Search Results

Primary view of Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.
Sukhina, Nataliya
May 2008
Primary view of An Analysis and Performance Guide to William Lovelock's Concerto for Trumpet and Orchestra
Place, Logan
December 2008
Primary view of An Analysis of Form and Tonality in Arnold Cooke's Sonata for Oboe and Piano (1957)
Polk, Kristin Marie
May 2008
Primary view of An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra
Hart, Shawn Michael
December 2008
Primary view of An analysis of the American Concerto by Ellen Taaffe Zwilich, identifying the use of motives, and a guide for performance preparation.
Samayoa, Raquel Rodriquez
August 2008
Primary view of An Analytical Study of Karamanov's Piano Concerto No.3 "Ave Maria"
Yang, Christine
May 2008
Primary view of Anthoni van Noordt: Historical and Analytical Analysis of His Tabulatuurboeck van Psalmen en Fantasyen of 1659
Javadova-Spitzberg, Jamila
May 2008
Primary view of Birth of a Modern Concerto: An Explication of Musical Design and Intention in Journey: Concerto for Contrabass Tuba and Orchestra
Daussat, David M.
May 2008
Primary view of The Career and Legacy of Hornist Joseph Eger: His Solo Career, Recordings, and Arrangements
Pritchett, Kathleen S.
May 2008
Primary view of Carl Orff's Carmina Burana: A Comparative Study of the Original for Orchestra and Choruses with the Juan Vicente Mas Quiles Wind Band and Chorus Arrangement.
Simon, Philip G.
August 2008
Primary view of Carl Sandburg's Timeless Prairie:  Philip Wharton's Song Cycle, The Prairie Sings
Wunderlich, Kristen A.
August 2008
Primary view of Choral Resonance: Re-Examining Concepts of Tone and Unification.
Quist, Amanda Renee
August 2008
Primary view of A Comparative Analysis of Minoru Miki's Time For Marimba  and Concerto for Marimba and Orchestra
Zator, Brian Edward
December 2008
Primary view of A Critique of Etudes and Method Books for Advanced Euphoniumists: Status Quo and Future Recommendations
Saito, Mitsuru
May 2008
Primary view of The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions.
Coker, Bradley Gene
May 2008
Primary view of Ernesto García de León: A Study of Sonata No. I, Op. 13, Las Campanas (The Bells)
Tercero, David R.
December 2008
Primary view of An examination of the influence of selected works of Franz Schmidt on the Concerto for Trumpet and Orchestra and the Sonata for Trumpet and Piano by Karl Pilss.
Wacker, John Mainard
August 2008
Primary view of Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane.
Smith, Joshua D.
August 2008
Primary view of Extended Techniques in Stanley Friedman's Solus for Unaccompanied Trumpet
Meredith, Scott
May 2008
Primary view of Georgy L'vovich Catoire:  His Life and Music for  Piano, with Special Emphasis on Poem: Second Sonata for Violin and Piano, Op. 20
Bolshakova, Natalia
May 2008
Primary view of History and Current State of Performance of the Literature for Solo Trombone and Organ
Pinson, Jr., Donald Lynn
August 2008
Primary view of The improvisational language of Niels-Henning Ørsted Pedersen: A performance study.
Butterfield, Craig
December 2008
Primary view of The influence of Sister Helen Prejean on the life and work of Jake Heggie as seen in the song cycle The Deepest Desire: Four Meditations on Love.
Beasley, Rebecca Choate
December 2008
Primary view of An Interpretive Analysis of George Antheil's Sonata for Trumpet and Piano
Fenderson, Mark
August 2008
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