This paper provides historical background for the creation of Jacques Ibert's Concertino da camera for alto saxophone and eleven instruments and analyzes its three movements. As one of the first works written for the saxophone, James Garland Riggs explains the importance of the piece.
This paper analyzes composer Paul Hindemith's Sonata for Double Bass and Piano and provides conclusions about how to interpret the movements in performance as well as the compositional techniques used by Hindemith to create them.
This paper compares various editions of Carl Maria Von Weber's Grand Duo Concertant, Op. 48, with the composer's original autograph score. Catherine E. Wood discusses how well these editions retained the composer's intentions, and which edition is the most accurate.
This paper analyzes the piano compositions of Sergei Prokofieff and identifies four elements evident in the literature: classicism, innovation, toccata, and lyricism. Elisabeth Euwer Roberts traces the history of his works and the evidence of these elements in them.
This paper discusses the pianist problems in the fifth sonata created by Alexander Nikolayevich Scriabin and provides historical background to the works of the composer before analyzing his work.
This paper discusses the historical roots, placement, shape, and materials and methods in the construction of the contemporary organ case. James W. Kibbie explores the acoustical considerations of its design and how these are reflected in the finished product.
This paper explores the impact of the organ reform movement on the construction of organs in Texas. E. Dean Beasley also explores the possibilities of further reform for the instrument.
This paper analyzes the piano and organ versions of the Prelude and Fugue on B-A-C-H composed by Franz Liszt and provides a style comparison of the two. Jerry Glynn Smith also provides context for Liszt's work with the organ.
This paper evaluates the style of American composer Aaron Copland's Piano Variations. Philip Carey Jones discusses its position as a unique piece in twentieth-century piano literature and compares his work to that of other composers.
This paper explores the new extensions of clarinet technique in four published works, discussing the percussive effects, melodic effects, and multiple sounds that can be produced through these extensions. David R. Widder also explores the history of innovational solo clarinet works.
This dialog allows you to filter your current search.
Each of the World Regions listed note their name and the number of records that will be limited down to if you choose that option.
This dialog allows you to filter your current search.
Each of the Countries listed note their name and the number of records that will be limited down to if you choose that option.
This dialog allows you to filter your current search.
Each of the U.S. States listed note their name and the number of records that will be limited down to if you choose that option.
This dialog allows you to filter your current search.
Each of the Months listed note their name and the number of records that will be limited down to if you choose that option.