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The Hallstein Doctrine: its Effect as a Sanction
The Federal Republic of Germany (F.R.G.) used the Hallstein Doctrine from 1955-1970 to prevent the worldwide recognition of the German Democratic Republic (G.D.R.). By denying the existence of a separate German state and thus the de facto division of Germany, the F.R.G. sought to perpetuate the idea of one German nation and to ease reunification. In addition, the F.R.G. claimed to be the sole, legitimate representative of German interests, and hoped to prevent the G.D.R. from acting as a separate Germany in world affairs. As a sanction, the Doctrine effectively prevented the international recognition of the G.D.R.. Also, the G.D.R.'s trade with Third World nations, from whom recognition was most likely, was severely limited. Unfortunately, the Doctrine also prevented the reunification of Germany.
Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others
This study investigates and documents tenor/bass trombone solo performances at the Gewandhaus, Leipzig, East Germany, between 1821 and 1876. Included is the discussion of a newly discovered composition, the Concertino fur Bassposaune und Orchester, by Carl Heinrlch Meyer, which is the earliest concerto for the tenor/bass trombone. Its performance at the Gewandhaus in 1821 marked the beginning of the solo tradition for the tenor/bass trombone, and the Leipzig Gewandhaus became one of the leading centers of solo trombone performance for the next fifty years. The study includes background information on the rise of the virtuoso soloist in nineteenth-century Germany. It specifically focuses on Friedrlch August Belcke and Carl Traugott Queisser and their performances at the Gewandhaus. All solo trombone performances at the Gewandhaus in the nineteenth century have been documented, and specific information has been provided regarding the soloists, dates of performances and repertoire performed on the concerts. The paper includes a discussion of performance reviews from the Allgemeine Musfkalische Zeitung. The conclusion discusses the importance of solo trombone performance at the Gewandhaus, and the reason for its sudden decline after 1876.
A Study of the Interdependence of Four Major Stock Markets Using a Vector Autoregression
The question for this thesis is whether the four major stock markets--the United States, Great Britain, West Germany, and Japan are interdependent or segmented. The study period runs from February 1979 to June 1987, with the Wall Street Journal as a source of data. The Granger causality test is used to test for relationships among the four major stock markets. The thesis is divided into five chapters-- 1) statement of the problem; 2) survey of literature; 3) methodology; 4) results and 5) conclusions. The overall findings of this thesis indicate that there are few or no comovement similarities among all the four stock markets. However, the findings do point out the significant influence of the United States stock market on the other three stock markets.
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