The problem with which this study is concerned is that of critically analyzing and producing the musical comedy The Apple Tree. The study attempts to adapt some of the major unifying elements of this production and, in addition, unite the show through the use of color. The study also attempts to update the production through an extension of symbolism based on the style of Peter Max; to produce a major musical comedy in a stylized and symbolic style, and to show how a stylized and symbolic method of production can be used to achieve simplicity and unity within the confines of a limited budget.
The purpose of this study is to determine (1) what training is recommended for high school teachers of drama, (2) what training the high school teachers of drama actually have, (3) what job situation is recommended for the high school teacher of drama, and (4) what job situation the high school teachers of drama in the State of Texas actually have. This study should determine if there is a significant relationship between what a high school drama teacher should be and what the high school drama teachers of Texas actually are.
This thesis presents the results of a study of printed material concerning the use of a foreign language-English dialect for the stage, gathering its information from printed sources, old and new, that are available to help the director of a dialect play.
It is the purpose of this paper to make a general study of David Belasco's use of naturalism in the American theatre. More specifically, it is to determine Belasco's methods of achieving naturalism in his stage settings and lighting. From the study of his techniques and methods, and effort is made to establish his contributions to the naturalistic movement.
The purpose of this project was to create an original production scheme which will prove acceptable to the American audience. The production of Don Pasquale adhered to the following guidelines: (1) the production was adapted in terms of the American audience for which it was being performed, it was sung in English and all allusions to the opera's European origin were either omitted or altered to conform to the American stylization, (2) the adaptation of the opera centered around an American historical perspective, a point in American history with which the audience could nostalgically identify.
This paper will point out the reasons for the great popular success of Katharine Cornell as an actress. This paper will examine the background of Miss Cornell to determine the influences that helped shape her career, and the theatre training that brought her to her first Broadway "hit." Special attention will be given to Miss Cornell's philosophy of acting as she expressed it in her autobiography and in interviews. Further, this paper will take each role played by Miss Cornell during her career and through the reviews of the dramatic critics determine the artistic merit of each role. Finally, the roles selected to be of artistic merit will again be subjected to the reviews of the drama critics to determine whether or not Miss Cornell achieved artistic excellence in her portrayal of them.
Even before he became a playwright, Maxwell Anderson developed a belief in the right of the individual to determine his own fate, and a hatred for anything that hampered that right. He never faltered in that belief. Thus, most of his plays have themes concerned with the evils of the abuse of governmental power and the social injustice that is the result of such abuse. It is the purpose of this thesis to study those beliefs as they were developed throughout severl preceding plays and as they were finally expressed in both Anderson's musicals, Knickerbocker Holiday (1938) and Lost in the Stars (1949).
This thesis explains the concept and history of "new stagecraft" and investigates certain presentational plays of Eugene O'Neill, including those which are expressionistic and those which are a combination of expressionism, symbolism, and naturalism. In particular, the investigation will be so arranged as to view the technical problems which result from the suggestions O'Neill makes in his plays.
The purpose of this thesis is to design the sets and costumes for William Shakespeare's Twelfth Night or What You Will adapting to the sixteenth century Italian commedia dell' arte style.
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