UNT Libraries - 32 Matching Results

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Primary view of Tonality and Harmonic Motion in Copland's Appalachian Spring
Rober, Russell Todd
December 1993
Primary view of An Analytical Study of Prokofiev's Sonata, Opus 119, for Violoncello and Piano
Rietz, Marilyn June
August 1972
Primary view of The Comparative Usages of the Ninth, Eleventh, and Thirteenth Intervals, in Chordal and Contrapuntal Context, as Analyzed in Richard Wagner, Die Walküre, Act I, and Götterdämmerung, Act I
Herfort, David A.,1932-
August 1971
Primary view of An Analysis of Growth in Karel Husa's Music for Prague, 1968
Davidson, Richard C.
May 1976
Primary view of Key Schemes and Modulation Techniques in the Development Sections of First Movements in Sonata-Allegro Form of Piano Sonatas by Haydn
Phillips, Kathryn Elaine
August 1974
Primary view of A Comparative Analysis of the Expositions in the Fugues of J.S. Bach in the Well-Tempered Clavier and Those of Paul Hindemith in Ludus Tonalis
Foster, Dorothy N. (Dorothy Nell)
August 1973
Primary view of A Comparison of Sixteenth Century Polyphonic Devices Used by Pierluigi da Palestrina and William Byrd
Cheshier, Joanne Dallinger
December 1972
Primary view of Pandiatonicism in Three Ballets by Aaron Copland
Adams, Kenny L.
December 1972
Primary view of A Study of the Effects of Frequency Variance on Duration Perception
Gay, Leslie C.
May 1980
Primary view of The Two-Part Framework in Selected Choral Works as a Harmonic and Stylistic Determinant
Turner, Michael W.
May 1981
Primary view of Seven Early Songs of Arnold Schoenberg from the Nachod Collection
Russom, Philip Wade
December 1980
Primary view of Messiaen's Influence on Post-War Serialism
Muncy, Thomas R.
August 1984
Primary view of An Analysis of Dominick Argento's "Peter Quince at the Clavier": the Music and Its Relationship to the Text
Gonzales, Cynthia I. (Cynthia Inez)
August 1990
Primary view of Harry Partch: And on the Seventh Day Petals Fell on Petaluma
Nicholl, Matthew James
August 1982
Primary view of Béla Bartók's "Four Dirges" for Piano, Op. 9a: A Complete Analysis
Terrell, John W.
August 1980
Primary view of History and Development of Theory of Lü: A Translation of Selected Chapters of Huang Ti-Pei's Perspectives of Chinese Music
Chen, Whey-Fen
August 1985
Primary view of Heroes Are Born Then Made
Miesak, Edward
May 1987
Primary view of Debussy's Use of the Motive in Thematic Construction as Found in "Images I" for Piano
Sheridan, John F.
May 1977
Primary view of A Study of Part Forms in the Selected Intermezzi (opp, 116-119) of Johannes Brahms
Yang, Byung H.
August 1979
Primary view of The Fantasias of John Dowland: An Analysis
Walker, William J. (William Jared)
August 1986
Primary view of The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music
Spicer, Mark Stuart
August 1990
Primary view of Analysis of Nocturnal op. 70 by Benjamin Britten
Frackenpohl, David J. (David John)
December 1986
Primary view of The Elements of Jazz Harmony and Analysis
Mahoney, J. Jeffrey
August 1986
Primary view of Scriabin: A New Theory of Harmony and Structure
McVay, Michael (Michael Jones)
December 1991
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