with dynamic shading, subtlety of phrasing, and rich vibrant tone that astonishes listeners. Choral singing that employs resonance as a fundamental ensemble virtue yields impressive results that lend themselves well to the varying demands of any choral score. Fortunately, choruses of every level can benefit from an increased understanding of the basic principles of resonance in the singing voice. Research on issues of upper partial energy and … more
Date: August 2008
Creator: Quist, Amanda Renee
open access

An examination of the influence of selected works of Franz Schmidt on the Concerto for Trumpet and Orchestra and the Sonata for Trumpet and Piano by Karl Pilss.

Description: The Concerto for Trumpet and Orchestra and the Sonata for Trumpet and Piano by Karl Pilss were written in 1934 and 1935, respectively. They are examples for solo trumpet of the late German Romantic style of melody, harmony, form and structure. Musicians and audience often overlook composer Karl Pilss outside his native Vienna. His ties to the Trompeterchor der Stadt Wien and the National Socialist Party during the years preceding the Second World War have limited widespread acceptance of this c… more
Date: August 2008
Creator: Wacker, John Mainard
open access

Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane.

Description: Vibraphone performance continues to be an expanding field of music. Earliest accounts of the presence of the vibraphone and vibraphone players can be found in American Vaudeville from the early 1900s; then found shortly thereafter in jazz bands as early as the 1930s, and on the classical concert stage beginning in 1949. Three Pieces for Vibraphone, Opus 27, composed by James Beale in 1959, is the first solo concert piece written exclusively for the instrument. Since 1959, there have been over 6… more
Date: August 2008
Creator: Smith, Joshua D.
open access

History and Current State of Performance of the Literature for Solo Trombone and Organ

Description: More than 200 compositions have been written for solo trombone and organ since the nineteenth century, including contributions from notable composers such as Franz Liszt, Gustav Holst, Gardner Read, Petr Eben, and Jan Koetsier. This repertoire represents a significant part of the solo literature for the trombone, but it is largely unknown to both trombonists and organists. The purpose of this document is to provide a historical perspective of this literature from the nineteenth century to the … more
Date: August 2008
Creator: Pinson, Jr., Donald Lynn
open access

An Interpretive Analysis of George Antheil's Sonata for Trumpet and Piano

Description: American composer George Antheil's Sonata for Trumpet and Piano was written in 1951. This dissertation provides historical and theoretical information that gives insight into the interpretation of this sonata. Reasons why the piece deserves greater attention with respect to the standard twentieth century trumpet literature are also given. Antheil's music was influential in the development of classical music in the first half of the 20th century and, more specifically, contributed to the esta… more
Date: August 2008
Creator: Fenderson, Mark
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A Performer's Guide to George Crumb's Makrokosmos IV (Celestial Mechanics)

Description: George Crumb (b.1929)'s Makrokosmos is recognized as one of the masterpieces of twentieth century piano writing. Inexplicably, volume four of Makrokosmos, Crumb's only four-hand piano piece, is rarely studied by Crumb scholars. According to Crumb's program notes, his Makrokosmos is meant to be a hybrid of piano and orchestral sound. Crumb devised a list of signs and abbreviated letters to explain his specific instructions to the performers. The pianists who plan to perform Makrokosmos need to… more
Date: August 2008
Creator: Kim, Hyangmee
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Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988).

Description: In 1988, Jean Guillou composed Hyperion on a commission from the French oil company, Société Nationale Elf Aquitaine, to celebrate its discovery of oil. He developed this theme of fire using his imagination, European philosophical concepts, and various myths. As with Messiaen, rhythm becomes a significant element in Guillou's organ music to convey a heightened dramatic story of an exaltation of fire and to represent the fourth movement of "Agni-Ignis." For aspects of rhythmic structure, I dev… more
Date: August 2008
Creator: Lee, Ju Yeon
open access

Scenen aus Goethes Faust: A performer's analysis.

Description: Robert Schumann's dramatic music remains, for the most part, undiscovered and therefore performed infrequently. Genoveva, Das Paradies und die Peri, Manfred, and Scenen aus Goethes Faust are comprised of some of Schumann's most beautiful music from his last stylistic period. Schumann envisioned a national German opera that had a complete union of text and music and a plot based upon the supernatural and mythical German legends. His lofty aspiration was to raise the dramatic music of his time to… more
Date: August 2008
Creator: Paoletti Jr., Karl
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