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Primary view of Two Argentine Song Sets: A Comparison of Songs by De Rogatis and Ginastera
Abe, Shoko
August 2018
Primary view of An Introduction to Contemporary Characteristics in Twentieth-Century Piano Music for the Late-Intermediate Student: A Pedagogical Analysis of the Bagatelles, Opus 5 by Alexander Tcherepnin
Ai, Meilin
May 2019
Primary view of Musical Time and Memory: A Bergsonian Interpretation of Sergei Rachmaninoff's Prelude Op. 32 No. 10 in B Minor
Buxton, Robert S.
August 2018
Primary view of A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's Vingt Études Chantantes, Op. 30, for Upper Intermediate Piano Students
Cao, Chenyi
December 2017
Primary view of A Study of Selected Pedagogical Aspects of Two Intercultural Pieces for Late Intermediate and Early Advanced Students: "Variations sur un thème populaire coréen" by Sung-Ki Kim and "Six Pieces for Piano ‘Nori'" by Chung-Sock Kim
Choi, Yujin
December 2019
Primary view of Kaikhosru Sorabji's Rapsodie Espagnole de Maurice Ravel, Transcription de Concert pour piano: A Comparison of the Two Versions from 1923 and 1945
Chu, Fang-Yi
December 2018
Primary view of A Performer's Guide to Samuil Feinberg's Sonata No. 6: A Window into Russian School Pianism
Georgievskaya, Liudmila
August 2017
Primary view of The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3
Hsu, Yu-Ching
August 2017
Primary view of Uncovering Fanny Hensel's "Das Jahr": Creating an Urtext Edition that Addresses Selected Technical and Interpretive Issues through Added Fingerings and Pedal Markings
Huang, Szu Ying
December 2019
Primary view of An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors
Hung, Sophie (Shuo-Hui)
December 2018
Primary view of A Comparative Study of Piano Etudes by György Sandor Ligeti and Unsuk Chin: A Technical and Stylistic Guide to Mastering the Difficulties of Their Etudes
Jang, Miyoun
December 2018
Primary view of A Study of Neoclassical Elements in Ernst Krenek's George Washington Variations, op. 120
Jeon, Eun Deok
May 2016
Primary view of Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes
Kharitonov, Arsentiy
May 2017
Primary view of A Guide to Franz Liszt's Piano Transcriptions of Franz Schubert's Songs
Kim, Ah Young
May 2017
Primary view of Functional Orchestral Collaboration Skills for Wind Band Pianists: A Study Guide
Kim, Grace Jisoo
August 2016
Primary view of "Mich dürstet" (I Thirst) by Younghi Pagh-Paan and the Jeju 4.3 Incident: Images and Piano Textures
Kim, Seongkyul
August 2019
Primary view of Ross Lee Finney's 32 Piano Games and Stephen Chatman's Amusements: A Comparison of Two Pedagogical Approaches to Contemporary Musical Elements and Techniques
Kim, Sooyun (Pianist)
May 2018
Primary view of Marc-André Hamelin's "Variations on a Theme of Paganini": The Effect of Polystylism through Pastiche and Musical Borrowing in Variations
Kim, Warren
December 2019
Primary view of A Performance-and-Analysis Approach to a Cadential Ambiguity: Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, First Movement
Kim, Yereum
December 2019
Primary view of Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices
Lee, Hyun Kyung (Organist)
May 2016
Primary view of Teaching Late Intermediate-level Technical Skills Through the Study of Leschetizky, Vengerova, and Neuhaus: Exercises or Repertoire?
Lee, Jihyun
August 2016
Primary view of The Art of Borrowing: Quotations and Allusions in Western Music
Lee, Myung-Ji
May 2016
Primary view of Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor Opus 16
Lee, Sungyo
May 2017
Primary view of Stephen Chatman's Piano Fantasies (1993): An Instructional and Performance Guide for Teachers and Intermediate Piano Students
Li, Hanhan
May 2019
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